classical

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F.Liszt Spanish Fantasy S.253 beginning part orchestra cover

Ballade Pour Adeline (Orquestral) - LUCCHESI Produções

Wolfgang Amadeus Mozart: Violin Concertos Nos. 1, 3, 4
Rondo K. 373, Andante K. 261

Artists: Frank Peter Zimmermann (Violin) 
Kammerorchester des Symphonieorchesters des Bayrischen Rundfunks, 
Radoslaw Szulc (Conductor)

1 CD - Full Price

Order-No. 98.039
EAN 4010276027041

• Frank Peter Zimmermann - one of the best Violinists of his time.
• Zimmermann’s triumphant return to Mozart's concertos since his legendary EMI-recordings from over 30 years ago. 
• The first of three installments which will contain, when completed, all of Mozart’s works for concertante violin. 

Today, when Frank Peter Zimmermann says that Mozart has always been easy for him, he needs only call to mind his debut concert at the age of ten – when he played Mozart's G major Concerto K. 216; or when, some 30 years ago, as a fresh 20-year-old, the same FPZ  made his first recording of the five concertos for EMI; and then if one factors in that over the years that each of these Mozart works has passed through his hands nearly 300 times in concert, then one can begin to appreciate the intense physical and spiritual experience that Frank Peter Zimmermann brings to these new recordings.

One will immediately hear on this CD the experience that a master can bring to these works, because no one else plays these works with the same incredible, almost balletic, weightless elegance and rich tone, reaching a degree of intimacy, without any obstacle between the performer and the listener, as does Frank Peter Zimmermann.  Mozart’s every wish is perfectly fulfilled! The Chamber Orchestra of the Symphony Orchestra of the Bavarian broadcasting company serves both masters admirably.

Frank Peter Zimmermann‘s Mozart edition will be released on 3 CDs; the second CD will be released in February, 2016 and will include the Sinfonia concertante (with Antoine Tamestit), the Violin Concerto No. 2 D Major K. 211, the Rondo in B-flat Major KV 269 as well as the Haffner Serenade K. 250 in which the violin plays a big role. The third CD is planned for February, 2017 and will contain the Concertone for two violins, the Violin Concerto No. 5 and the Kassation K. 63.

Music:
excerpts from:
Violin Concerto No. 1 in B flat Major K. 207
I. Allegro Moderato  

Adagio in E Major K. 261 

Rondo in C Major K. 373 

Violin Concerto No. 4 in D Major K. 218
I. Allegro	

Violin Concerto No. 3 in G Major K. 216
III. Rondeau. Allegro

Frank Peter Zimmermann Plays Mozart Vol. 1

베토벤 교향곡 1번 Symphony No.1 in C Major Op.21 - 1. Adagio molto - Allegro con brio

This instrumental album is a grand orchestral symphony composed in the classical tradition, yet subtly imbued with the expansive spirit and evocative imagery of the Russian landscape and its enduring folklore.

Whispers of the Winds

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Mozart - The Essential Collection

Audius

Quartet No. 17 in B-Flat Major, L. 458 "The Hunt": I. Allegro Vivace Assai

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Wolfgang Amadeus Mozart's String Quartet No. 15 in D minor, K. 421/417b is the second of the Quartets dedicated to Haydn and the only one of the set in a minor key. 

Though undated in the autograph, it is believed to have been completed in 1783, while his wife Constanze Mozart was in labour with her first child Raimund. Constanze stated that the rising string figures in the second movement corresponded to her cries from the other room. 

It is in four movements:

Allegro moderato
Andante (F major)
Menuetto and Trio (the latter in D major). Allegretto
Allegretto ma non troppo

The first movement is characterized by a sharp contrast between the aperiodicity of the first subject group, characterized by Arnold Schoenberg as "prose-like," and the "wholly periodic" second subject group. In the Andante and the Minuet, "normal expectations of phraseology are confounded."

The main part of the Minuet is in minuet sonata form,[ while "the contrasting major-mode Trio ... is ... almost embarrassingly lightweight on its own ... [but] makes a wonderful foil to the darker character of the Minuet."The last movement is a set of variations.

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Orchestral samples included in this recording from the Vienna Symphonic Library.

