(Written by Terry Reeves)
Gary Reeves: Lead Vocal
Terry Reeves: Spoken Vocal
Hans-Michael Albers: All instruments, Arrangement & Production

Video: youtu.be/4t-H-HHpQ20?si=_reTvkVVmF73vkRi

I was walking down Mare Street, Hackney
Climbing boots and back pack on
Looking for a song of mountains
I had climbed them many times before
Challenge may help to find another door

I’ve climbed arduous N.H.S mountains
Planted flags a'top of wedlock peaks
Hung upside down on magical fountains
With my muscles springing major leaks
My heart is growing smaller by the week

Stood and pointed at hours of darkness
Winds of silence a challenge of their own
Worn out boots a testament to distance
But the misery of counting my toes alone
Sixty three feet behind me as it goes

I have loved being a man of mountains
I hope many will profit from my deeds
I will try to climb just one more mountain
Slide down the other side to save my feet
At the bottom I'll need brand new cleats

This was written over 10 years ago as a George Formby style (Google the name if you’ve never heard of him) ukulele song - a mildly amusing message to Gal to let him know that I was fully aware of the mental health difficulties he was having and that I would always be there if he needed me.

Over the years, we spoke often about the song but nothing much came of it until Gal suggested slowing the tempo and giving it a kind of shuffle beat. As it was about him, I thought he should definitely sing the lead vocal, which I think works rather well. (*Vocalist’s note: It would help if I could still sing…)

You’ll find many personal references to Gal’s life in the lyrics. At the time it was written, he was 63, literally a fatal age for men in the extended Reeves family and he wasn’t having the best of times himself, still wrestling with the grief of a marriage break-up alongside the loss of his big brother and closest friend less than a year before. But even with all of this going on (and not always out of choice) he found there were plenty more mountains to climb.

The transition of the tune from Formby to Albers is a story in itself but suffice it to say that Hans somehow managed to transform it into this rather poignant opus.  He has also made a beautiful film to accompany the piece (see link above). All in all, it testifies perfectly to the reason why Gal’s cleats are somewhat care-worn...and he still has many mountains yet to climb.. (Terry Reeves)

MOUNTAIN MAN - CRIPPLE CLUB

This song was written after watching a TV series called The way home. 
It is about Using the gateway of a magical pond to time travel back to your family's  history.
TIME TRAVELER " The way home " by Glenny G's one man band. ( Original 2025)
LYRICS
I'm standing in the river fifty feet away from shore
That pond is growing deeper , I'm so far away from home
I need to know  ( Time Traveler ) Where that water goes ( Time Traveler)
Time travels on beyond my home
My family is waiting in another place in time
I visit all their moments growing up they left behind
I need to know " On my way home "
Where that river flows " Where does it go "
So far away to find my way home
Solo (Guitar)
We are the children that are yet to be raised x 3
We are the children
I need to know ( Time traveler ) Where that water goes ( Time traveler)
Time travels on beyond my way home
Time Traveler  ( On my way home )
Time Traveler ( On my way home )
Time traveler ( I'm on my way home )

Time Traveler  "The Way Home" (original with lyrics)

8th piece in a series of experiments to try other approaches:
'Inverted World' (including its resolution within three minutes).
You're welcome to listen if you like, if you can.

A once so important part of this world is now spinning faster and further backward. Especially now, it is invaluable to remain level-headed, wise, creative, and above all, hopeful in this artificially created chaos. In every backward movement the corresponding antagonistic forward move is already present in itself. Long live the future, long live the liberal democracy.

more

Future VIII: Inverted World

https://soundcloud.com/33per , my dear donkey fellow sent me this wonderful instrumental, a Big Thank You for that, it was a great pleasure to write and sing along.

The image shows Gregory Peck as captain Ahab in John Houston's film adaptation of Melville's “Moby Dick” from 1956, having just nailed a Spanish dubloon on the main mast.

AHAB (All Hypocrates Are Basterds)

O-o-ohh, o-o-ohh…
Tell me please…
Is that really happening-ä-ä-ä-äppening ?
Do you feel that too ?

