Name: Ladaia by MONSTRO GRASS DELICLOUD
Duration: 2 min 37 s
Description: This is a music who brings to the listener all the sensations of a mix of heavy drugs to die sufocated by his own vomit like hendrix, bro.

@ceilctalcup: hmmm improve where? i think this track is exactly how I want... i need a girl to sing... but i will look, thanks

Well done noise rock on this song, the drums mix is so good!  I like this very much! The end with a sound like Syd Barret,GOOD

Liking the oddness of this track most, keep up the great work.

What a crazy sound! Super band. ¿Progressive Rock?

Interesting music, dense and modern and inventive.  Nice tones and production.

Lydia

“Eyes So Wide” is a track I wrote, sang and played all instruments on. If you dig it please feel free to comment or repost! Thank you 🙏🏻✌🏻-Tim

Eyes So Wide (original track)

This is a music who brings to the listener all the sensations of a mix of heavy drugs to die sufocated by his own vomit like hendrix, bro.

Monstro Grass Delicloud

Ladaia

He can't breathe with your knee on his neck. Idiot.

Can't Breathe

A song about becoming a parent

LYRICS:

When she arrived, fixed me with purple eyes
Life changed in a moment
knew I've got to keep her alive

I get scared for the future, when my time is mine again
no knowing who I’m gonna be
I don’t care for this

There’s something about this that I’m supposed to hide away
It three-word silence so loud it is deafening me

After we launch you, are you gonna come back home?

Launch

Going for a more surf-rock feel here

LYRICS:

The first thing that I did when I remembered the fight
Was picking up my guitar and documenting the night
As far as memory served, you were just trying to help
I know you never deserved to feel the way that you felt

Can you find it in your heart to forgive me?
I can’t apologize enough
And I’ve been torturing myself to re-live this
And now I’m standing here, tell me what it is I can do

The first time that I saw you standing next to your friends
All the deafening voices tuned to one and made sense
I told myself that I could never to a thing to cause you pain
But here I am on your doorstep in the November rain

An Apology

Taken from the albums
Music is the key 1 & 2
Availabile at all main services

Music is the key 2

stream

Day Dream

Piranha for Solo Marimba (Six-Mallets). Duration: 5'.
Publisher: Bill Holab Music: http://www.billholabmusic.com/store/index.php?main_page=product_info&products_id=930

PROGRAM NOTES

After writing Komodo, a piece that shows off the low end of the marimba, I decided to write a piece that focuses on the top end for good measure. Ghoulish creatures fascinate me, and piranhas provide the perfect inspiration. Like Komodo dragons, piranhas are vicious, but their reputation is somewhat exaggerated. Perhaps this piece is a Romanticized take on these fascinating creatures. Piranha begins with a rippled, fluid-like introduction, as if they are rising and falling and poking through the water’s surface. (This section pays tribute to composer Jacob Druckman and his masterpiece for solo marimba, Reflections on the Nature of Water.) The next section is a gradual crescendo, a build-up of tension as hungry piranhas stalk and nip at an unfortunate animal as it wades into deeper water. The animal is then attacked, reflected by the low end of the marimba and “marimshot” cluster chords. Satiated, they gradually calm down in the last section via a gradual diminuendo and the piece ends quietly with soft ripples and chords played with mallet shafts.

Six Mallet Marimba

Piranha (Solo Six-Mallet Marimba)

Stealing Thunder for Percussion Sextet
Duration: 9'
Publisher: Bill Holab Music: http://www.billholabmusic.com/store/index.php?main_page=product_info&cPath=103_137&products_id=1234
For More Information: https://robertpaterson.com/stealing-thunder

PROGRAM NOTES
Although percussionists are often called upon to mimic the sounds of nature with their instruments, I think that nature, without question, provides the most exciting percussive sounds. In Stealing Thunder, I attempt to honor Mother Nature by appropriating (or stealing) recorded sounds of thunder and integrating them into the work. Each percussionist plays unique solo lines and motives. As the work progresses, the players take motives from one another and modify them. In effect, they are stealing each other’s thunder. The name "Stealing Thunder" is derived from the expression "to steal someone’s thunder," an expression that means to hinder or thwart someone.

In an abstract sense, this work is inspired by the great drum solos and styles of Gene Krupa, Buddy Rich, Tito Puente, Neil Peart and Billy Cobham. This work is also influenced by rudimentary drumming (i.e. "marching drumlines") and percussion technique books I used when I was younger, such as George Stone’s Accents and Rebounds.

Video with whole work: http://youtu.be/CscZ62yU72g

Stealing Thunder (for Percussion Sextet and Recording)

My objective of this song is to rock.  It's a great song for me to practice and record my vocals, record some powerful guitars and bass and some kicking drums.  It was a great Ramones tune that didn't mean anything, and one I enjoyed adding my own touches to.  There's no more political or racial message intended by me than there was by The Ramones when they wrote it in 1981.  
Now that we have that out of the way, let's rock!

The KKK Took My Baby Away (Ramones cover)

BUY ON BEATSTARS https://bsta.rs/6f221a6c

DARKWAVE TYPE X INDUSTRIAL TYPE X ALTERNATIVE ROCK TYPE BEAT INSTRUMENTAL 

IRON FLOWER (industrial Rock x darkwave type Beat INSTRUMENTAL)

I am not fake, I am Not Light, I Create the New Trap Metal Music Concept. My sound is Heavy, fulled of variations, distortion, details, originality, and my lyrics contain bad and subversive post modern ideas. 
My concept reffing the universe of trap metal production are spreading the end of the old social, econômic and political system with a no-diretivist educational tatic... My concept is offensive, with Sarcasm, Metric, Psychedelism, Triple Sense, Banalization of the Blasphemy and of the Dirty Sexual Conducts, with a charge of comedy, madness and subjectivity, with obscure intentions and relative messages. 

Ladaia

MONSTRO GRASS DELICLOUD

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