liminality

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Artistas confirmados para el L.E.V. de 2013 (Gijón, Asturias, Spain)

VII Festival de Creación Audiovisual de Gijón. Laboral Ciudad de la Cultura.

Laboratorio de Electrónica Visual (L.E.V.) www.levfestival.com - GIJÓN

L.E.V. 13 (set de artistas confirmados)

Stotts

dark electro

Andy Stott

ATOM | Artist #18 Andy Stott

Limited edition coloured vinyl 12" available at: http://bit.ly/TrickyStottSoundcloud
'False Idols' - album order details: <a href="http://www.trickysite.com/false-idols-released/" rel="nofollow" target="_blank">here</a>

Exclusive Andy Stott remix of "Valentine" from the new album 'False Idols' released on False Idols in association with !K7 Records.

Tricky says: 

"Andy Stott remix was done just because he is a talent, no other reason. This is not for a single release and not promotion for any up and coming release. We approached him and asked him to choose a song. False Idols is not a typical label so we do not have to do things in typical label fashion. Andy Stott's remix is totally pure and refreshing and stands alone."

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Valentine (Andy Stott Remix)

Pre-Order 12"

HATE - BAD HISTORY - SIDE A

Produced slowly and meticulously over the last 12
months, these seven tracks are the closet thing we've
had to a new album from Andy Stott since the release
of his debut full-length Merciless five years ago.
Taking influence from an array of seemingly incoherent
noises, from the indefinable and unforgettable mindtricks
of Arthur Russell to the slowhouse of Kassem
Mosse, from the alternate VHS realities of James
Ferraro and Jamal Moss to the Linn Drum classics of the
vintage Prince era - these seven tracks create their own
pace and agenda, largely shying away from the
dancefloor in favour of something more complex and
hard to define.
Following on from the tribal malfunctions of opening
intro Signature, New Ground heads into a chasm of
layered loops, creating a decimated and re-wired funk
template coloured in with frayed percussion and
dislodged vocal samples. North To South starts off from
similar ground but adds a shuffling vibe at a deceptively
intoxicated 110 bpm.
Intermittent is something altogether different, taking
perfectly formed Boogie templates and screwing with
them until nothing quite fits, brittle elements floating in
and out of time yet somehow keeping it together,
before Dark Details delivers the most dancefloor
compatible six minute stretch of the set, all clanging
stabs and dense percussion, somewhere between
Shackleton and Bam Bam.
Execution and Passed Me By end things off on a slowed
down tip, the former deploying an anaesthetised and
padded 4/4 template sunk deeper into the abyss by
deformed, time-stretched vocals, the latter ending off
proceedings with a more delicate palette, letting go of
all that pent-up emotion with nothing but that rumbling
low-end and some strings for company.

Signature

New Ground

North To South

Intermittent

Dark Details

Execution

Passed Me By

'Violence' is the first track to be taken off Andy Stott's forthcoming album 'Faith In Strangers' due for release via Modern Love on November 17th/18th 2014.

Andy Stott - Violence

Faith In Strangers’ was written and produced between January 2013 and June 2014, and was edited and sequenced in late July this year. Making use of on an array of instruments, field recordings, found sounds and vocal treatments, it’s a largely analogue variant of hi-tech production styles arcing from the dissonant to the sublime. The first two tracks recorded during these early sessions bookend the release, the opener ‘Time Away’ featuring Euphonium played by Kim Holly Thorpe and last track ‘Missing’ a contribution by Stott’s occasional vocal collaborator Alison Skidmore who also appeared on 2012’s ‘Luxury Problems’. Between these two points ‘Faith In Strangers’ heads off from the sparse and infected ‘Violence’ to the broken, downcast pop of ‘On Oath’ and the motorik, driving melancholy of ‘Science & Industry’ - three vocal tracks built around that angular production style that imbues proceedings with both a pioneering spirit and a resonating sense of familiarity. Things take a sharp turn with ‘No Surrender’- a sparkling analogue jam making way for a tough, smudged rhythmic assault, while ‘How It Was’ refracts sweaty Warehouse signatures and ‘Damage’ finds the sweet spot between RZA’s classic ‘Ghost Dog’ and Terror Danjah at his most brutal. ‘Faith in Strangers’ is next and offers perhaps the most beautiful and open track here, its vocal hook and chiming melody bound to the rest of the album via the almost inaudible hum of Stott’s mixing desk. It provides a haze of warmth and nostalgia that ties the nine loose joints that make up the LP into the most memorable and oddly cohesive of Stott’s career to date, built and rendered in the spirit of those rare albums that straddle innovation and tradition through darkness and light.

