Part of the Instrumental Rock Album 2021 from MODVÆGT: 
A New Life, https://soundcloud.com/modvaegt/sets/a-new-life

V. 1.7 m - new mix november 2023
V. 1.8 m - new mix oktober 2025

Stagnation (Instrumental)

I'm a producer and an engineer who sometimes, becomes an "artist".  I love creating with motivated, talented individuals. If that's you...Let's work together...

The Monster In Me – Unleashing the Power of Metalcore

Welcome to the official SoundCloud page of The Monster In Me, a Metalcore project that brings raw emotion, crushing riffs, and high-energy breakdowns. Inspired by bands like Make Them Suffer, Arch Enemy, Spiritbox, and Jinjer, we combine aggressive vocals, powerful guitar riffs, and melodic female cleans to create a sound that hits hard and never lets up.

What you'll find here:

Original Metalcore Tracks – Heavy, emotionally charged music with intense breakdowns and powerful female cleans.
Instrumentals – Catchy and powerful riffs for fans of both Metalcore and melodic death metal.
Produced by Jacob Lizotte – All tracks and instrumentals are produced by the talented Jacob Lizotte.
Whether you're a die-hard Metalcore fan or a guitarist, The Monster In Me will keep you moving and headbanging.

Stay connected: Follow us for the latest tracks, updates, and new releases.

ROIS Carolus guitarist and composer with psychedelic atmospheres and blues colors.  My compositional style and the sound of my guitar project the listener into a world of sensations and smoky and biting matter.  I give my best live where I embody the spirit of the great blues rock scene.  I propose an original repertoire, unique in style and with a wide international scope.  I have been performing on the most disparate stages for years, enjoying considerable success.

info : 
roiscarolus@outlook.it
+393475016995

I'm a sound engineer at Woods Studio that mixes and masters songs.  Check out my web page: https://woodsstudionorway.com, I only charge $35 US Dollars per song.  For only mastering, I charge $20 per song 
if you are interested. Email me to:
woods.studio.mail@gmail.com

At Woods Studio, we specialize in creating high-quality mixes and masters for your music. We work closely with you to understand your unique style and vision, and tailor our mixes to bring out the best in your tracks. With years of experience and a passion for music, we are dedicated to delivering exceptional results that exceed your expectations. Our team of experienced engineers use only the latest technology and techniques to ensure that your music sounds its best. From EQ and compression to reverb and delay, we have the skills and expertise to craft a mix that perfectly captures the essence of your music. Whether you're a solo artist or a band, we can help take your music to the next level. Contact us today to learn more.

I have attended an audio school and worked several years at a concert hall named Olavshallen https://www.olavshallen.no/arrangere/store-sal I followed Khaliq Glover’s courses and webinars. I've been into sound engineering since 1991 and mixed over 1000's of songs. I have previously mixed for One Time Records and have released a vinyl with Koalra. I also have mixed "Where Do I Go" with Chris TR that was airtimed on the BBC radio

I use Universal Audio, fabfilter, soundtoys, autotune, melodyne, ozone and Plugin Alliance plugins and have a Uad apollo interface .

 I also use outboard gear like the RME Fireface, Universal Audio 2-1176 stereo compressor , An Avalon channelstrip, a space echo RE-201, a Drawmer 1968 mkii, and a Lexicon Pcm92. Also a dual ssl eq 

If you have the session files I would be happy to mix your song. Let me know if you’re interested.

E-mail: woods.studio.mail@gmail.com
Web page: https://woodsstudionorway.com
Youtube page: https://www.youtube.com/@stereosonic5182
Instagram: https://www.instagram.com/woods_studio_mixing/
Facebook page: www.facebook.com/Woods.Studio.Norway/
Donate: https://www.paypal.me/woodsstudio

🎶 DJ Turbo | Spinning Beats & Vibes 🚀  
Unleashing electrifying sounds and unforgettable nights! 🌟 From underground parties to epic festivals, I mix genres and create experiences that keep you dancing all night long. 💃🕺 Join me on this sonic journey and let the rhythm take control! 🎧✨ #Mixmaster #PartyStarter #FeelTheBeat   https://www.mixcloud.com/turbodj75/    https://www.instagram.com/turbo_dj_75?igsh=MXIxZzZ0bDdtM20yYw%3D%3D&utm_source=qr https://linktr.ee/turbodj

Welcome to my SoundCloud page, I'm Hank Spaulding. I'm a musician that got really interested in recording my guitar playing during the pandemic. After a lot of trial and error I've recorded some music that I would like to share with you. This page is a result of that. I will worn you, it will go from heavy metal to blues and country. As you will hear I seem to record a lot of different types of music. I just seem to love playing music and needed a website to share some of it with you. 
Thank you for taking the time to listen to my music.

Multi-genre composer and producer. I write full band rock, metal, pop and blues arrangements to collaborate with vocalists and instrumentalists. My music is free from AI and always will be.

