Pretentious copy follows:
 

'MUTATE is improvised, experimental soundscapes, dark ambient, intense in nature, mixing live drones with off-kilter beats, shortwave radio & random 
foundsounds. Other times, MUTATE is completely something else.
 

MUTATE has collaborated with numerous fringe artists, including Thee Moths, Hyaena Fierling Reich, Kommissar Hjuler/Mama Baer, Milk (The Mekano Set), Hsin Yi  
Chang (Glass Diamond) and has releases on several labels, including his own ultra DIY label, Stray Recordings. Compilation appearances include Classwar Karaoke,  
Nektar 2017, Peak The Source & Kultur Und Stress.
 

MUTATE is the solo project of UK sound artist, Ade Bordicott. Always on the outside, looking in.'

Thelmo Cristovam | 1975 | Brasília/Olinda | Brasil

improviser, composer | saxophone | trombone | trumpet | field recordings | electronics

Studied Physics and Mathematics. Dedicated to research in psychoacoustics, music concrete, electroacoustic, phonography / soundscapes, computer music and free improvisation. About 30 albums released in Latin America, USA, Europe and Australia. 
Works collaboratively with artists, poets, filmmakers, writers, photographers, designers, anthropologists, biologists, ethnomusicologists and musicians from different countries of the world.

Selected Discography

Solo:
• Thelmo Cristovam – FonoFotografia, 10 X 3” CD BOX. A Phonography mapping project. http://www.fonofotografia.com/
• Thelmo Cristovam - Paisagens sonoras em Õstrõ Hyija, CD-R by Triple Bath, Greece. (http://www.triplebath.gr/)
• Thelmo Cristovam – O Enforcado, 
CD-R/Web release by Amor Loco,
Argentina. (http://amorlocolabel.wordpress.com/)
• Thelmo Cristovam – Field Recordings # 02, Web release by Test Tube, Portugal (www.monocromatica.com/netlabel)
• Thelmo Cristovam – Field Recordings # 03 (fri063), Web release by Frigida Records, Argentina. (http://www.frigidarec.com/)
• Thelmo Cristovam – Distribuição Atmosférica (chat022), Web release by
Menthe de Chat, Brasil. (http://www.menthedechat.net/)
• Thelmo Cristovam – Trombone (kra019), CD-R by Krakilsk, Norway
(www.krakilsk.org)
• Thelmo Cristovam - Field Recordings # 01, ||AMP003||, Web release by
Amplified.Music.Pollution., Mexico. (http://amp-recs.com)
• Thelmo Cristovam - Field Recordings # 04, desetxo122, Web release by
Desetxea, Basque Country (http://www.mattin.org/desetxea.html)
• Thelmo Cristovam – Inneresteren, Web release by Earsheltering, France (http://earsheltering.free.fr)


Colaborations:
• Thelmo Cristovam & Alípio C. Neto – Triatoma Infestans, CD by Creative Sources, Portugal. (http://www.creativesourcesrec.com/)
• Thelmo Cristovam & Fernando S. Torres, CD-R by Dim Records,
Netherlands. (www.dimrecords.tk)
• Thelmo Cristovam, Lindenberg Munroe, Lamarque Queiroz Barros, Henderson Rodrigues; CD-R by Tibprod, Norway (www.tibprod.com)
• Cristovam/Giraknob DUO, NOL063, CD-R release by No Lyrics Records,
Brasil. (http://www.nolyricsrecords.cjb.net/)

We don't accept unsolicited demos

Contact/Booking/Licensing:
eremitatm88@gmail.com

Nachtstuck Records is an experimental music label, ran by Tiago Morais Morgado, which had its inception back in 2014. After 3 years, and 40 releses, we donated practically our income to charity. After a few scandals in the portuguese media, reffering to scandals in resources management in caritable organizations, we decided to shift our policy to able to pay the artists, making physical releases, organizing concerts, etc. we now charge a minimum of 8 euros for each of our releases.

Sound recordist, designer & artist (México)

VacuaMoenia, dal latino “mura vuote”, è un atto sonoro identitario ed ecologico di rivoluzione dei significati profondi. La rivoluzione estetica di VacuaMoenia parte dai luoghi abbandonati dall’uomo e dal suono che essi producono: uno studio sui suoni già presenti e quelli che è possibile organizzare in loco attraverso la militanza escursionistica, la registrazione su campo e il contatto con il territorio.
VacuaMoenia inizia la sua azione nell’entroterra siciliano, andando a suonare i borghi abbandonati costruiti per popolare le aree rurali in Sicilia durante l’epoca fascista. Spinto dall’urbanesimo o dalle catastrofi naturali a dimenticare le campagne, l’uomo lascia alle sue spalle le mura che lo hanno accolto, lasciandole vuote di significato. I luoghi perdono le loro definizioni e diventano “Atmosfere”. Vacuamœnia riscopre queste atmosfere attraverso un’azione materica che propone un vuoto di natura densa, una scatola armonica. I materiali sono gli orchestrali, i percorsi e le strade sono partiture scritte sulla terra. Attraverso il tatto e gli altri sensi, ogni paesaggio sonoro diventa così luogo di suoni e strumento musicale in costruzione.

[english version]

VacuaMoenia, from the latin “Empty Walls”, is an identitary and ecological sonic act aimed at the revolution of deeper meanings. Aesthetic revolution of VacuaMoenia starts from the places abandoned by man and the way they sound: a study of existing sounds and of those ones you can organize on the spot by hiking militancy, field-recording and the contact with the territory. VacuaMoenia starts its action in the Sicilian hinterland, going to play the abandoned villages built to populate rural areas in Sicily during the Fascist period. Pushed by urbanism or nature disasters to forget the countryside, man leaves behind the walls that welcomed him, leaving them empty of meaning. Places lose their definitions and become “Atmospheres”.Vacuamœnia rediscovers these atmospheres through materic action that suggests a vacuum of dense nature, a soundbox. Materials are the musicians, paths and streets are scores written on the ground. Through touch and other senses, each soundscape thus becomes a place of sounds and a work-in-progress musical instrument.

Oliver is a composer living in the Northwest of England. He completed a PhD in electro-acoustic composition at the University of Manchester in 2011 where he was an active member of MANTIS (Manchester Theatre in Sound). Oliver's music often explores relationships between recognisable everyday sounds/musical instruments and processed electronic sounds and is intended for performance in the concert hall through multiple loudspeakers. 

His work is regularly performed throughout the UK and internationally, and has also been recognised at several international competitions. IMEB (Bourges) 2007/2008, International Electroacoustic Competition "pierre schaeffer' 2007, Diffusion Composition Competition 2010, Limerick.  Selection Destellos Competition 2012/2013. 

Followers of modisti