On Oath

Violence

Time Away

No Surrender

Science And Industry

EU TOUR DATES 2017:

All Tour Tickets - www.mountkimbie.com/live

27/10: Liverpool Music Week, Liverpool, UK
28/10: Ritz, Manchester, UK
30/10: Glasgow Art School, UK
01/11: The Institute, Birmingham, UK
02/11: Motion, Bristol, UK
03/11: Roundhouse, London, UK
04/11: AB, Brussels, Belgium
05/11: Paradiso, Amsterdam, Netherlands
07/11: Parkteatret, Oslo, Norway
08/11: Kagelbanan, Stockholm, Sweden
09/11: Vega, Copehagen, Denmark
10/11: Astra, Berlin, Germany
11/11: Niebo, Warsaw, Poland
12/11: Kwadra, Krakow, Poland
14/11: Meet Factory, Prague, Czech Republic
15/11: Flex, Vienna, Austria
16/11: Muffathalle, Munich, Germany
17/11: Mascotte, Zurich, Switzerland
18/11: Magnolia, Milan, Italy
19/11: Cabaret Aleatoire, Marseille, France
21/11: Rockstore, Montpellier, France
22/11: Razzmatazz, Barcelona, Spain
23/11: Joy Eslava, Madrid, Spain
24/11: Atabal, Biarritz, France
25/11: Le Trianon, Paris, France
28/11: Grand Mix, Lille, France

New music coming soon!!! - Get updates first http://smarturl.it/MKSignUp

Mount Kimbie's Remix of Foals' 'Spanish Sahara'

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Foals 'Spanish Sahara' (Mount Kimbie Remix)

These remixes are exclusively available to purchase at Bleep::: http://bleep.com/index.php?page=release_details&releaseid=33954

Original songs taken from Holy Other's debut EP 'With U' available everywhere that sells good music. 

Holy Other - Know Where (Andy Stott Remix)

Andy Stott's first material of 2010 finds the producer in a hot and sultry mood, delivering two House variants produced with that typically deep and luxurious style. "Tell Me Anything" centres around shuffling snares, a rugged bassline and sparkling keys anchoring the track somewhere between wide open and summery expanses and the compressed warehouse environments of darkest North Manchester. 
"Love Nothing" on the flipside is the slower of the two tracks, but somehow one of the most important of Stott's career, unraveling to expose an unfathomably deep arrangement of decomposed vocals and mangled percussion. It sounds like Newworldaquarium, Mount Kimbie and DJ Qu shooting the breeze, evoking the humid spirit and glamour of a hot summer in the city.

Tell Me Anything

New Clark album 'Iradelphic' coming 2nd/3rd April 2012 on Warp Records.
More information - http://warp.net/records/clark/

Preorder - http://bleep.com/index.php?page=release_details&releaseid=34461

http://facebook.com/throttleclark
http://twitter.com/throttleclark

Iradelphic

Clark - The Pining pt2 (taken from Iradelphic)

Not In Love

Not In Love (Radio Version)

Blondes - Pleasure (Andy Stott Remix)

http://boomkat.com/vinyl/572440-andy-stott-luxury-problems

Andy Stott - Sleepless

A low end monster, brilliantly constructed out of all the warmth and heaviness machinary will allow. Another out and out killer from this gifted producer!

Handle With Care

Following on from a pair of Extended Players released in 2011 ("Passed Me By" / "We Stay Together") Andy Stott returns to Modern Love with 'Luxury Problems', an 8 track album of new material recorded over the last 12 months. Five of the tracks on the album feature the voice of Alison Skidmore, Andy's onetime Piano teacher whom he hadnt seen since he was a teenager back in 1996. There was no grand gesture in mind, it just sort of happened - but after almost a year of studio work the result is really quite unlike anything you'll have heard from him before. 'Numb' opens the album with Alison's voice; layered and looped but essentially left bare and exposed, tumbling into a dense shuffle, sort of somewhere between Theo Parrish and Sade, but more f*cked. 'Lost and Found' follows and deploys a growling rave bassline and a disturbed vocal, the beat assembling itself around a squashed Linndrum like a submerged Prince/Cameo production, haunted and impenetrable, but full of funk. 'Sleepless' started life as an African drum edit that sooner or later succumbed to Stott's intense rhythmic shifts. It's a sound that's been imitated countless times since the release of 'Passed Me By', here re-tooled and re-built for its next evolutionary phase. 'Hatch The Plan' ends the first half of the album with some heavily treated location recordings and a low end grind that probably doesnt quite prepare you for the vocal arrangements that follow - it's just a beautifuly inverted pop song. The second half opens with 'Expecting', the most recognisably 'Stott' moment on the album: a wrecked, deliriously knocked-out 4/4 shuffle deployed at halfspeed; those heavy kickdrums sucking in everything around them. 'Luxury Problems' is next and offers up the album's most quietly euphoric and open 5 minutes; conventional arrangements and drumloops disrupted by sharp disco bursts that mess with what you know: it's straight and beautiful and unbalanced and damaged, somehow all at once. "Up the box" switches up the narrative and goes somewhere else entirely, an extended intro that seems to build continuously for 3 minutes before breaking off into a slowed-down Amen edit, creating a kind of narcotic Jungle variant that fragments everything and ends just at the point you think it's going to go off, before "Leaving" finishes the album with an almost unbareably beautiful arrangement of voice and synth and a final key-change that takes you from joyful to forlorn in an instant.

01-Numb

02-Lost and Found

03-Sleepless

04-Hatch the plan

05-Expecting

Here is Andy Stott's brilliant remix of 'I Heard Them Say'!

The 12" of 'I Heard Them Say' was released as an EXCLUSIVE hand-stamped vinyl (limited to 100 copies) on Boomkat last week and sold out within a few hours.

The original version of the song is backed with a Maps remix and this remix from the wonderful Andy Stott.

The new Maps album, 'Vicissitude', is out on 8 July.



Execution

modernlove