لا إله إلا الله محمد رسول الله
الكيلتي الإسلام 
For bookings contact celtislam@gmail.com
" unrepentant hard-edged industrial-strength Dub driven Electro Punk " 
*Celt Islam* is a pioneering force in the world of electronic music, blending high-octane Neuro Dub, Electro Punk, Breakbeat, Drum and Bass, and transnational Dubstep with a unique Cyberpunk Synthwave twist. As an English artist, producer, and peace activist, Celt Islam has carved out a genre-defying niche that infuses his music with Islamic, Middle Eastern, and world grooves, creating a futuristic dub-driven sound that is as innovative as it is powerful. His unrepentant, hard-edged industrial-strength dub packs a visceral punch, earning him a reputation for delivering electro punk of the highest calibre.

Renowned for his distinctive fusion of Western and Middle Eastern influences, Celt Islam's sound is more than music—it’s a transcontinental experience, blending cultures and rhythms with a bold futurist dub attitude. His performances are a mesmerizing dancefloor crossover, merging deep, dub-driven beats with Eastern melodies and modern electronic energy. 

Celt Islam’s explosive live sets have captivated audiences at major festivals across the globe, including legendary events like Glastonbury, Hadra, and Ozora. Along the way, he has shared stages with some of the most iconic names in music, from Grandmaster Melle Mel and The Furious Five to The Sugarhill Gang, Youth, and EAT STATIC. His collaborations and performances include legends like Public Enemy's Bomb Squad (Hank Shocklee), Hardfloor, Scientist, System7, Irina Mikhailova, Culture Shock, Don Letts, Iration Steppas, Winachi Tribe, and The Orb. 

Celt Islam has also performed alongside Mixmaster Morris, Zion Train, Orange Blossom, Slamboree Soundsystem, Coldcut, Gaudi, and Braintheft, to name just a few. His talent has earned him spots supporting renowned artists such as DJ Bobby Friction, DJ Pathaan, and Inder Goldfinger (of Ian Brown, Natacha Atlas, and Apesta fame), as well as Mick Reed (1919, Ship of Fools), Oova Matique, and Dr. Weevil (Desert Storm/DMC). 

In 2010, Celt Islam was personally selected by BBC DJ Bobby Friction to perform at the prestigious BBC Introducing Stage at Glastonbury, marking a significant moment in his career. Over the years, Celt Islam has continued to evolve his sound, pushing the boundaries of what is possible in electronic music while staying true to his ethos of peace, unity, and cultural fusion.

With a sound that is as radical as it is groundbreaking, Celt Islam stands as a trailblazer in the world of electronic music, bringing his unrelenting energy, boundary-breaking artistry, and visionary approach to audiences worldwide.
-----------------------------------------------------------------

" APPEAR AS YOU ARE , BE AS YOU APPEAR" - RUMI

Nil aon dia ann ach Allah agus is e Muhammad Teachtaire Allah.

a Better Music Store Experience for DJs & The Music Obsessed since 1999.

Rooted in ex-Yugoslavia and based in Berlin, BA blends 80s Jamaican digital and rub-a-dub influences with a fresh twist. Home to Balkan's Hi Fi and family—big sounds and bold releases coming soon!

https://linktr.ee/wearedelasoul

De La Soul is back—but did they ever really leave? After delivering their seminal debut 3 Feet High and Rising in 1989 with the production genius of Prince Paul, the New York City-bred trio of Posdnuos (Pos), Dave and Maseo went on to further impact Hip Hop culture with five more groundbreaking albums: De La Soul Is Dead (1991), Buhloone Mindstate (1993), Stakes Is High (1996), Art Official Intelligence: Mosaic Thump (2000) and AOI: Bionix (2001). But once the digital age exploded in the late ‘90s, De La Soul’s celebrated catalog was unavailable to stream. As the decades passed, the tight-knit group forged ahead anyway—touring the world, connecting with their adoring fanbase and making music on their own terms. Following 2004’s The Grind Date, De La Soul took a hiatus from making albums, but joined The Gorillaz on the track “Feel Good Inc” which won them a Grammy for Best Pop Vocal Collaboration.  In 2015, the group raised over $600,000 on Kickstarter from fans to independently release their album and the Anonymous Nobody, which was their first #1 on the Rap Albums chart, and was also nominated for a Best Rap Album Grammy.   

