Roy Regev is a music producer, cultural entrepreneur and soundscaper based in L.A, where he also founded Sounding Board: an audio, media and production studio. 

Regev collaborated with and produced for various musicians nationally and internationally. His sound adventures led him to the avant-garde collective of musicians We Are Ghosts that recorded site-specific albums in caves, festivals and Art Basel Miami. He created sound environments for exhibitions and various projects, including Outlet (Station923 Gallery, Ithaca, NY), and Jerusalem’s Indie Music Festival, Frontline, which he co-artistic directed. 

In New York and Tel Aviv, he performed live with groundbreaking artists such as Petite Meller, Rotem Or (Totemo) and Tesha. His body of work includes indie projects, such as Monotalk, and electronic experiences, under his solo title, Mono27. In a weekly music column for the Israeli magazine Pnai Plus, Regev explored the inner realms of Israeli music for six years. Further deepening his commitment to the realms of culture, art and music, Regev also served as writer and editor for media outlets such as Maariv, Yedioth Aharonot, Haaretz and other lifestyle magazines.

In this project, Regev explores his deep love for dark analog synths and drum machines, alongside classic electronic influences.

https://throttleclark.com

Management | greg@thefullspectrum.org
UK & Europe Bookings | debbie@lb-agency.net
North & South America Bookings | twalker@outermostagency.com  
Press | duncan@9pr.co.uk

'Open' Album: https://kutiman.lnk.to/Open

For all inquiries:
boaz.murad@gmail.com

Owen Clarke
Al Doyle
Joe Goddard
Felix Martin
Alexis Taylor

Why Make Sense? released 18th May 2015. 



Hailing from Munich, Panic Girl alias Martha Plachetka dedicated her life to music from an early age. After receiving classical training in piano, guitar, and singing she got deep into the production of electronic music. If you visit her place, it is hard to not fall over a big mess of cables and different production gear like the Marxophone, Doepfer, Stylophone, or Virus synthesizer. Influenced by a wide range of music like 70s psychedelic, progressive rock, trip hop, as well as drum and bass and classical, Panic Girl delivers a deep mixture of electronica and trip hop. Being dead serious about her art, she not only writes her own lyrics and music, but as well produces all recordings on her own.

Ninja Tune has established itself as one of the world’s leading independent record labels. Now a bonafide global music institution, synonymous with diverse, uncompromising releases and equally visionary artists—from breaking-through to GRAMMY-winning, internationally acclaimed acts—committed to pushing the boundaries of music.

Roy Regev is following