LVNDN is South Africa's most exhilarating and daring Alternative singer, songwriter, and producer.
Accused of being a musical genius, hjailed as the sonic whirlwind shaking up SA's music scene, celebrated for defining whilst defying alternative pop and RnB music in Africa, adored for his arresting and salient voice, iconically ground-bending sound, SAMA Award nodded for his debut album, highly awarded as a creative force in the industry, best described in a collection, selection or playlist of his music. 

LVNDN, hasn't even blown up yet, but he and his music are already legendary - SCARY!! "Rising star" meets it's definition. 
He is is a lot of things to and for a lot of his fans. He already is, already. 

Listen, Follow, Love & Share #LVNDN On all DSPs and social media platforms. Love, and Done.

 
His name might be linked to South African hip hop, but DJ Milkshake has graduated beyond the genre to become a master of any dancefloor. His ability to read and rock any crowd, anywhere is what has made him one of Africa’s top-rated entertainers. 

Milkshake has devoted the last ten years to honing his DJ skills and conquering dancefloors at the country’s top-rated clubs, parties and festivals.  Leading national radio station 5FM snapped him up in 2010 and every Friday night from 22h00 to 01h00 he quenches SA’s thirst for club-rocking sounds on ‘The Shakedown’. 

Recently, Milkshake’s was selected as the face and DJ of Castle Lite’s Summer 2013/14 TV Campaign and the Extra Cold Summer Tour which included a performance alongside US rap star Wale.  Rubbing shoulders with the superstars is nothing new - a few months earlier he opened for R ‘n B sensation Neyo. 

His interest in the mechanics of production led him into the studio in 2013 where he took on the role of producer.  The first single on his newly established record label, ‘Living On The Edge’ – a collaboration between award-winning beatboxer George Avakian and highly-regarded emcee AKA smashed the charts receiving airplay on all the biggest local stations all over Africa.

What is it about his sonic approach that has created so much fever around the name DJ Milkshake?

This Soweto-raised DJ has conquered an industry that’s notoriously competitive and cutthroat. His ascent is tied to an undying urge better himself and what he offers the crowd. An early adopter of technology, Milkshake took full advantage of his flair for all things digital and merged this with his innate understanding of what will detonate a dancefloor - this potent combination of skill and passion allowed him to cultivate a matchless, magnetic take on club music.  With his new approach, versatility and fresh style Milkshake has shaken up the established order and carved out a highly successful career for himself.

The last five years have been a whirlwind of parties, clubs, festivals and A-List events. Demand for his smouldering sets has placed him behind the controls at virtually every club and hip hop event in the country - and beyond South African borders in Mozambique, Zimbabwe, Botswana, Zambia, Tanzania and Zanzibar.
Milkshake’s success is all his own.  He has spent considerable time and energy moulding the distinctive sonic identity that his many fans and followers appreciate.  His blossoming career was not instantaneous – but rather a lifetime in the making. Reach into his past and you’ll find a kid who would insist on playing only his cassettes in the car; a teenager whose vast music collection consumed most of his waking life. 

While attending WITS University Milkshake made the realisation that DJing was the true vehicle in which to deliver his music.  He co-founded the DJ Society and become of the hottest DJs on campus. This breakthrough also meant a difficult decision: his music career was beginning to conflict with his studies – and against the wishes of his parents, Milkshake decided to make music his primary focus. 

Seizing the momentum of his fast-rising profile, Milkshake began reaching out to radio stations – submitting mixes to all the hottest radio shows and securing guest DJ residencies on Metro FM and later 5FM. He also claimed many titles in toughly fought DJ Competitions - in 2007 he was a finalist in Go-TV’s National DJ Competition and Runner up on Hennessey’s Artistry’s National DJ Competition. In 2009 he won the top spot in News Café’s National DJ competition – a title which took him on a tour around the country and overseas to Miami with none other than DJ Fresh.  During that same trip Milkshake landed a gig in New York – proof that his hard work was starting to pay off.

With a steady-eyed focus and beats that rock any party, Milkshake has earned his place amongst the country’s top entertainers.  In his exciting new role as a record label owner and artists you can be certain that the best is yet to come from this future-facing talent.


Half Man Half Amazing & A Complete Machine!!! A Instrument Of Flawless Design A Black Breed Bastard, With Enough Energy To Jump-Start A Jumbo Jet!!!

Owner of Rhythm Africa The Lifestyle. Media personal Cheesekids for humanity team leader. Forma internet radio host, defined by music. I live, trust me that's no lie!!!!

In The Lonely Hour (10th Anniversary Edition) out now 🤍
https://samsmith.world/itlh10

 The story of UB40, and how this group of young friends from Birmingham transcended their working-class origins to become the world’s most successful reggae band is not the stuff of fairytales as might be imagined. The group’s led a charmed life in many respects it’s true, but it’s been a long haul since the days they’d meet up in the bars and clubs around Moseley, and some of them had to scrape by on less than £8 a week unemployment benefit. The choice was simple if you’d left school early. You could either work in one of the local factories, like Robin Campbell did, or scuffle along aimlessly whilst waiting for something else to happen.

By the summer of 1978, something else did happen, and the nucleus of UB40 began rehearsing in a local basement. Robin’s younger brother Ali, Earl Falconer, Brian Travers and James Brown all knew each other from Moseley School of Art, whilst Norman Hassan had been a friend of Ali’s since school. Initially, they thought of themselves as a "jazz-dub-reggae" band, but by the time Robin was persuaded to join and they’d recruited Michael Virtue and Astro – who’d learnt his craft with Birmingham sound-system Duke Alloy – the group had already aligned themselves to left-wing political ideals and forged their own identity, separate from the many punk and Two Tone outfits around at that time. The group had nailed their colours to the mast by naming themselves after an unemployment benefit form. Their political convictions hadn’t been gleaned second hand either, but cemented in place whilst attending marches protesting against the National Front, or rallies organised by Rock Against Racism.

By the time Chrissie Hynde invited them to tour with the Pretenders during the summer of 1980 and their debut single "King b/w Food For Thought" had sailed into the UK Top 5, all the essential elements of UB40 were already in place. Their line-up will remain unchanged for almost thirty years, and they will continue playing a mix of original material and inspired choice of reggae covers in a style that’s instantly accessible with its bright melodies and sweeping horn arrangements – one that’s allied to a formidable rhythm section, capable of holding its own with anything from Jamaica.

UB40’s first album was released the following September, on Graduate Records. Their deal allowed them more creative freedom than if they had signed with a major label. The cover artwork memorably duplicated an unemployment benefit card, with the title "Signing Off" rubber-stamped in red, but it was the music that quickly worked its way into the affections of a young, mainly student crowd with its knowing lyrics, solid reggae rhythms and dubby, instrumental passages, offset by warm horn solos and Jamaican style scatting. There was nothing else like it at the time. As a multi-cultural band from Birmingham, UB40 weren’t drawn into trying to sound "authentic," and there was considerably more depth to their music than that of many punk and 2Tone bands. "I’m a British subject, not proud of it, whilst I carry the burden of shame," they sang on one of the tracks. Accepting the truth of their own situation amidst a sea of other reggae songs proclaiming black heritage gave us a valuable insight into where UB40 were coming from. They were unafraid to stand up and be counted, and British audiences instinctively loved them for it. "Signing Off" duly went to No. 2 in the UK and stayed on the nation’s album charts for 72 weeks.

On September 2nd, 2013, UB40 released their latest album ‘Getting Over The Storm’ on Universal/Virgin Records.

Ima Live Forever Coz A Legend Never Dies.

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