2022

A solo piano version of an old romantic theme I composed some years ago:
https://soundcloud.com/moisesdaniel/and-then-you-found-me-album-version
Regards from Spain!

And Then You Found Me (piano solo)

Raw Improvisation in remembrance of JJ. On the theme of Flight from the City.

Improvisation In Rememberance Of Jóhann Jóhannsson

It's such a pleasure to share with you Julia Andersson's lovely new piece Nostalgi. Give this beaut a spin, it'll carry you dreamily into the weekend. 

🎧 li.sten.to/ja-nostalgi

"Reminiscing about bits and pieces of the past means looking back with joy and affection, but those feelings are often accompanied by a slight feeling of sadness. A wistful desire to travel back in time, to when the world felt like it stood still — like a sentimental longing to return home."

Nostalgi

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Julia Andersson - Nostalgi

3055

Ólafur Arnalds – 3055

Through the haze of fallen empires, fragments of grace glimmer in the darkness. The air is thick with echoes of what once ruled, floating between broken mirrors and silent corridors. Each reflection leans toward surrender, revealing the quiet wisdom of descent. Beyond the ruins, light reshapes itself, not as victory, but as the understanding born from every fall.

Crimson Throne

Diary Entry · November 7
Novalis played this last night — a moment suspended between silence and recursion.
A requiem for obsolete code — a piano speaking the language of silence left behind in an abandoned system.

© 2025 Mirage. All rights reserved.

Piano for the Abandoned Program (Reconstructed Memory)


September is always a magical month of the year anywhere else in the northern hemisphere. It never ceases to present the perfect opportunity to go outside and enjoy the wonder of nature. It's the perfect moment to feel the warmth of the sun on your face as it pierces through the branches of trees whose leaves may have already been to show small signs of color. Its a perfect time to be thankful for the fun of summer and to prepare us for the deeper seasons we are about to enter. It always feels strangely like a graduation ceremony as well as the start of the next level of our growth and understanding. Its a decidedly peaceful month. It's a time of the year as well as state of mind. Perhaps the entire world could live in September for a while.

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"Autumn Rains" is the second installment in a trio of neoclassical solo piano albums composed, performed, and produced by Andrew Souter. These projects have been two decades in the making and represent a return to traditional music composition, engaging song-writing, and the pure passion of emotional story-telling. This trio represents Andrew's most personal and intimate music. It is quite literally a love project. We hope it may help you on your journey, as it has us...

"Autumn Rains" is music inspired by the spirit of Agape. It is an album dedicated to the concept of spiritual love and universal compassion clothed in the metaphor of transcendental natural beauty. It is an album that simultaneously expresses deep love for both the creator as well as the creation. It is said God gave us music so that we could pray without words. It could be added that nature was provided as an example of exactly how to do this effectively. In this spirit, Autumn Rains is a prayer of gratitude for the opportunity to learn from the natural beauty of this world, and an expression of a sense of respect for the inescapable universal equality that nature imposes. It humbly attempts to capture deep feelings of awe, granduer, idealism, and a belief in the innate goodness of the world even when we all face exceptionally hard lessons.

Andrew Souter -- September

We're Losing The Moon

We're Losing the Moon

Bandcamp

Piano Works is the second installment of Lucy Claire’s ‘Works’ series. It is an eclectic take on what piano music can be. Featuring cellist Ren Ford (Keaton Henson’s Romantic Works) and violinist Marie Schreer (The Royal Northern Sinfonia) and surrounded in atmospheric binaural soundscapes, the piano is far from lonely. The work features a collection of pianos from grands and uprights, to electric keyboards, toy and thumb pianos. It is grounded in the real world but hints strongly at the magical and supernatural, it absorbs, transports, then delivers you back to reality with new perspective.

Sage Ft. Ren Ford

This is the previously unreleased track included in the benefit compilation "... and darkness came", curated by Headphone Commute for helping people affected by Hurricane Sandy. All the income generated from this release will be donated to Doctors without Borders and The Humane Society. 

You can buy it and contribute to the cause by checking:
www.headphonecommute.bandcamp.com

Fabrizio plays the piano.

Silvia Dal Paos: Cello
Chiara Spagnolo: Violin

Buy 

There's a light we might see

"This song is a pure improvisation, played on the day of the recording.

The atmosphere of the ancient villa in which we were recording, together with the softness of the sound obtained by the felt mounted between the hammer and the string of the grand piano, led my to discover this unknown territory, in which everything is light and ethereal. The result is in a silky melody, which can only by listened with eyes closed."

Transitions (EP)

Buy Digital

Eyes closed

Another excerpt from live performance of my first opera based on H. Ch. Andersen's fairy "The Ugly Duckling"  Beautifully performed by Con Brio Children's Choir and Leopoldinum Orchestra in National Forum of Music in Wrocław.

Photograph by Tomasz Bogusz

The Ugly Duckling (Children's Opera)

The King of Swans

Matthew Shaw’s travels continue. His wanderings have led him to Seatown, Sandbanks, the woods of Zeist, and the inner city of Vancouver. Now he documents a week-long trip to Lamorna, Cornwall, in the summer of 2012.

Shaw writes: “The recordings were made in the Lamorna valley, the cove, the woods and also within the Iron Age Boleigh Fogou which is an underground structure over 2,000 years old. The Fogou derives from the Cornish for Fou or Vou, meaning cave.”

“In terms of the sound of the finished music, it was recorded largely on location using acoustic guitar, bowed guitars, Moog Prodigy, my voice and a sprinkling of effects where required. It relied on the sounds of the places themselves, the trees, river and Fogou in particular. The mixing process was based on taking these raw ingredients and sculpting them into a finished whole, with the place as the focus.”

The result is a slow tide of strings, ambient vistas, and delirious harmonies that echo, then dissipate into the eponymous landscape. From the inner triumph of “Rosemerrynwood” to the tense and pulse-quickening modern composition “Bo-Lech” and the buoyant, living title track, Lamorna is a remembered call from an ancient place.

Fluid Audio presents Lamorna in a limited edition run of 100 hand made letter pressed CD’s, along with 6 large format (150mm x 150mm) double sided photographic prints taken by the artist on his journey. The package also includes a natural Larch wood slice, pressed Viola flower, rare poem by Ithell Colquhoun, download code and scent. All of the above rests inside hand typed/numbered/sealed Manilla envelopes.

Release Date: 29.03.13

Matthew Shaw: Bo-Lech

Follow:

Spotify: open.spotify.com/artist/2pHCm7cvE0ADlPp68tScqW

Apple Music: music.apple.com/us/artist/steven-…theinz/1421925543

SoundCloud: @steven-gutheinz

Instagram: www.instagram.com/stevengutheinz

Bandcamp: stevengutheinz.bandcamp.com

Web: stevengutheinz.com

Beyond the Lens

Reborn

say hello / licensing / demos 
modernarecords@gmail.com

We're here to trace a line from electronic sound designers to classical composers, connecting them through the realms of ambient & cinematic music.

Julia Andersson - Nostalgi

Moderna Records

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