For Bookings Contact:
benny.j@luckyagency.au

Orkestrated comprise of Melbourne local heavyweights, Dean Paps and Adam Bartas. With more than 20 years of DJing experience between them, it is little wonder why they command such a cult following across all venues they grace with their presence. Appropriately dubbed the "Godfathers of the Melbourne Sound” these two gentleman command respect whichever venue they enter.
These two pioneers have helped create and shape the current movement of music that is being pushed and sought after by many DJ’s of different experience and tastes. Orkestrated's tracks have accumulated more than 20,000,000 streams, earning them a dedicated fanbase worldwide. Their electrifying performances have taken them to many festivals including Ultra Music Festival, Summadayz, Gods Kitchen, Future Music Festival, Stereosonic, and many more.
Orkestrated's unique blend of house, techno, and other electronic music genres has captivated audiences in countries like Argentina, Canada, Korea, Indonesia, Germany, Scotland, Croatia & Greece. Their high-energy sets and seamless mixing skills always leave crowds wanting more, earning them a reputation as one of the most sought-after DJ duos in the industry.
With their passion for music and impressive track record, Orkestrated continues to make waves in the music scene, pushing boundaries and inspiring others to pursue their dreams. Whether performing at festivals or creating chart-topping tracks, Orkestrated always delivers an unforgettable experience for fans of electronic music.

JUST ORK IT.

Technological fatigue. Narcissism anxiety. A galaxy of isolation. These are the new norms keeping Weyes Blood (aka Natalie Mering) up at night and the themes at the heart of her latest release, And in the Darkness, Hearts Aglow (Sub Pop Records). 

The album is her follow-up to the acclaimed Titanic Rising. (Pitchfork, NPR, The Guardian admiringly named it one of 2019’s best.)  Where Titanic was an observation of doom to come, And in the Darkness, Hearts Aglow is about being in the thick of it: a search for an escape hatch to liberate us from algorithms and ideological chaos. “We’re in a fully functional shit show,” Mering says. “My heart is a glow stick that’s been cracked, lighting up my chest in an explosion of earnestness.”

And in the Darkness, Hearts Aglow opens with the wistful, winsome “It's Not Just Me, It's Everybody” — about the interconnectivity of all beings, but also the fraying of society around us. “I was asking a lot of questions while writing these songs. Hyper isolation kept coming up,” Mering says. “Our culture relies less and less on people. Something is off, and even though the feeling appears differently for each individual, it is universal.”

Other tracks follow in kind. The lullaby-like “Grapevine” chronicles the splintering of a human connection. The otherworldly dirge “God Turn Me into a Flower” serves as an allegory about our collective hubris. “The Worst Is Done” is an ominous warning, set against a deceivingly breezy pop melody. 

“Chaos is natural. But so is negentropy, or the tendency for things to fall into order,” she says. “These songs may not be manifestos or solutions, but I know they shed light on the meaning of our contemporary disillusionment.”

French Kiwi Juice

New album "22_23 Live Sessions" out now: https://fkj.ffm.to/livesessions

Official Store: https://fkj.ffm.to/shop

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Management: info@verdigrismanagement.com

Bookings: 
North & South America: bowen@paradigmagency.com
Rest of World: michael.harvey-bray@paradigmagency.com

New single Everything's Beautiful out now!

Listen to 'The Party is Over' radio - curated by the Keinemusik crue - on Spotify. Updated weekly: goo.gl/MbTbcY

When one could assume, &ME entered the House and Techno world somewhat out of the blue, it is due to his sublime modesty that’s already captured in his alias. His way to become one of today’s most praised and sought after DJ/producers is based on a solid foundation. A foundation comprised of solo-releases, remixes, projects and collaborations that numerous, we’d rather refer to his discography than weary you with namedropping. Besides, all those references would just distract from what truly matters – the music this guy is delivering. Not to underestimate the importance of a project such as Terranova for &ME’s current path, but still the alignment has been made – to focus consistently on his solo-work. And it shows.

There are not many artists around turning in such a slew of globally praised floormaterial like &ME did over the last years. Just think of his last offerings on Keinemusik, a collective of Berlin based DJs and producers, including Rampa, Adam Port, Reznik & artist Monja Gentschow, he helped founding in 2009, namely “After Dark” and “Woods” or his “Vermillion”-remix for Damian Lazarus – all serious bangers, played by every renowned DJ worldwide. Everything is falling into place for the fella. His DIY-approach to handle things, his easy going attitude, his reputation as a gifted producer and DJ extraordinaire, his ability to link innovative production with consensual reception, making him one of the most unique and original figures in the game.

mmd is following