Tidal

Quartet No. 15 in D-Minor, K. 421: I. Allegro Moderato

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Wolfgang Amadeus Mozart completed his Symphony No. 41 in C major, K. 551, on 10 August 1788. It was the last symphony that he composed, and also the longest.

The work is nicknamed the Jupiter Symphony. This name stems not from Mozart but rather was likely coined by the impresario Johann Peter Salomon in an early arrangement for piano.

The four movements are arranged in the traditional symphonic form of the Classical era:

Allegro vivace, 4/4
Andante cantabile, 3/4 in F major
Menuetto: Allegretto - Trio, 3/4
Molto allegro, 2/2

The symphony typically has a duration of about 33 minutes.

The third movement, a Menuetto marked allegretto is similar to a Ländler, a popular Austrian folk dance form. Midway through the movement there is a chromatic progression in which sparse imitative textures are presented by the woodwinds (bars 43 to 51) before the full orchestra returns. 

In the trio section of the movement, the four-note figure that will form the main theme of the last movement appears prominently (bars 68 to 71), but on the seventh degree of the scale rather than the first, and in a minor key rather than a major, giving it a very different character.

Retailers:

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Orchestral samples included in this recording from the Vienna Symphonic Library.

Mozart - Symphonies, Sonatas, Serenades, Concertos & Overtures

Symphony No. 41 in C-Major, K. 551: ‘Jupiter’ III. Menuetto, Allegretto

Deezer

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Wolfgang Amadeus Mozart completed his Symphony No. 41 in C major, K. 551, on 10 August 1788.[1] It was the last symphony that he composed, and also the longest.

The work is nicknamed the Jupiter Symphony. This name stems not from Mozart but rather was likely coined by the impresario Johann Peter Salomon in an early arrangement for piano.

The four movements are arranged in the traditional symphonic form of the Classical era:

Allegro vivace, 4/4
Andante cantabile, 3/4 in F major
Menuetto: Allegretto - Trio, 3/4
Molto allegro, 2/2

The symphony typically has a duration of about 33 minutes.
The sonata form first movement's main theme begins with contrasting motifs: a threefold tutti outburst on the fundamental tone (respectively, by an ascending motion leading in a triplet from the dominant tone underneath to the fundamental one), followed by a more lyrical response.

Retailers:

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https://music.youtube.com/playlist?list=OLAK5uy_m4VsdRl4Yv4y63CU_ArM91jVaewHDk0Us

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Google Play
https://play.google.com/store/music/album/Mozart_Mozart_Symphonies_Sonatas_Serenades_Concert?id=Bbrfnmsqsow4thkok67d7hr7kku&hl=en

Napster
https://us.napster.com/artist/wolfgang-amadeus-mozart/album/mozart-the-essential-collection

Deezer
https://www.deezer.com/us/album/12179034

Spotify
https://open.spotify.com/album/2g0NuO4CPA2uBLjzLqioCN

Amazon
https://www.amazon.com/Mozart-Collection-Haydn-Light-Orchestra/dp/B015NQQFHC/

Orchestral samples included in this recording from the Vienna Symphonic Library.

Symphony No. 41 in C-Major, K. 551: ‘Jupiter’ I. Allegro vivace

Amazon

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The Symphony No. 36 in C major, K. 425, (known as the Linz Symphony) was written by Wolfgang Amadeus Mozart during a stopover in the Austrian town of Linz on his and his wife's way back home to Vienna from Salzburg in late 1783.

The entire symphony was written in four days to accommodate the local count's announcement, upon hearing of the Mozarts' arrival in Linz, of a concert. The première in Linz took place on 4 November 1783. The composition was also premièred in Vienna on 1 April 1784.

The autograph score of the "Linz Symphony" was not preserved.

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Amazon
https://www.amazon.com/Mozart-Collection-Haydn-Light-Orchestra/dp/B015NQQFHC/

Orchestral samples included in this recording from the Vienna Symphonic Library.

Symphony No. 36 in C-Major, K. 425: ‘Linz’ IV. Presto

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Symphony No. 35 in D major, K. 385, was composed by Wolfgang Amadeus Mozart in 1782 and is also called the Haffner Symphony. It was commissioned by the Haffners, a prominent Salzburg family, for the occasion of Sigmund Haffner's ennoblement. 

