naff0007 is from a close friend and one of our favorite DJs @livwutang

In Liv's words :

For this mix, I tried to find the sweet spot between sultry and haunting; cerebral yet somatic. It came together almost on its own—a gently cascading rabbit hole of tech and dubstep, guided by indulgent pads and dubbed-out chords.

Third track blends crafted for headphone listening : )

naffcast007 ⦾ ------  ࿔ ᶫwͥuͮtang ࿔ -------

CZ Wang

Based in New York, CZ Wang is a DJ, producer, and engineer with deep ties to Vancouver’s influential Mood Hut collective. Over the past decade, he has played a pivotal role in shaping underground sounds, both as a selector and behind the scenes, contributing his skills to collaborations with artists like Huerco S, Nick Len, Okay Kaya, Daniela Lalita, DJ Python, Ana Roxanne, Jack J, and untitled (halo).

He holds residencies at Public Records and Eavesdrop, and regularly performs at renowned festivals like Sustain-Release and Warm Up MoMa PS1. His sets can also be heard at iconic clubs including Nowadays, Bar Part Time, Sunday Sunday, and Renate.


CZ Wang 是一位駐紐約的 DJ、製作人與工程師，擁有深厚的 Mood Hut 廣受讚譽的溫哥華音樂集體背景。在過去十年中，他作為選曲人和音效工程師，對地下音樂場景產生了深遠的影響，並參與了 Huerco S、Nick Len、Okay Kaya、Daniela Lalita、DJ Python、Ana Roxanne、Jack J 和 untitled (halo) 等藝術家的合作。

他目前在 Public Records 和 Eavesdrop 擁有駐場 DJ 位置，並在 Sustain-Release、Warm Up MoMa PS1 等音樂節上演出，此外，還常常出現在 Nowadays、Bar Part Time、Sunday Sunday 和 Renate 等知名俱樂部。

CZ Wang @TOHA Radio 2025.04.29

We linked up with the king, Donato Dozzy, at the iconic Brancaleone club in his hometown in Rome for a 5-hour set.

Donato Dozzy | Boiler Room: Rome

Moonshoe & Moral Laxa at Poor Toms (08.06.25)

Thrilled to be welcoming NAP aka Daniel Rincón to series, the CDMX based DJ and producer with a unique gift for capturing the wonky, hedonistic feels of the after-hours in his signature extended mix styles. Packed with sleazy twists and turns, there's never a dull moment with NAP at the wheel! Electro-fied highway rollers masterfully sliced and diced for that maximum long haul recharge! @napmusick

Q. What sounds/feelings did you draw upon when gathering inspiration for this mix, and what environments could you imagine it being best enjoyed in?

A. I wanted to make a driving mix that featured a lot of vocals but in mutated and affected ways. Either as a centerpiece of the tune or via chops and sampling, the vocals carry a lot of the tension and thread of the mix which I wanted to balance across a mix of sleazy and dubby sounds. Perfect for a night drive or an afters with some bffs.

Q. Are there any songs in the mix that you were especially excited to share, and what is it about these tracks that resonate with you so much?

A. Blacklight Sleaze (Dyed Soundorom Remix) by Peace Division’. I put it earlier in the mix as it's a bit of a fire starter in getting the mix boiling. This track is also an example of the use of the human voice in a classic but psychedelic/ experimental approach; many voices swirling around atop a sexy driving groove. 

Loose Control by Dino Lenny. Been playing this one a lot and I’d like to make mention to it because it hits a lot of the things that I like when playing a peacetime burner; driving arpeggiated Italo style baselines without being too garish, some dramatic silence drops that make you think the track stopped and then the use of the human voice as a melodic element displaced from language. 

Heart Misses - Heart Misses. This one is definitely in the pocket of  sassy/ minimal sleaze tune which encompasses the vibe of many of the other tracks in the mix as per the concept I had. Perhaps this one is also an evolution of my digging from having been really into electroclash growing up and playing a lot of that stuff across my DJ experience. This hits the reference points of that sound I grew up up with but perhaps actualized? More reduced, minimal but still sexy, driving, irreverent and trippy. 

Q. Tell us about the projects you’ve been most immersed in since moving to Mexico City, I know there’s a few!

A. Oh man, lots of collabs since I've been here! All a by product of new friendships and amazing connections I’ve made while being here. Stuff is still percolating and getting finished but Im very excited to put out new collab projects with Primordial Oh, Reedbriefcase and Tristan Arp; whenever the time is right. On the other hand I’ve also put the finishing touches on a collab project with my friend Pablo Arangoiz who I started jams with when he visited Mexico 4 years ago. Since then we’ve been working on a thesis on a specific type of experimental cumbia forward pieces which we’ve spent a lot of time and care on. 

As far as ACA, Phran and I have a lot of things on the pipeline which will hopefully get some releases this year. It's tough to get a lot of the projects we want to do out when we live in different places but we’re damn excited about all of them and aligning on getting a digi release out from Venezuelan Miniteca legend ‘El Mago. We also got some homie comps cooking up and some sassy merch coming up.

