I Was Lost For A While

NEWVISION (formerly NVision), began producing music in 2022, but even earlier in 2020, began taking his first steps as a vDJ, creating themed sets.

A breakthrough period in the fledgling career of the novice producer was the release of two tracks "Horizon" and "Like That" in 2022, which attracted a lot of interest among listeners, especially the track "Like That", which reached over 200,000 views on Spotify.

The last released track by NVision (now NEWVISION) was "INTERLUDE". Released on August 12, 2024.

It is also worth mentioning the thematic sets, which are quite an innovative and fresh perspective on the way of arranging DJ Sets. The las set "OUR LOVE" gathered a lot of positive opinions and great feedback on Soundcloud and on hearthis.at.

ソル・マリネリス 
Mostly solo & random DIY excursions into dystopian post-metal shoegaze 🎧
Guitarist/Remixer/Artist

I perform indie music. I work from my home studio.
I collaborate in different musical and radio projects

I'm a Freelance Music Producer who is also into Holistic Healing through music and sound

Guitar player.


Guitars > Washburn acoustic, Schecter & Ibanez.
Amps > Line6 Helix Rack mount, Line 6 Pro X POD HD, Marshall Code.
Sound Engineering> EHT Studios.

Thank you for listening!
Best Regards,
The Boilerman

Welcome to the Lab 💀 
Creator sound designer
40 plus years in live sound reinforcement
getting by with some help from friends.

10/2/2025-Hey everyone! I'm back and have so much new music and new things to create and share with everyone. Sometimes you just need to Shockem!. \m/

8-31-2023-Rest In Peace Mom "You will always be my Hero". JustSomeGuy \m/  

Happy 2025 Everyone!  Blessings, Prayers and Thoughts for all that are struggling in life. No matter who you are or where you are in the world \m/

I hope everyone is doing well. If your here it's because you love music. If I can create something, anyone can so believe in yourself and keep rocking no matter what life presents you. \m/

This is a Special thanks to all who have listened, collaborated, commented and supported me with encouragement to continue doing what I do. Don't stop throwing the \m/'s.

My Music Style: 80's AOR, Rock, Glam, Metal, Thrash, Metal Genre's. \m/

My Genre Listening: Classical, Blues, Rock, Electronica, All forms of Metal, New Age, New Wave, Pop and anything that really pulls me in \m/.

My Music: It's not complicated, what your hear is my style. I have fun in what I put down but strive to experiment in other areas where I may be limited.

Artist Backing Tracks:  They are from YouTube, and Bandcamp. PM me for a complete listing.

My Axes: (USA & Japan) Charvel, Ernie Ball, ESP, Hamer, Ibanez, Jackson, Kramer, Fender, Martin, Washburn, 

My Plans: YouTube Channel for gear reviews.

Music producer/musician of many genres. My mission is to take listeners on a journey and hopefully make them smile and enjoy the time they spent listening to my music.

I have played and recorded in international settings, a multitude of percussion instruments, guitar, bass, harmonica, some flutes, keyboard, and if you push me - a very fine jaw harp.

In fact, if I break it down.... I just love to offer-up music, in a living room, a bar, a concert hall or an intercontinental, interactive satellite coordinated concert. 
  
I became fascinated with percussive sounds from around the world… especially African and Latin American rhythms. I fanatically traveled the world collecting anything that you could bang, scrape or hit.
What I learned? Border customs people really don’t appreciate the true value of handmade African caxixi shakers or a Brazilian berimbau. They just want the serial number.
More importantly, a single clicking or ringing sound in a song can make or break that song.
  
I toured Canada, USA and Europe and recorded many “world music” albums (before it was called that), with my late, musical soul mate, Dario Domingues. We played in grand churches, the water reservoirs under Munich, on an island where 100,000 doves were released at the climax of our performance, the first-ever “simulcast”, live satellite, intercontinental concert and then, the humbling experience of being involved in Berlin, in front of 500,000 people, for a series of anti-apartheid concerts featuring ‘Sting’.  For our 'world music' efforts, we were awarded the Deutscher Schallplattenpreisan (1983) accolade by the Deutsche Phono-Akademie, an association of recording companies of Germany that recognizes outstanding achievement in the music industry.  
What I learned? Music is truly a universal language. Around the world people are drawn to music. Of course, different strokes for different folks! 
Whether you play in front of a half-million people in a field, or 10 people in a bar, your role as a musician never changes.  
 
“Dream of the Drum” – I was commissioned to compose and conduct a score for 40+ percussionists from all corners of the world... Jamaican fire dancers, Trinidadian steel drummers, Japanese kodo drummers, African djembe players, military drummers,... the list goes on.
What I learned? The language of music respects no geographic borders. 
Also, never start your outdoor concert, with a lone Native Elder's rain drum song. The drum's magic works!
 
I helped build three innovative recording studios plus, my current production studio. I academically taught musical acoustics and production for several years.
What I learned? All the mathematics and physics in the world can’t replace a good ear.
 
As a producer, I've had the wonderful opportunity to work in great studios in NYC and Nashville with amazing session musicians such as: Eric "Roscoe" Ambel - best known as lead guitarist of Steve Earle’s band the Dukes; Dan Baird of the chart-topping 'Georgia Satellites'; guitarist extraordinaire, Warner E. Hodges, founding member of 'Jason and the Scorchers'.
What I learned? Great musicians tend to be humble but they sure have opinions! In Nashville, I was bluntly told -"No, I won't raise the tom level - in country music, we use toms for holding our bourbon glass." I never did get the toms louder.
 
I spent many years as President of the Ottawa International Jazz Festival and met some of the greatest musical geniuses in the world.
What I learned? "Man, if you have to ask what jazz is, you'll never know."
 
Music for jingles on radio and TV. Documentaries.
My personal favourite was coming up with suitable music for the mating rituals of pigs or, how to create 60 minutes of Arctic wind sounds for the movie 'Never Cry Wolf'.  
What I learned?  You can tell an entire story in a 29.5 second radio jingle and music is the glue that holds a great video together.

I Was Lost For A While

MP Project