Noone is getting out here
Oh no-no-no-no-noo, o-o-o-o-o-ooh
Noone is getting out here alive

Ohh no
Not even the feckin’ basterds
No, no
Not even those feckin’ basterds

Will survive
Whatever may be the strive

See, because 
Noone is getting out here alive
Not the president
Nor his wife

Whatever may be the strive
That won’t work

Ohh oh 
All hypocrates are basterds 			(AHAB)
Ohh, oh
All autocrates are feckin’ basterds 			

They can fool the people 
For some time,

But,
But,
But,

They can’t fool all the people all the time
Not really …
That’s beyond the line

It’s possible to continuate
To self-determinate
To not participate…

So to say:
I would - and - i would…

And i-i-i-i-i-i-i- would 
And I would… 
I-I-I would…
And i would and I would…
I-I-I would…
I would prefer not to…

AHAB (wt 33per, raw edit)

'suck on it' with Falsestart

Falsestart: beat, mumble track, bass, rhythm guitar
Scotty: acoustic drum kit, lead guitar, lyrics, vocals

Well, today I can't rise out of bed.
Invasive thoughts stuck in my head.
Who gives a fuck if I am dead?
Nobody but me, now, it seems.
So many loves and friendships deceased.

Now, I'll rise up and live again.
For, I've forgotten former friends
and ex-loves that were pretend.
I can, now, let it be.
There's no such thing as defeat unless you retreat.

Let's pick up our bones,
go for a stroll.
Burn through a few cones,
relent control.
Relax and let it happen, baby.
Some pushin' too hard to force this life.
Let the universe show you paradise.
It's magic. Yet, tragic
that so few care about no one but themselves.

I could care less if you are dead.
You already are, inside my head.
Your reasoning, already fled.
You think you're justified
by convincing yourself of 'truths' within lies.

Keep spiraling down those rabbit holes
of YouTube and podcasts to regain control.
It's helping nothing but you alienating 
yourself from a life, organically,
but you're too fuckin' far gone blind to see
that you're trapped in a now blackened world.

What happened to you man?
To you girl?
To you world?
We're so different.

And now I'm trapped within my head.
And all of you out there are dead.

Buy the shit.
Eat the shit.
Every bit.
Feel like shit.
Suck on it, baby.

suck on it 'demo' (with Falsestart)

Cast of Characters:

Cgmaness – open.spotify.com/album/42qOeOxPcclsxwxlPynFfL – Chris – Gretch bass, Guild Pelora electric guitar, SoundStone on a Harley Benton electric guitar, vocals, composition, mix, and production

Mistermark-- @user-432503709 -- Mark – organ

Llanpsych–@llanpsych –Tez– Fender Stratocaster electric guitar

K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – Roland Phantom synth

TexMex Shaman– @texmex-shaman –Stephen– Gibson Les Paul custom electric guitar

This song began as a mostly fully fleshed out idea from Chris. He presented it to the rest of Eclectic Collective as a bass line with a rhythm guitar chugging the goove. Awesomely powerful groove, but pretty stripped down compared with the final version.

We did this in an odd order this time, for no particular reason. Probably because Chris' bass groove was so strong, Mark was able to first add his ripping organ throughout, inspired by Deep Purple. Tez, again surprisingly, was able to add the fiery solos at the end and the intro, even before the drums were up. Although, we didn't have to wait long for that, because Ken filled them in perfectly, as he always does. Once the structure and rhythm section was complete, Josh decided to add the synth solo in the middle, at the crescendo, which he really enjoyed doing. Stephen came last to the party, but replaced Chris' rudimentary rhythm guitar with a fierocious, but more riff oriented, and less chordy line throughout.

Once it was in the bag, Chris was the natural choice to mix it, since his productions are always top quality, and it was his song to begin with. During the production, he also decided to add the guitar, including the an e-bow like device called a SandStone that sounds a bit like a synth, and vocal tones to the middle and end. He also added the vocalizations you hear in those parts, as well.

This is an example of an Eclecitic Collective song started by Chris, whose music we adore and with whom are always excited to work. His music is all amazing; check out his page if you haven't already. He is also on Spotify, which is where you'll find his new album, which is amazing! We hope you enjoy listening to this song as much as we enjoyed creating it.

The Collective - (Eclectic Collective) song by CGManess

Inspired by the gritstone 'Dark Peak' millstones left abandoned in the 1800s. Over 1,000 of these 2-3 ton stones were left behind when modern methods made them obsolete. Nowadays the quarry sites by gritstone 'edges' are favoured by walkers enjoying the open countryside, which for centuries witnessed the immense effort of cutting, shaping and hauling these massive loads.