On the Ambien Baby tip, Soph and I have been jamming a lot every time we have the chance to but again, not living in the same place makes it a bit hard to wrap stuff up. Still the past year has yielded a lot of sick fire starter jams that hopefully we can zinch up before the end of the year. We also have a collaborative sound piece we made with our friend Florence Scott-Anderton some years ago for a show she had at the ICA some years ago. This one is a very dear collab for all 3 of us and I hope we can get it out before the end of year as well. Lots of stuff coming up and cooking up!

MDC.312 NAP

Re-up of a mix I did for friends at @regelbau many moons ago. Out to the crew for have me on the series 👾

RBMIX20 by Greville

recorded live at good work in a backyard on a lovely saturday in brooklyn

Loidis @ Good Work - 12 July 2025

Legendary dub techno artist Paul St. Hilaire (AKA Tikiman) announces new collaborative album, marking 10 years of Kynant Records. 

Building on the success of Paul St. Hilaire’s landmark solo album for Kynant in 2023, w/ The Producers switches up the formula to pair St. Hilaire with a different producer on each track. Referencing fellow dub techno pioneers Mark Ernestus & Moritz von Oswald’s acclaimed album w/ The Artists as Rhythm & Sound, St. Hilaire flips the concept to feature as the lone vocalist.

Over the album’s nine tracks, St. Hilaire offers a range of conscious song-writing and headtop musings, such as the spoken-word dread of “What’s This” or the sparse call-to-action of “Send Them On”. w/ The Producers is yet another essential record in St. Hilaire’s unmatched discography.

The album marks 10 years of Kynant Records, with label owner Richard Akingbehin curating an eclectic but sonically connected group of producers. These include luminaries such as Digital Mystikz boss and dubstep trailblazer Mala, or the elusive Chain Reaction artist Shinichi Atobe. They sit alongside some of the most exciting names in recent electronic music - Batu, Gavsborg, Azu Tiwaline, Priori, Cousin, Russell E.L. Butler, Aurora Halal and DJ G - all of whom bring different elements of dub techno into their productions.

w/ The Producers finds Kynant Records bridging the original voice of dub techno with the genre’s new wave. It’s a statement of intent from the label, which began 10 years ago with deep, hypnotic techno and has veered gradually towards more dubwise sounds.

Mastered by Stefan Betke
Artwork by Grant Gibson
Distributed by N.E.W.S 

A3 Paul St. Hilaire & Cousin - Back Inna Business

For RA.1000, DJ Sprinkles' first mix in over a decade is a powerful meditation on the genocide in Gaza.

Dance music often relies on simple narratives: release, escape, unity. But those narratives can often feel inadequate, and even at times, hollow. Or, as Terre Thaemlitz might bluntly put it, just "shitty."

For her first mix in around 15 years, Terre Thaemlitz AKA DJ Sprinkles, challenges us to think differently. "I felt this 1000th podcast should reflect the moment in which it was made," she told us in her Q&A.

And what is this moment? Every day since Israel's 2023 assault on Gaza began, an average of 28 children have been killed. That's an entire classroom, every day, for over 600 days (at the time of writing). It's a staggering figure that only captures a fragment of the listless cruelty imposed on the strip.

Faced with such a genocide, what can music really do? How political can it truly be?  For their RA.1000, Thaemlitz gives us an unflinching rebuke to the idea that music should provide escapism. The mix weaves ambient fragments and jazz passages, woven around samples from Israeli media and the voices of outspoken Jewish critics like Gabor Maté and Norman Finkelstein. 

The result is not just a protest, but a document of our time. For Terre Thaemlitz, music is never just music. Her RA.1000 serves as a reminder that in an age of relentless suffering, the most political act is to reject the illusion of escape, and search for something greater.

Read the interview and find the tracklist at ra.co/podcast/1013. Listen to all RA.1000 mixes, as well as the complete history of the RA Podcast, at https://1000.ra.co

RA.1000 Terre Thaemlitz / DJ Sprinkles

forwards and backwards through bits of a [mostly] electronic music timeline. reverence for BCR. records i’ve played forever and new records i’ve just found. boil it down. one z in drizle. 
Find the full tracklist and related episodes on NTS: https://www.nts.live/shows/drizlefm-w-plo-man/episodes/drizlefm-w-plo-man-21st-august-2025

drizle.FM w/ PLO MAN & Kudzu Audio 210825

Purchase here ~~> 

https://fredasound.bandcamp.com/album/mad-dancer-ep

Freda - Mad Dancer EP - MSH004 (Snippets)

Cousin Bookings
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Other - moonshoerecords@gmail.com

https://secondcousin.bandcamp.com

https://soundcloud.com/secondcousins

Freda - Mad Dancer EP - MSH004 (Snippets)

MOONSHOE