The Haffner Symphony should not be confused with the eight-movement Haffner Serenade, another piece Mozart wrote on commission from the same family in 1776.

I. Allegro con spirito

When communicating with his father Leopold, Mozart stated that this movement was to be played with fire. The movement is in sonata form with a short development section. The exposition commences with no introduction with all instruments in unison, this opening motive is quite powerful – the result of cleverly using sharp dotted rhythms to arrest the listener's attention.

The second subject is similar in melodic material and rhythm to the first subject, recalling the monothematic sonata movements of Haydn (e.g. Symphony No. 104).

Mozart places no repeat signs at the end of the exposition. This goes against the standard sonata form convention of the day, but is something that he also does in the three big symphonies which precede the Haffner (No's. 31, 33 and 34).

The development begins with an A unison as a transition from A major to D minor (bars 95–104). After three beats silence, Mozart shifts from the dominant of D minor to an F♯ chord, and then begins a series of rapid chord changes, namely – F♯7 (bar 106), B (bar 109), B minor (bar 110), C♯7 (bar 110). Finally, using C♯7 as the dominant for F♯ minor, Mozart briefly delves in this key (bars 111–120) before using a string of consecutive dominant 7ths (bars 120–129) to work back to the dominant 7th of D major in preparation for the recapitulation. 

The recapitulation is similar to the exposition with the exception of expected differences in the transition passage. This movement closes with a short four-bar coda.

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Orchestral samples included in this recording from the Vienna Symphonic Library.

Symphony No.35 in D-Major, K. 385: ‘Haffner’ I. Allegro con Spirito

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Mozart's Clarinet concerto in A major, K. 622 was written in 1791, shortly before Mozart's death, for the clarinetist Anton Stadler. It consists of the usual three movements, in a fast–slow–fast form:

Allegro (in A major and in sonata form)
Adagio (in D major and in ternary form)
Rondo: Allegro (in A major and in rondo form)

It was also one of Mozart's final completed works, and his final purely instrumental work (he died less than two months after its October premiere). The concerto is notable for its delicate interplay between soloist and orchestra, and for the lack of overly extroverted display on the part of the soloist (no cadenzas are written out in the solo part).

The closing rondo has a cheerful refrain, with episodes either echoing this mood or recalling the darker colours of the first movement. It is a blend of sonata and rondo forms that Mozart developed in his piano concertos, most notably the A major Piano Concerto, K. 488.


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Orchestral samples included in this recording from the Vienna Symphonic Library.

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Concerto for Clarinet & Orchestra In A-Major, KV. 622: III. Rondo, Allegro

Thomas Gould violin/director
Sinfonietta Riga

Reccorded live at Great Guild Hall, Riga on April 28th, 2012



Mozart Haffner Serenade 2. Andante

New England Conservatory Chamber Orchestra performs Mozart's Divertimento for Oboe, 2 Horns and Strings no 11 in D major, K 251. Recorded live in Jordan Hall February 27, 2013.

Mozart: Divertimento for Oboe  Horns and Strings - Allegro molto

Wolfgang Amadeus Mozart - 1756–1791
is unarguably one of the most prolific and notable classical composers of all time. A child prodigy, Mozart was already proficient on the keyboard and violin by the age of five, composing remarkable works and performing before European royalty. At just 17 years old, he was engaged as a musician at the Salzburg court but, driven by ambition and a restless spirit, he embarked on travels to seek better opportunities.

In 1781, while visiting Vienna, Mozart’s dismissal from his Salzburg post marked a turning point in his life. He chose to remain in the imperial capital, where he gained widespread fame but struggled to achieve lasting financial stability. It was during his final years in Vienna that Mozart created many of his most celebrated works, including symphonies, concertos, operas, and the unfinished Requiem.

Over the course of his short but extraordinary life, Mozart composed more than 600 works, spanning symphonic, concertante, chamber, operatic, and choral genres. These masterpieces are recognized as pinnacles of Western art music and continue to inspire audiences and musicians alike. His enduring influence on classical music is profound, solidifying his legacy as one of history’s greatest composers.

Symphony No. 41 in C-Major, K. 551: ‘Jupiter’ III. Menuetto, Allegretto

Mozart

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