New live album Wheels Turn Beneath My Feet II out now! https://finkmusic.net/collections/music

all butter
https://on.soundcloud.com/2jRikfGupCtnX4J49

friend2friend
https://soundcloud.com/friend2friendfestival

for contact please use 
bb@allbutter.eu

MANAGEMENT:
dima@fantastic-management.com

Bookings: info@dnzagency.com
Benelux: karel@burst-artists.com
Asia: jonathan@warungagency.com

Phil Weeks is a house music purist. Whether DJing or producing, the Parisian with the huge personality delivers raw beats influenced in equal measure by
classic Chicago house and nu‐school French flair, underpinned with a hip‐hop attitude. His long running Robsoul Recordings also defines him as one of the
most skilled label heads in underground house music.
In the studio Phil is dedicated to classic hardware like Akai’s MPC 3000 sampler and Roland’s TR909 drum machine. He has released more than 250 tracks and
remixes since his debut in 2000, working with labels including 2020 Vision, Music For Freaks, Brique Rouge, Detour, Adult Only and his own Robsoul, which
is responsible for the majority of his original output. 

Phil’s work can also be found in the collaborations Fries & Bridges (with Hector Moralez) and PS Project/Bubba Beats & Kid Piston (with DJ Sneak). Production highlights include Phil’s three albums ‘Love Affair’ (2011), ‘Yeah I Like That’ (2003) and ‘Raw Instrumental’ (2012), alongside style‐defining singles ‘Hypnose’, ‘It Put Me Well’ and ‘All Day Every Day’. The music has been
heavily supported by international dance press including achieving accolades such as MixMag’s and De‐Bug’s ‘Album Of The Month’, while DJs ranging from
Danny Howells and Yousef to Mark Farina and DJ Sneak consistently play his tracks. Behind the decks, Phil has racked up enough air miles to take him around the
world several times over, with appearances at the world’s leading house clubs ‐ Queen’s Club, Sankeys, Circus, Ministry of Sound, Back to Basics and Stereo are
all regular haunts, alongside his Paris residency ‘Get Underground’ at the infamous Rex Club.

Phil has also fully embraced the relationship with his fans and house music fans in general – whether through his popular ‘Underground Chronicles’ video diaries
on Youtube or his personal relationships on Facebook.
Despite his success Phil isn’t one to brag. To him it’s all about keeping proper house music alive. Which just goes to prove Phil Weeks is a house music purist.

The ever shape shifting, critically hailed Hercules & Love Affair return with brand new album In Amber, to be released on 17th June 2022 via Skint/BMG.

“Across this record, there are emotional fields I hadn’t ventured into previously with Hercules & Love Affair,” says Butler. “Destruction, rage, loss, but also redemption and journeying towards empowerment are all touchstones on the album. It has taken years to make, but I am happy to put it forward now, at a moment in time where we have all been confronted with such heightened feelings collectively and on an unprecedented scale”.

Reuniting with ANOHNI for the first time since her stellar turn on the eponymous debut in 2008 (which undeniably produced one of the most beloved dance tunes of the oughts “Blind”) proved key to this process. Both share a love and deep respect for music of a more aggressive bent, zig zagging from grindcore like Godflesh and Bolt Thrower, via electronic avant-garde like Throbbing Gristle and Cabaret Voltaire to female fronted punk and metal like Sacrilege, Fear of God and Diamanda Galas.  On the other end of the spectrum, they have an equally intense appreciation for darker ethereal acts such as This Mortal Coil and Dead Can Dance. In Amber reflects this wide swathe of emotion and sound.

The Dresden born DJ lives and works in Wiesbaden now and makes a living as a botanist. His grooves are as vivid as the plants he takes care of. Paul started tinkering around with his first 1210s when he was around 15 years old, cofounded kommdisco and as founder of the series Hauswald he creates a lively atmosphere in venues and sounds. He set himself the goal to create a warm and welcoming atmosphere for all of his guests and perfectly transferred it into this beautiful vinyl only DJ Set.

Miami Nights 1984 is Michael Glover from Victoria, BC, Canada. His obsession with the 1980s has led to the founding of Rosso Corsa Records and a revival of synthesizer music. With Rosso Corsa he is championing many artists such as Mitch Murder, Lazerhawk, Jordan F and Lost years to make 1980s-inspired music with modern fidelity.

Being among the pioneers of this revival, Mike’s first project Actrazer initially defined the Rosso Corsa sound together with output from label co-founder Lazerhawk. They coined their music Outrun, a genre of soundtrack music with epic leads and arpeggiated synths. At the same time, Kavinsky, the Outrunners and the Valerie Collective were all contributing to this new sound.

Since 2010 Michael Glover has been ecstatic about the success of his second project known as Miami Nights 1984 (MN84). Characterized by smooth synthesizers and nostalgic solos, this new sound accentuates the carefree feel of the 1980s.

The Miami Nights sound garnered support on an international scale with the official remix of ‘Somebody I Used To Know.’ by Gotye. It infuses 1980s charm with Gotye’s powerful voices and moody lyrics. Rollings Stone says it’s an “eighties-inspired synth-pop remix, inspired by [mike's] love of old John Hughes films” while VH1 says “It’s a synth-led 80s redux, and it’s pretty rad”

When asked about influences, Mike says he obviously takes from the 80s: “The music, movies, shows, cars and girls are all running through my imagination when I write a piece of music. I’m not happy with a piece of music unless I can imagine it as the soundtrack to a film or show. Ever since I was a child I enjoyed synth-based music like Tangerine Dream, Jean Michael Jarre and Ray Lynch.” His name coincides with the original run of the Miami Vice TV show on September 28, 1984.

In creating his sound he uses “a variation of analogue synths and virtual instruments in Abelton Live. I’ve been using more virtual instruments for convenience and ability to leave a project without worrying about getting the same sound again.” Many of the parts are first recorded from live instrumentation and tweaked afterward in Ableton.

Building on the successes of Rosso Corsa Records and an official Gotye remix, Mike released the second Miami Nights 1984 full length album Tubulence. Spanning 12 tracks, Turbulence builds upon the synth-pop charms and synthesizer solos from Miami’s first album with more character: orchestra stabs, percussive rushes, slow motion bends and epic interludes distinguish the album. So does the album’s more intense moments which promote the Outrun electro sound we have championed for many years.


Moses Wasserteiler is following