⚠️Technical issues
My distributor's contract with SoundCloud only offers uploads for 30 countries. There is not much I can do about that, because I need their services for my complex collab situation. If you can't play my songs here, please follow me on any other streaming platform. Just follow the buy link of the individual song.

🎵June 2025
Still working down my pile of unfinished projects and re-releasing older songs. Feel free to comment and repost. As a rule of thumb, electronic music is old. I don't have the capacity for collaborations and remixes.

NOTICE:

I do not pay for self promotion ever. 

That’s Pete and Pete, the original members, augmented with Spud, Pecos,  Snooks and Smooch. Pete and Pete were formally founder members of The Petes. The band like to explore a range of musical styles. They started out with folk, rock and blues but they have also been exploring a vocal style of lizard-lounge type jazz too - smoky and melodic. You’ll find love songs, both exuberant and elegiac, along with songs of loss, as well as songs lamenting the state of our world and our society.

Also The Pete Cooper Band’s first  album, ‘Let’s Make Love’ can be found on Spotify and YouTube.

All songs and lyrics copyright of Peter Cooper

AND ONCE AGAIN, PLEASE NO OFFERS TO PROMOTE MY MUSIC. IF YOU ENJOY MY MUSIC PLEASE SIMPLY LIKE AND REPOST IT.

Just Rock Music - No Music No Life :-)

Discography
2025 Poodle Man (Single feat. Nils)
2024 ResisT (Album Instrumental & vocal)
2024 Bryd nu ud!! (Single f. Mortens Motivation)
2024 Fuck Kreativitet (Single f. Mortens M)
2024 CopperHead (Single feat. This is Treason)
2023 On The Other Side (Single feat. Tjews)
2023 No Music No Life (Album Instrumental)
2022 National Folkesygdom (Single f. Mortens M)
2022 Efterladt (Single feat. Stilou)
2022 The World is Burning (Album Instrumental)
2021 A New Life (Album Instrumental)
2021 Myrde Andre for Selv at Gro (Album f. Ken)
2020 Early Stuff

https://soundcloud.com/modvaegt/albums

Enjoy the Music ;)

💪💀😄🤘🤠🫶

/ Modvægt

Darkwave is my experimental music project built on the backbone of old-school metal riffs, with an outlook to a wide variety of musical scenes. Despite its intimate connections with progressive – and even thrash – metal, the musical dynamics I try to accomplish in Darkwave often deviates from the classical concept of the genre (e.g. the catching tempo generated by tight rhythmicity), and incorporates elements with significantly different tonal and emotional characteristics, ranging from thrash, power, doom or symphonic metal themes to electronic, classical or even jazz elements.

Such a diverse mixture of different styles is seldom intentional, but rather a mixture of instinctual and intentional elements reflecting the character of the composer and the impact of influences shaping the songwriting process. Balancing on the razor-sharp edge between these domains of human consciousness, I think it’s always revealing to indentify the composer’s primary influences to understand the core philosophy behind the final product. Despite their essential innervation with thrash metal, my main influences come from somewhere far beyond, from the distant realms of hard rock, NWOBHM (New Wave of British Heavy Metal), and – in certain extent – from classical (or even gregorian) music. I see it as some kind of an evolutionary process: first it was the intensity, then the complexity of the music that grabbed my attention and put a significant emphasis on my way of looking at all things music. Regarding the metal frontrunners, the complexity of the Shermann-Denner duo’s guitarwork as well as the dark, monumental, epic atmosphere of Tony Iommi‘s musical skyscrapers clearly shaped my personal attitude to music. Still, the artistic genius of the late Jon Lord (who aimed at building bridges between “old” and “new”, traditional and modern) was that characteristical influence that put its almost deterministic mark on my musical taste and creations. I started to listen to bands that somehow unite various territories of the world of music: it felt amazing to listen to Mekong Delta’s Suite for Group and Orchestra or the jazz-metal fusions by Atheist until the point that I could finally identify a third essential element besides intensity and complexity: the gloomy, epic, emotional (sometimes sad) and monumental atmosphere: something that I could find so often not only in music, but also in my favorite books and poems. And this is that exact point, where the intentional and instinctual motifs become somewhat indistinguishable from each other, and form a distinct entity of thoughts, feelings, desires and aims that might be characterized as my personal attitude to music, art – and in general, life.

It’s not that hard to grip the essence of that attitude. I tend to agree with G. K. Chesterton‘s paradoxical jeremiad from 1905 on the loss of universals (“…we are more and more to discuss details in art, politics, literature… Everything matters — except everything.“) and accept that it’s always the core philosophy behind art (or “everything“…) that we must understand, if we ever want to grab the creator’s personality that is mirrored in the final product. The secondary details in composition, performance or production are merely consequences of this primary attitude or basic approach behind the creative process. My primary aim with Darkwave has always been (and will ever be) nothing else but to formulate, express and transmit feelings and thoughts without words, while constantly realizing that there exists nothing more suitable to facilitate this communication between human souls than music itself.

“When words fail, music speaks.”