Croatian Amor - LA Hills Burn At The Peak Of Winter

https://www.discogs.com/release/7005219-user18081971-34-ibiza-spliff

user18081971 – 34 ibiza spliff

Garbage

Garbagemx

~unreleased track often referred to as 'Rome track' or 'Reconstruction' (as remade x Pure Underground) 1st played x Aphex Twin @ Rephlex Rome Assault 2002 [in its original ver.] ((this ver = rmx x rmk x watmmer Chalibs))
(((performed again x AFX @ Houston day4night festival 17.12.16 + though mostly associated with him its since been confirmed x DJ Rephlex & Soundmurderer that track is indeed by Squarepusher)):)

Squarepusher & Aphex Twin::  To be titled track

6D61696E73.mp3

Artist: @shoytechno
Mastering: @likikon

Instagram:
www.instagram.com/shoytechno

Contact:
- shoytechno@gmail.com / DM

Tempus Silentii explores a time defined not by words but by weight, where much unfolds beneath the surface while silence reigns. In this space, presence speaks louder than speech and every unspoken moment reveals a deeper truth.

Free Download

Tempus Silentii

'We Stay Together' is a brand new doublepack from Andy Stott, a companion piece of sorts to the radical inversions of the 'Passed Me By' EP released earlier this year. Its predecessor left many heads dazed upon impact - in the best possible sense - and these six tracks, produced in its wake, amp the pressure to throttling degrees. Entering the digital compression chamber of 'Submission' you become a willing participant, before the lights are cut and you're forced to adjust to the humid atmosphere and bruising, muscle-contracting darkroom throb of 'Posers'. Suitably initiated, the EP's fearless centrepiece 'Bad Wires' plunges into full on mud-party mode, dropping the tempo while intensifying the kinaesthetic funk with slow, clusterf*cked syncopation until you're drowning in synthesized oil and crushed-glass textures. Fully submerged by 'We Stay Together (Part One)' time becomes elasticated like worn VHS tape, calling to mind Jamal Moss and James Ferraro soundtracking a rave in a sodden, flooded sauna, before inescapably tumbling into the sheer black hole of 'Cherry Eye' and left to the slompy jack of 'Cracked'. Blatantly, we rate this record massively, and although it's not for everyone, those looking for a more visceral, intense form of dancefloor pressure would do very well to check in

We Stay Together (Part One)

Cherry Eye

"How To Swallow A Sword"

4. HOW TO SWALLOW A SWORD

"Red Velvet Or Nothing" by Belong from the definitive "October Language" LP reissue due out Spring 2018.

"Red Velvet Or Nothing" by Belong

Following on from a pair of Extended Players released in 2011 ("Passed Me By" / "We Stay Together") Andy Stott returns to Modern Love with 'Luxury Problems', an 8 track album of new material recorded over the last 12 months. Five of the tracks on the album feature the voice of Alison Skidmore, Andy's onetime Piano teacher whom he hadnt seen since he was a teenager back in 1996. There was no grand gesture in mind, it just sort of happened - but after almost a year of studio work the result is really quite unlike anything you'll have heard from him before. 'Numb' opens the album with Alison's voice; layered and looped but essentially left bare and exposed, tumbling into a dense shuffle, sort of somewhere between Theo Parrish and Sade, but more f*cked. 'Lost and Found' follows and deploys a growling rave bassline and a disturbed vocal, the beat assembling itself around a squashed Linndrum like a submerged Prince/Cameo production, haunted and impenetrable, but full of funk. 'Sleepless' started life as an African drum edit that sooner or later succumbed to Stott's intense rhythmic shifts. It's a sound that's been imitated countless times since the release of 'Passed Me By', here re-tooled and re-built for its next evolutionary phase. 'Hatch The Plan' ends the first half of the album with some heavily treated location recordings and a low end grind that probably doesnt quite prepare you for the vocal arrangements that follow - it's just a beautifuly inverted pop song. The second half opens with 'Expecting', the most recognisably 'Stott' moment on the album: a wrecked, deliriously knocked-out 4/4 shuffle deployed at halfspeed; those heavy kickdrums sucking in everything around them. 'Luxury Problems' is next and offers up the album's most quietly euphoric and open 5 minutes; conventional arrangements and drumloops disrupted by sharp disco bursts that mess with what you know: it's straight and beautiful and unbalanced and damaged, somehow all at once. "Up the box" switches up the narrative and goes somewhere else entirely, an extended intro that seems to build continuously for 3 minutes before breaking off into a slowed-down Amen edit, creating a kind of narcotic Jungle variant that fragments everything and ends just at the point you think it's going to go off, before "Leaving" finishes the album with an almost unbareably beautiful arrangement of voice and synth and a final key-change that takes you from joyful to forlorn in an instant.

We Stay Together (Part One)

modernlove