Under the solemn gaze of Furthermore the gears of hatred and wrath grind down the bones of humanity into sustenance, digested deep within the bowels of the earth, where the roots of its ancient trees pull the flesh from the ramparts of civilization and giants move as clouds of remnant dust above the lungs of the Internal Forest. Beneath our feet the earth quakes with hunger below, awaiting the spoils of The Division Cycle to rain down and fertilize the Innermore landscape.


"way down
below us

roots and bones
grabbing all

feed the earth
more flesh and blood

barely full


way down
below us

roots and bones
grabbing all

feed the earth
more flesh and blood

belly full”

Division Cycle

Bandcamp

of Hatred and Wrath

A Weather Internal

Open Land

'Open Land' - A Weather Internal - [Fluid Audio, 2023]

River Slows Pt.2

'River Slows Pt.2' - A Weather Internal - [Fluid Audio, 2023]

Forest Edge

'Forest Edge' - A Weather Internal - [Fluid Audio, 2023]

as a thank you to all for the support in 2023 <3 

three 'pay whatever' tracks from a new maps and diagrams album [Islands] - 2024

https://handstitched.bandcamp.com/album/islands

thanks for listening xx

Luing

As I mature and fine-tune my musical journey, I seem to gravitate more and more towards the contemporary classical genre. Why is that, and do you feel the same? I think, for me, it’s all about the connection. I want to feel emotion expressed from the composer’s soul through instruments attached to human hands. They feel like an extension of articulations flowing into sound. I also think that electronic music has that capability as well [I’ve recently acquired the Osmose from Expressive E, and let me tell you – it’s entirely something else]. And then, there is, of course, the blend of both where certain frequencies [especially the low end] can’t be generated entirely by organic means. Or when dense atmospheres and textures cloud the landscape with a gorgeous dew. This is how I feel about the latest album from the Melbourne-based composer Callum Mintzis, who first appeared on these pages a few years ago when I premiered his collaboration with Pat Jaffe in the video for V. Murmur. Mintzis is also collaborating with Tilman Robinson, who co-produced this latest album [and yes, I hear a bit of his conjuring touch]. The album is titled "And the Wind was my Dear Friend, Once Again", and across its seven pieces, Mintzis explores the mysteries of life through many philosophical questions posed alongside the release, but it is the music itself that will make you reach deep inside your own existence for the answers you will find.

And the Wind was my Dear Friend, Once Again

TRACK PREMIERE : Callum Mintzis - Once Again

nocturnae is the lead track from the stunning ethereal vocal-infused EP from anita tatlow, featuring collaborations with four eminent ambient artists (be still the earth, cephas azariah, jameson nathan jones, and salt of the sound).

the title translates to 'belonging to the night' and was inspired by the peace that is found in the hours of darkness, and the solace that can be found within.

with this EP, anita wanted to capture both the natural and spiritual elements of the night, which are reflected in the vocals, themes and instrumentation of each song: 
vespers (whispers)
aurora (dawn)
solis (sun)
nocturnae (belonging to the night)
sanctus (sanctuary)

credits for nocturnae
released april 19, 2024
written & recorded by anita tatlow
produced by benjamin tatlow
mastered by marshall usinger
artwork by benjamin tatlow
released on slowecho.space

nocturnae // Anita Tatlow

Sound Diary is a journey into the warmth and weight of nostalgia, a sonic scrapbook pieced together from memories both vivid and hazy.

This EP is a tribute to the beauty of remembering.
It's an exploration of how sound becomes a time machine, weaving together the threads of who we were and who we are now.

With Sound Diary I hope to create a space where your own memories can find echo in mine.


Faded Polaroids

Longest Year

Lonely, Some Quietly Wander in the Hall of Stars

This album is dedicated to Brian Young, known to many of us as Losing Today, who died earlier this year. Brian was a brilliant photographer whose work was used for many album covers. He was a real fan who supported our music, a friend to many in the scene and a lovely guy. He is already missed. 

All proceeds from this album will go directly to the National Suicide Prevention Lifeline. 

Special thanks to Porya Hatami for his time and the great mastering job.

Losing Today

Warmth - Shape And Shadow (In memory of Brian Young)

Softer Than Before

'Open Land' - A Weather Internal - [Fluid Audio, 2023]

Moss Covered Technology