Analog Symbionts

Yamaha SY77 + PitchLoop89 &  ProphetVS + H3000.  Prophet 12. Long held notes and lot of envelopes and LFOs.

21apr15

The second foray into Séance Centre's “Speculative Ethnography” series is an icy and tender missive of glacial piano, ambient electronics, samples, treated sax, and drum machine rhythms from snowbound Canadians Joseph Shabason & Vibrant Matter (Kieran Adams).

Shabason and Adams have been collaborating for years, forming the production team behind the celebrated experimental synth pop trio Diana, but their relationship has often been fraught with creative tension. Fly Me to the Moon is their ‘make up’ EP, a redemptive voyage through uncertain times. During lockdown Adams found refuge in routine, practicing drums every morning in Shabason’s Toronto studio. Afterwards, the pair would chat in the alleyway behind the studio, drinking espressos, a daily practice that became an antidote to the chaos of pandemic life. Through this daily ritual a creative spark was reignited and they decided to start exchanging ideas, but rather than working together in the studio as they had in the past, the circumstances required them to collaborate remotely. Through this distanced connection the youthful tension and ego of the past eroded, evolving into a deep trust.

Escaping the gravitational pull of a planet in distress, the duo composed a sonic love letter adrift in weightless ambient electronics, fourth world jazz visions, and cyborg IDM riddim technologies — an ode to a long friendship which has strength because it has travelled through so many galaxies and vortices. Who says you can’t fall in love all over again - ‘Fly me to the moon / Let me play up there with those stars / Let me see what spring is like on Jupiter and Mars’.

Fly Me to the Moon is a limited edition pressing with risograph printed insert and designed for future archives.

RIYL: Ramzi, Photek, Mo Wax Headz, Jon Hassell, FSOL, Aleksi Perälä, Nuron, Ismistik

Purchase digital: https://josephshabasonvibrantmatter.bandcamp.com/album/fly-me-to-the-moon

Purchase vinyl: https://www.seance-centre.com/shop/joseph-shabason-vibrant-matter-fly-me-to-the-moon

B1. Joseph Shabason & Vibrant Matter - Winterhaze (32SC)

Written and Produced by Ryan Malony
Mastered at Artefacts Mastering
Photography by Alexander Kopatz.
www.go70north.com
Faint030// FaintCD030
Faint / 2022

Araceae - Three Years

This hybrid DJ / Live Set was recorded in a yurt structure at the Freerotation Festival in Wales. This time my idea for the set was to take us all much further out, much deeper inside than the set from last year. A more disembodied experience. 

As I had done last year, I sat on the floor in front of the speakers to perform instead of behind them as a DJ normally does. This greatly enhanced my feeling of experiencing the set with the audience, dissolving the usual performer / audience divide. 
Below is the list of tracks that I played in addition to live improvisation using a eurorack modular system.

Many thanks to Steevio, the whole Freerotation crew and everyone who experienced it there with me.


Lars Von Trier - Intro from Europa
Henry Wolff & Nancy Hennings - Crossing the Line - Tibetan Bells III
Delia Derbyshire - Running - Inventions For Radio - Dreams
Compound Eye - Hydraulic Regime Vibrates Within - Journey from Anywhere
Coil - Copal - Moon's Milk (In Four Phases)
Cosey Fanni Tutti - Such Is Life - Time To Tell
Coil - Die Wölfe Kommen Zurück - Black Light District
William S. Burroughs - The Cat Inside: Excerpts - The Best Of William Burroughs
Jo Johnson - Words Came After Music - Weaving
Coil - Bism - Worship The Glitch
Delia Derbyshire - Colour - Inventions For Radio - Dreams
Long Distance Poison - Signal I (Drew McDowall Remix) - Gleise Translations
Coil - Caged Birds - Worship The Glitch
Coil - Magnetic North - Winter Solstice
Aphex Twin - Rhubarb - Selected Ambient Works, Volume II
Coil - We Have Always Been Here - Worship The Glitch
Jo Johnson - Long Shadow (Anthony Child remix)
Rapoon - We Danced Like Sticks - The Kirghiz Light
Alessandro Cortini - Resta - Forse 1
Delia Derbyshire - Falling - Inventions For Radio - Dreams
Compound Eye - Open Interval 1 - Journey from Anywhere
Rapoon - Dala - The Kirghiz Light
Coil - Ended - Worship The Glitch

