Establish on 25 December (Montenegro)  2015 - DTS is dedicated for supporting,sharing and promoting  underground music from Deep to Tech and all in between.
Check our main page on Youtube -link bellow >
Listen music and be happy because music takes you anywhere you want !

Bedouin Records | Pale Blue Dot | VEYL | Afterlife | Life & Death
instagram @vaal_____


Bookings: maxie@encodetalent.com
           NA ryan@liaisonartists.com

For remixing / licensing / live requests, please email info@nervemanagement.com

Bookings > taina@outlined-am.com
N+S America > nicole@muisca.la
AU/NZ > stix@undrctrl.com
Promos > amotikpromo@gmail.com


Since moving to Berlin in 2014, UK-born DJ and producer Anil Chawla, aka Amotik, has carved out a distinct place in modern techno. Known for his versatile, layered closing sets that emphasise atmospheric storytelling through tension and release, he has built a reputation as a dynamic figure both in the DJ booth and the studio.

In recent years, Amotik has expanded his artistic scope. He launched AMTK+, a sub-label providing a platform for like-minded artists with a shared musical vision. He also collaborated with Answer Code Request on a bass-heavy record for Delsin, giving both artists space to explore their UK and breaks roots. Most recently, he showcased a lighter side with select house sets at Panorama Bar in Berlin, Merge in New York, and Radion in Amsterdam. His touring schedule has taken him to iconic venues such as Berghain, Fold, De School, and Khidi, while he maintains residencies at the revered Goethebunker in Essen and Pax-Romana in Amsterdam.

Alongside notable releases on labels like 47, BPitch, and Figure, Amotik's critically acclaimed albums Vistār and Patanjali have further cemented his reputation as a visionary producer, earning praise from Mixmag and Groove Magazine. 2025 marks the 10th anniversary of his self-titled imprint - not just a milestone, but a testament to perseverance, proving that consistency, dedication, and staying true to one’s sound can shape a lasting career in an ever-evolving scene.

Submit your music:
bit.ly/3pa5uKX

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Label & Event

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Experiments:
2025
22 Feb // Carnival Chaos with Kino Todo

2024
21 Dec // Jingle Jam with WhoMadeWho, Jenia Tarsol
7 Sep // Nomaden x Melody Lab at Mason
3 Aug // Groove Fusion w/ Dixon & Jimi Jules at The Warehouse
9 Mar // Carnival Chaos with Yamagucci at Novak

2023
9 Sep // Melody Lab pres. Alt Control & Millero
7 Apr // Carlita & Deer Jade by Melody Lab x Mason

2022
26 Nov // Melody Lab presents Phunkadelica
4 Sept // Melody Lab presents Denis Horvat
15 Jul // Pan in a dome by Melody Lab · Afrobanana Festival
18 Jun // Melody Lab presents Musumeci
1 Apr // Melody Lab presents Mita Gami

2021
26 Dec // Melody Lab presents Sam Shure

2020
24 May // Melody Lab pres. Goro [Live Stream]
8 May // Melody Lab pres. Rampue (Live) *Postponed*

2019
12 Jul // Melody Lab pres. Denis Horvat

2018
13 July // Melody Lab pres. David Hasert

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Disclaimer:
All rights and credits reserved to the artists and labels. The uploads on our channel are for promotional purposes only. If you would like to support the composed music included in our channel please do so via the links included in each upload's description.

Tale Of Us are Berlin-based musical partnership Karm and Matteo who are currently re-writing the rulebook for deeply moving, emotional electronic music.

𝗣𝗟𝗘𝗜𝗡𝗩𝗥𝗘𝗘𝗦 - 𝗠𝗘𝗟𝗢𝗗𝗜𝗘𝗦 𝗙𝗥𝗢𝗠 𝗔𝗠𝗦𝗧𝗘𝗥𝗗𝗔𝗠

Riding in with the power to deliver sunshine to world’s rainiest open-air events, Monkey Safari brings rays of light to whatever dance floors they cast their shimmering spell on. 

The past few years saw the brothers swinging to new trees, retiring their previous labels to focus on their new label 'Hommage.' It were the years of transformation for the German producers, developing and tailoring a sound suited perfectly for the unique club nuances while still keeping the core elements of melodic chords and grooves synonymous with the duos productions. 

During this time, Monkey Safari unveiled their remix for Marc Houle’s “Pepper” on Richie Hawtin’s label Minus and their hugely successful “Cranes” and “Walls“ EPs that presented opportunities for Monkey Safari to work with some exciting musicians, such as Wolf + Lamb and Kölsch, techno heavy weights Guy Gerber and Josh Wink, as well as one of dance music’s most iconic producers, Moby. 

Monkey Safari remixed a track for Moby & The Void Pacific Choir, returning the favor after Moby’s successful rework of the duo’s track “Walls” last year. Their next releases continued in the same fashion, featuring remixes from Paco Osuna, Chloé, John Digweed & Nick Muir, UNER, Guy Mantzur, Victor Ruiz and more, while signing tracks from amazing Blond:ish, legendary John Tajada, and others on their Hommage imprint. 