Photo (NM) Millstones on my favourite walk below Stanage Edge on the Sheffield / Derbyshire border.

Rolling out the Heavy Load

Feel that pain it happens when you care
Lean right in, embrace it if you dare
Dangerous days, perilous nights
I’ll take the reins, hold on tight

Life has taught you to protect yourself
To not take the fall, stay back from the edge
But love might be right within your reach
If you risk falling for me
Risk the fall for me

One step first, my love is all you need
Soon your thirst for more will set you free
Joyful days, blissful nights  
 Sit with me, hold me tight

Life has taught you to protect yourself
To not take the fall, stay back from the edge
But love might be right within your reach
If you risk falling for me
Risk the fall for me
  
Nothing ventured, nothing gained
Don’t hold back cos life won’t wait
If there’s never love, there’ll never be loss              
We’ll all be shielded but at what cost

Life has taught you to protect yourself
To not take the fall, stay back from the edge
But love might be right within your reach
If you risk falling for me
Risk the fall for me

Risk the Fall

Music/Lyrics by Netta&McGill

_
Like waking from a deep, blue sleep
For many months the light was bleak
But this morning something happened
A rumble deep inside
Baby, I was coming alive


So many days it has been low
And often eyes would overflow
But this morning something happened
All around blue skies
Baby, I was coming alive
*

 With sunshine in my eye
And you by my side
Pieces of the darkness disappeared 
Yea with sunshine in my eye
Now a pep in my stride
Baby, I’m coming alive
*

The brighter days to come eventually 
Take advantege of that feeling free
Cause this morning something happend
And my smile was open wide
Yeah baby! I feel alive
*

With sunshine in my eye
And you by my side
Yeah (baby)! I’m feeling alive
Baby, I’m feeling alive

Coming Alive

Cast of Characters:
Didier Burli-- @didierburli — acoustic guitar, main vocals, composition
Llanpsych–@llanpsych –Tez– Fender Stratocaster electric guitar, mix, and production
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – Roland Phantom organ, Roland piano, Paul Reed Smith cutom SE electric guiar, Warwick four string fretless bass, vocal harmonies
TexMex Shaman– @texmex-shaman –Stephen– Tom Anderson custom T model electric guitar

This song began with Didier coming up with it on his acoustic guitar. However, when he first sent it to Josh, he had played electric guitar, bass, keys, and drums on it, because he is a very talented multi-intrumentalist. This song passes the stool test, though, which is the question of whether it sounds good with someone just sitting on a stool with a guitar, playing and singing it. So, when we asked him to give us a version that we could add to, it was already a great song that he sent us with just him singing over his acoustic guitar. 
  Tez was the first one up on this one, adding the fiery fills throughout, as well as the co-solo at the end. Ken entered the fray next, adding his rock solid, dynamic drums. Once the drums were down giving him something to play against, Josh added his fretless bass to the song. Being very excited about this one, he also added piano, organ, and eventually the lead guitar solo at the end. He also went in and added all the vocal harmonies throughout. Stephen then brought up the rear with some really cool textural guitar throughout. 
  Once we had it in the bag, we asked Tez to produce and mix it for us, which he did in his usual expert fashion. 
  This is our first song with Didier, but we hope it's just the beginning of his new inclusion into the Eclectic Collective family. He has a lot of great music on his page, which is worth checking out, too. We hope you enjoy listening to this song as much as we enjoyed creating it.
Original lyrics by Didier Burli:
I wish I could stay awake but I need to sleep
Thunder is on it's way but I don't hear it
I don't fear the ghouls, and I don't fear the creeps
And with this dancing zombie, I don't know what to do with it
And I just get too much information....
in the middle of the night, when everything is silent....

(chorus) And the noise rises up
From all those things, that mankind does, that makes you want throw up

(chorus) And the noise rises up
From all those things, that mankind does that makes you want dream of

(chorus) And the noise rises up
From all those things that makes you scared of

(chorus) And the noise rises up
From all those things that mankind lost

And I just get too much information....
in the middle of the night, when everything is silent....
 




The Noise Rises Up - The Eclectic Collective with Didier Burli

More and More information about  a lot of bottles of Tablewater

I buy a lot of bottles .wav Dodakk24 Songwriter

All songs on channel are original and copyright of Karen O'Mahony (c). 

You'll find me also here in my collaboration project with Johan Alm https://soundcloud.com/ashesfordreams

Risk the Fall

monno