Surgeon (ambient set) at Freerotation 2014

from the album Charles Cohen - "Brother I Prove You Wrong" out on Morphine Records 2015 - doser026LP

Composer, improviser, and Buchla Music Easel master Charles Cohen returns to Morphine with a suite of new material. In keeping with the timbre spectrum of his semi-modular system, Brother I Prove You Wrong is built around pointillist analog tones—Cohen's cosmic "beeps and boops"—that swarm and scatter in mesmeric patterns across four sides. Moving through surrealistic textural overlays and industrial miasma, the album's nine tracks reveal a more introspective and personal side of the artist, following from a retrospective LP trilogy released via Morphine in 2013. Those assembled works, dating back to the late '70s, quickly became essential listening and brought Cohen—at the time largely unknown outside Philadelphia's experimental circuit—to critical renown. 

Brother I Prove You Wrong was recorded in Berlin in September 2014 using the Buchla Music Easel, with production help and support from Rabih Beaini. Mastered by Neel and curated and designed by TankBoys; cover art by Nathalie du Pasquier.

Charles Cohen - The Boy and the Snake Dance

On my travels this summer I picked up a book of weird celtic short stories, published by The British Library. This one is inspired by "The Fetch" written by Robert Aickman. The fetch is essentially your own personal sea-hag who will come for you (or those in your family circle) when your time is up. You know it's come for you when it looks you in the face; otherwise, it will pass you, it's head at whatever angle so as not to look at you, as it makes its way to the true victim. Aickman's stoic, Scottish style brings out the folk dimensions of the tale to truly horrific effect. Not surprisingly, I've gone for a funereal march!

The Fetch

"The Final Chapter" unfolds over 4 minutes and 16 seconds of serene, immersive ambience. Soft, evolving textures drift like mist through a quiet soundscape, building a gentle sense of closure and reflection. Layers of airy pads and subtle drones create a warm yet spacious atmosphere, perfect for moments of meditation, focus, or emotional release. With its delicate dynamics and cinematic undertone, this piece feels like the last page of a long journey, both tranquil and bittersweet.

The final chapter

🌌 MEET ME IN ETERNITY 🌌

An odyssey beyond time, crafted by SYNTHTOPIA x QVANTVM

This album is a deep, cinematic journey through the cosmos — a meditation on infinity, light, and the eternal resonance of existence. Built from evolving synth pads, warm analog textures, and ethereal orchestral layers, each piece unfolds like a star-born hymn: expansive, transportive, and timeless.

From the shimmering stillness of THE QUIET BETWEEN THE SUNS to the soaring radiance of FIELDS OF STARLIGHT and the transcendental call of ARC OF INFINITY, this is music designed to dissolve boundaries between the human spirit and the infinite universe.

These soundscapes invite higher consciousness, deep reflection, and a sense of home among the stars. It is not just an album — it is a gateway.

✨ Enter the cosmos. Meet me in eternity. ✨

MEET ME IN ETERNITY

BEATRICE DILLON - Drum programming, electronics, synthesizer, bass guitar, field recordings

RUPERT CLERVAUX - Vibraphone, drums, percussion, field recordings, additional drum programming

and EBEN BULL - Pocket trumpet and zither

The Same River Twice - Beatrice Dillon & Rupert Clervaux

Here's the recording of my live techno set from Friday night at Freerotation Festival 2017. Thanks to Steevio & Suzybee, the whole crew and everyone who was there. I hope you enjoy the recording as much as I did performing it!

Freerotation 2017

Surgeon live at Freerotation, Wales 7th July 2017

JJ █ TSTЖ █ RVMTNO°

Joliejulien 001intro

Jan Jelinek - They, Them

more snow outside,  more tea inside, and more 'i am not going to edit this for two months but leave it as it is'.

This is the result of making myself familiar with a bunch of new Eurorack modules.  <3

21apr15

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