However, the demand for unreleased De La Soul music was palpable and the cry for access to the first six albums grew louder. Unfortunately, De La Soul was stuck riding a roller coaster of stalled negotiations, dashed hopes and dead-end conversations with their old label, and the group nearly gave up. 

"We have lived without the music up for long, these six albums haven’t been up—ever,” Pos says. “We got used to knowing they weren’t up.” In June of 2021, Tommy Boy Music was acquired by Reservoir, giving De La Soul’s catalog a new home.  In March of 2023, the six missing albums were finally available to stream.  But sadly, right before the catalog release, Dave, the beloved member of De La Soul, passed away. Though bittersweet, De La Soul preserves his legacy and the ongoing impact of their music. 

As iconic songs such as “The Magic Number”, found new life in the film Spiderman: No Way Home in 2021, De La Soul continues to resonate with a diverse population of people. 

As Pos notes, “We’ve noticed over the past several years of tour like, ‘Wow, there’s a father here with his child who also is here with their child. ‘We’re generational. To me, there’s nothing more gratifying than that. That means something. That’s telling about a group. What we were doing wasn’t just stuck to that time.”

“We really naturally been that group for everyone,” Pos says. “It was never about we’re just here for this community, that community, this set of people or these certain fans of Hip Hop culture. We see music as music. We’ve been very resilient, even being a group that didn’t have our music up [on streaming platforms]. We still had these beautiful opportunities through young people finding out about us through a commercial or Spider-Man. Now that it can all be there for people to gravitate to, I’m really happy about that.” 

De La Soul's impact on the musical landscape is immeasurable, with 3 Feet High and Rising widely regarded as one of the most influential albums of its era. Pioneering inventive sampling, playful lyrics, and eclectic beats, the album broke new ground and set a standard for creativity in the genre. Recognizing its cultural significance, the album was inducted into the National Recording Registry by the Library of Congress.

This is an archive of music produced under the alias "Felon". For all forthcoming music, check out https://soundcloud.com/dikara

Soulful, elegant and real, Jasmine Bee presents everything that she is through her melodic words and gentle head swaying music. Writing every-day inspired lyrics and singing from a young age, she has no qualms or reservations with her love for a down tempo laid back style of song and her passionate and graceful multi octave vocal range sits beautifully over each musical canvas as her art and way of expressing and with every song becomes closer to the music of her heart and revealing how it sounds within. Only working with carefully selected producers who give her the meaningful platform she needs to express truly and freely, and also allowing the space for her to grow as an artist, Jasmine has recently found her muse in one particular Adrian Cox who goes by the name of ‘Shabda’. An artist in his own right (Music Producer, Writer, Rap Artist [EQ], Musician, Vocalist) Shabda has consistently been a strong musical influence for Jasmine, enabling her to bring what she has to the table and building a strong and enticing sound together. The musical waves they touch on in their journey, with the dynamic and emotive voice of Jasmine Bee and the beautifully intricate productions from Shabda range from RnB, Soulful Orchestral, to down tempo, easy listening and they continue to delicately manoeuvre through these genres as they go forward

Mode One Recordings. A genre-hopping, sonically diverse digital record label.

We love music and we don't mind who knows it! We believe in acoustic diversity and set out to release music across the spectrum, with a well considered disregard for convention, breaking free from the shackles of any one particular genre. We encourage creativity and sonic exploration and share them with the world... 

Check out The Deadbeats Bandcamp page here
http://the-deadbeats.bandcamp.com/

Damian Stanley sound engineer forlabels Warp, Strictly Rhythm, UMM, Warp, Junior Boys Own, Arista, 3Beat, DIY Disks, Time Recordings, Emit, Narcotic Records, Chrissie Hynde, Ashley Beadle ... the list goes on. 
The Deadbeats 2nd album released thru Nightmares On Wax label - Wax On Records released in 2009. 
They now release through The Deadbeats old label Space Hopper. 
Currently working with various labels too many to mention in various collaborations including Simon DK DIY SoundSystem / Arcadian & across various musical genres from  House / Chillout / Electro-Funk.

for more Damian Stanley mixtapes

http://www.mixcloud.com/thedeadbeats/
Check out our Bandcamp page here
http://the-deadbeats.bandcamp.com/

This is an archive of music produced under the alias "Fluid". For all forthcoming music, check out https://soundcloud.com/dikara

Mode One Recordings is following