prodigy-poison (NF re-edit)

With Multiply Your Absurdities, Helena Hauff delivers her long-awaited 12-inch debut on Tresor: a multi-colored inauguration, masterfully crafted by the inimitable Hamburg producer and DJ.

The title track Multiplying My Absurdities opens the record, with a slow burn of magnetic synths and numbing acid drops. Through its simple yet thrilling dynamics, it occasionally falls into playful skepticism, creating something truly unique, uncompromised, and beautiful.

Punks in the Gym is named after an infamous climbing route in Australia. As its namesake, the track mercilessly rises to a techno summit.
It gets steeper and steeper with every bar, resembling a volcanic dance where 303 earthquakes shake the ground before eruptions. 
Once you're halfway in, there's no turning back; all you can do is keep moving forward. 

The closing track, Humanoid Fruit, transports to an even darker prehistoric landscape. Synths bursts remind of fossilized Pterodactyls revived—a challenging but rewarding trip through acidic rain and the alleys of your mind. 

Originally released as the soundtrack for Teslaism by artist and filmmaker Bahar Noorizadeh, a 3rd person musical racing game featuring Elon Musk and his self-driving car/lover and life coach, as they drive towards a shareholder meeting in a post-gamified Berlin landscape. It premiered at the "Tresor 31: Techno, Berlin und die große Freiheit" exhibition in 2022 and deals with stimulating skepticism about the emergence of a new era after Post-fordism that she calls Teslaism: "an upgrade to the system of production and consumption predicated on advanced storytelling, financial worldbuilding, and imagineering 'the look of the future.'" What has been once inspired by Helena Hauff's dystopian sound has now been made into an official music video for the track.

Much like the video, Multiply Your Absurdities represents a journey into futuristic uncertainty.

BANCDACMP

Helena Hauff - Multiplying My Absurdities

'You Are Gods’ is the first single to be unveiled from the lush new debut album from British synth wizard James Holden and Polish clarinet guru Waclaw Zimpel (Saagara, Shackleton).  

Holden & Zimpel continue their fruitful collaboration with the blissful escapism of ‘The Universe Will Take Care Of You’: a deeply emotive warm and fuzzy delight. 
The rich textures and beguiling sound palette of the entrancing 'The Universe...' roams freely between bucolic pastorals, insistent arpeggios and shimmering euphoria. 

Embracing the playful, experimental approach of their Krautrock forefathers to explore their deepest improvisational urges, this is the joyful convergence of two likeminded masters of their craft, weaving in violin, percussion, lap steel guitar and the Indian twin pipe algoza flute amongst the expected modular synth and clarinet. 

For fans of: Harmonia, Cluster, Eno & Fripp.

Press & radio by @9pr.

You Are Gods

Lucky Me

Buy/stream: https://kompakt.fm/releases/agartha_remixe

Over the course of a decade, Wata Igarashi has risen as one of techno's most accomplished DJs and producers. His highly aesthetic trademark sound is as heavily psychedelic as it's driven by its stern kinetic energy. It's often overlooked that Igarashi is much more than a torch bearer of the raw hypnotic techno he became known for. He's also a very accomplished and versatile musician with a deep understanding of the cause and effect of sound design. His skills are fully on display on 2023's full length "Agartha", a film score to a fictitious movie about the mythical underworld of planet Mars. It was a rather obvious idea to cross the bridge between this epic deep listening album and Wata Igarashi's techno persona by having him remix himself. As you might expect, the "Agartha Sorcery Acid Mix" has turned out to be a masterclass in psychedelic designer techno. It's slightly slower in BPM as the usual Igarashi fare but every bit as captivating. The "Floating Against Time Shimmering Mix" shows another intriguing facet of Wata's spectrum. Let's call it: Psychedelic Deep House. KOMPAKT's very own Michael Mayer couldn't resist to turn the Godzilla soundtrack-ish "Ceremony Of The Dead" into a positively hysterical minimal disco operette. And then there's the "Fusion Mix of Abyss II x Darkness" by Philipp Stoffel, a fresh Cologne DJ and producer from whose AKTE club nights a label with the same name is about to emerge. He's definitely one to keep an eye on in 2025.

Benjamin Damage "Swarm"( 50WEAPONSCD12) Out on Feb 22, 2013

Modeselektor