ineed2stopmyself

Oversky

Concluding "Hope" theme for the mini documentary "A Neighborhood At The Limit", commissioned by Parallaxi, realised by DesTV, directed by Giorgos Skandalaris. Screened at Olympion / Thessaloniki / 10 June 2015.

- This track was later on expanded and adapted to the 8.1 surround system of "Start Fellowship Celebration" held in Labattoir, Thessaloniki, May 12 2016. Photo by Angelos Zymaras

Special thanks to Elisso Papastrati (violin) and Charalambos Papadopoulos (Cello)!

A Neighborhood At The Limit - Hope Theme (extended)

Forest In You

www.patreon.com/alicebaldwin

Für Rik. 
Experimenting with an old song idea. Trying not to mess it all up with the strings..

Freiheit wär viel lustiger

OST for 'The White Tear Planet', an installation by Massimiliano Siccardi, Ginevra Napoleoni e Valerio Antonio Ciminelli.

Pavilion Concept: RCR Arquitectes

0'00" A hidden sea
2'33" The temple
4'45" Muraba

The White Tear Planet (Trittico in quattro tempi)

Singles Series # 5
'Footsteps', a collaborative track between IDM artist Arovane and pianist Mike Lazarev.

Download: http://bit.ly/2KxlbEN
Stream: spoti.fi/2nkJCwg

Composed by Mike Lazarev and Uwe Zahn 
Mastered by Porya Hatami

Singles Series 005

Footsteps

DOWNLOAD

Mike Lazarev and Arovane - Footsteps

Earlier this year, Icelandic composer, producer, and multi-instrumentalist Snorri Hallgrímsson released his debut album on Moderna, titled Orbit. I’ve spent more than just a few hours with this wonderful album, often reminding me of more vocal works from Ólafur Arnalds, with whom Snorri has collaborated on many occasions (the album was primarily recorded at Arnalds’ studio in Reykjavik). It was still on the list of albums to share with you, my readers, when an opportunity to premiere this beautiful rework presented itself. Orbit Reworked is an upcoming four-track release on Moderna, featuring remixes and re-imaginations of pieces by Luke Howard, Tom Adams, Slow Meadow and, the focus of this exclusive premiere, London-based cellist, Peter Gregson.

At some time, between all the firm work, and his very own release on the esteemed Deutsche Grammophon, titled Recomposed By Peter Gregson: Bach – The Cello Suites [stay tuned for an in-depth write-up on that, folks], Gregson found a moment to add his beautiful cello touch to the already gorgeous “… og minning þín rís hægt” track (which loosely translates to “and your memory rises slowly” from Icelandic), with its moody swaying passages lamenting over the sparkling piano glimmer. And at only a bit over three minutes in length, this gentle piece manages to capture the weather and the scenery of the internal brewing storm, even without the words to prompt us of the story.

"… the songs on Orbit explore the difficulties of living in and moving between vastly different places: from Mexico’s sunny days to Iceland’s long winter nights and their emotional toll. Orbit is also about people met along the way, of friends and family whose absence is bittersweet. The concept of ‘home’ is replaced by an ‘orbit’ the composer circles from place to place.”

While the full-length was mastered by Ian Hawgood, Orbit Reworked is backed by a touch from Taylor Deupree at his 12k Mastering studio. The artwork is courtesy of Elín Elísabet Einarsdóttir   who also produced the cover for the Orbit. The release is out this Friday, and I highly recommend that you pick up the album as well. You can pre-order it now on Bandcamp.

Orbit Reworked

…og minning þín rís hægt (Peter Gregson Rework)

TRACK PREMIERE : Snorri Hallgrímsson - …og Minning Þín Rís Hægt (Peter Gregson Rework)

Piano solo piece from my new EP "Chrysalide", released on March 29th 2019, with Memory Recordings.
© 2019 Dominique Charpentier. All rights reserved
© 2019 Memory Recordings. All rights reserved
Artwork by Anna Salzmann: www.annasalzmann.com/

Chrysalide

"Terre" - Piano Day 2019 (from my Chrysalide EP, out now)

Taken from the album Paces (Reworks)
https://1631recordings.bandcamp.com/album/paces-reworks

Jakob Lindhagen - In The Machinery (Aisling Brouwer Rework)

'‘Paelistin’ is not just a political statement, it is the deep running river of anxiety for a region plagued by war. The resolution amounts to running in circles when we are faced with the futility of war.

The paper burns the careful, clean hand-writing:“The superior man ordinarily considers the left hand the most honourable place, but in time of war the right hand. Those sharp weapons are instruments of evil omen, and not the instruments of the superior man”'

http://vimeo.com/71766228
http://www.fluid-radio.co.uk/2013/09/lucy-claire/

John Garner - violin
Marie Schreer - violin
Tim Gill - viola
Lily Thornton - cello

Recorded by Josh Green
Mastered by David Lawrie

All music composed and produced by Lucy Claire



Bandcamp

LUCY CLAIRE - Paelistin

say hello / licensing / demos 
modernarecords@gmail.com

We're here to trace a line from electronic sound designers to classical composers, connecting them through the realms of ambient & cinematic music.

Mike Lazarev and Arovane - Footsteps

Moderna Records

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