Reza Yazdani - a Simple Love Story - PianoVersion

Bu Geç Vakit
Farsi - Turkish 
Vocals: Alireza Ghorbani, Olcay Bayir
Composed and Produced by: Ehsan Matoori      
Lyrics: Mehdi Akhvan Sales, Nazim Hikmat 
Arranged by: Ehsan Matoori, Ali Montazeri
Musicians: Baturay Yarkin(Piano), Nagme Yarkin(Turkish Cemenche), Kourosh Babaei(Persian Kamancheh), Mustafa Ipekcioglu (Kopuz and Baqlaman), Mike Block(Cello), Ali Jafaripouyan(Violin), Meysam Marvasti(Viola) , Homayoon Nasiri(Percussion) 

Poetic Review: 
The title of this composition, Bu Geç Vakit ‘At this late hour’, is based on a Turkish poem possibly inspired by a verse in the Bible which reads: “In the beginning was the Word, and the Word was with God, and the Word was God”. The poet Nazim Hekmet described his (lady) love as the Word in this very emotional poem. This is followed by the Farsi poem (author: Mehdi Akhavan Sales) which depicts the desperate situation of the lover longing to see his beloved. Deifying the beloved and comparing her with God, and even praying to her, the poet eulogizes her without any prejudice. The composition celebrates the woman as one of god’s unique creations who can also create. She is a mother, a woman, and a comrade.

The Voices and Bridges

Bu Geç Vakit

Eyde Shoma Mobarak

Delam Gereft Babak Bayat Piano Va Ejra

Houmayoun Shajarian
Anoshirvan Rouhani

Asheghan

Concert Toronto 2024

Houmayoun Shajarian - Asheghan

Norouz- Simin Ghadiri/ Lachini

Can't Help Falling in Love

'to have & to hold' is not a biography, a lecture, or a historical reconstruction. It is an imagined world — one you step into to feel your way around an idea rather than to learn it.

The album takes place loosely in early-20th-century Cambridge, at the moment when Western thought was beginning to strain under its own certainty. Science had proved astonishingly powerful at breaking reality into parts, explaining mechanisms, and producing results — yet at the same time it was encountering problems it could no longer fully contain. Probability was replacing certainty. Events mattered as much as objects. Meaning no longer sat still.

Out of this tension emerged process philosophy: the idea that reality is not made of finished things, but of ongoing happenings — that love, time, marriage, and even truth itself are not states you reach, but activities you keep participating in.

The album imagines this moment through a human lens. A mathematician trying to complete a system of logic. A thinker insisting that nothing important is ever truly finished. Proofs accumulating. Years passing. A marriage understood first as a statement, then slowly revealed as a practice. Love appearing not as romance in the foreground, but as something quietly unfolding elsewhere — happening whether it is attended to or not.

Rather than explaining these ideas directly, the songs allow you to inhabit them. You hear bells ring. You feel evenings close in. You sense the weight of unfinished work and the relief of letting something continue without control. The philosophy is not taught; it is lived.

This is a soft documentary in sound — an audio quantum leap into a world. Its purpose is not accuracy, quotation, or instruction, but immersion. By the time the album ends, you may not be able to define process philosophy in a sentence — but you may feel why it arose, what problem it was answering, and why it still matters.

To Have and To Hold is an exploration of commitment not as possession, but as attention.
Of marriage not as a conclusion, but as renewal.
Of understanding not as something you arrive at — but something that keeps happening.

If you listen closely, nothing here ever quite resolves.
But something continues.

Reza Yazdani - a Simple Love Story - PianoVersion

Mohsen motavasseli