The duo’s efforts in the studio have transcended to their DJ sets with stand out shows at Time Warp and Awakenings Festival. On top of a heavy touring schedule at world renowned clubs and headlining slots at festivals, the duo released their album ‘Odyssey’. Monkey Safari produced the same kind of tracks for this album they were playing as they toured nightclubs and festivals around the world, rather than simply a listening album. 

In 2018 Monkey Safari carefully handpicked remixers they saw as most capable of continuing their vision for the album. The ‘Odyssey Remixes’ featured reworks of the original album tracks by the master himself, Carl Cox, international stars Hernan Cattaneo, Guy J, Musumeci, Tensnake and Reboot, studio geniuses Dubspeeka, Hannes Bieger, ROD, and Phil Moffa, as well as up-and-coming talent Avidus and Trivmph . 

Monkey Safari’s third album comes in perfect time for the summer sunshine of 2019. The duo follow up their last album, ‘Odyssey’, with this warm, inviting collection of music designed to brighten your day and complement the glorious sunny days that bless us during the summer. Sven and Lars learned some valuable lessons from their last long-player, and the new album ‘HI’ comes from a far more relaxed, easy-going place. An organic project that came together quite naturally, their third album sees the duo in high spirits ready to bring a large dose of positive vibes and emotional depth to the party. 

2020 and 2021 sees Monkey Safari moving closer to legendary brands Get Physical and Anjuna Deep, starting with a remix and a multitude of EPs on the labels. Watch out for more news soon! 

The German outfit has been on an incredible run of form with promising developments in all of their endeavors and exciting news still to come. Be it a fresh remix or EP drop, DJ set or party, Monkey Safari will be sure to touch all scopes of dance culture with no signs of deceleration on the horizon. 
Their mandate remains the same, sending sunny vibes to make even the darkest dance floors smile.

Sounpilot& Producer...based on a true story.  And he lived happily ever after. 


FLOORPAN "THE MASTER'S PLAN" (CLASSIC MUSIC):
https://cmc.lnk.to/cmcd141d

Before I got into this music I wanted to be an originator ; I wanted to be original".
Founding member of the legendary group Underground Resistance as a 'Minister Of Information' with ‘Mad’ Mike Banks & Jeff Mills, his seminal works on Jeff Mill's Axis and his very own M-Plant imprint paved the way for a wave of stripped-down dancefloor minimalism that directed much of techno's path throughout the late Nineties.
Robert Hood makes minimal Detroit techno with an emphasis on soul and experimentation over flash and popularity. 

"Growing up in Detroit, I grew up with Motown in the house - a lot of Motown and Philadelphia soul, artists like Marvin Gaye of course and Curtis Mayfield. I remember Isaac Hayes, the soundtrack from ‘Shaft’ had come out. My father was a jazz musician; he played piano, trumpet and drums. My mother was in an R’n’B group.
We listened to a lot of Motown - in fact, my grandfather’s first cousin is Berry Gordy.
"I was influenced by my father - I wanted to play trumpet like he did."
Robert's father tragically died when he was just 6. The photo of Robert siting down holding a trumpet is his fathers.
"I had to beg my grandmother to let me borrow the trumpet to take a picture with it"

In the early 90's he began to concentrate on his own production 'Vision EP', the 'Riot EP' and X-102 were big stepping-stones for him as they were the first releases he worked 100% on his own. The X-101 to X-102, were Waveform Transmission projects with Mills for Tresor. He slowly progressed to work more and more on his own, but collaberated on some of the first Axis releases with label owner Jeff Mills as H&M (Hood & Mills) with ‘Tranquilizer EP’ and ‘Drama’.

He soon decided it was time for him to start his own label to focus on what was in his soul musically. M-Plant started in ’94. I had developed this “grey area” sound - what I mean by that is that in Detroit, even when the sun is out, there’s something in the atmosphere. I don’t know if its pollution or whatever, but the sky has that grey haze over it. It’s got to be something from the industrial factories there. I’d never really heard a sound like that before and it came from a Roland Juno - it was a chord sound that really went along with my depiction of what Detroit was at that time. A lot of buildings were abandoned and there was a lot of lifelessness in the city, especially downtown. The M-Plant, in minimalism, kind of reflected that. I remember thinking of Detroit like a museum. You know, like a work of art standing still, suspended in time. There wasn’t a whole lot of activity going on.

Releasing singles such as "Internal Empire,", “The Protein Valve” "Music Data," and "Moveable Parts", "The Pace", more recently "Range", "Alpha" and that isn't even touching his other monikers Floorplan, Monobox, The Vision, etc.
"M-Plant is what I've always wanted to hear: the basic stripped down, raw sound. Just drums, basslines and funky grooves and only what's essential. Only what is essential to make people move. I started to look at it as a science, the art of making people move their butts, speaking to their heart, mind and soul. “It's a heart-felt rhythmic techno sound. M-Plant is just M. minimal. “

Although his desire to remain underground has been replaced by an urge to reach a wider audience, mainly via his housier, disco, gospel moniker Floorplan with his daughter Lyric Hood,   Hood remains fiercely critical of artistic and economic movements destructive to inner-city communities and has combined his musical enterprises with outreach and social activist ends.

Moving Minds is following