GRM Development Diary

radiovision

(...) 

derrière dix ans de survie, devant la mort et ces disques colorés qui hantent ma vision cramée, j’écoute, et quand je peux, moulu dans cette soupe élémentaire, je m’en vais béant décrire ça, refaisant mon temps mon espace, si seulement l’hélico partait, pour peu que je me discipline au bout de plusieurs heures j’arrive à en éliminer les aigus, je le ralentis, je le chasse afin de m’adonner tout entier au geste vital de l’ekphrase, jusqu’à la relève seuls m’interrompent un ou deux grattages des pales, quelques lames, quenouille dans l’cyclone,

(...)


Collapsophony at the time of Phonocene. 

A survivor after the collapsing (end of Capitalocene ?!.) 
How does he live? What is he doing to survive? 
What is he seeing, listening at the age of this new world? 

Plagued by the harshness of new elemental imbalance, he's falling deeper and deeper into new synesthetic hypnotic sensations.

• hand-sewn and hand-bound Zine
• 28 pages, 14 cm x 10 cm
• black cover, purple thread
• eight illustrations divided into layers printed on natural tracing paper
• In connection with a new prose work by the author

Please Note. The text is in french.

released on 1st May 2021 

Audio: Stéphane Marin & Ludovic Medery 
Illustration: Vincent Menu 
Text: Stéphane Montavon 
Handcrafting: mal vertieft 

Mix / mastering : Stéphane Marin at Studio Éole

This publishing works in one physical imprints. 
It should be experienced in this manners. 

Weber & Alcantu is a collaborative project. 

www.espaces-sonores.com 
www.udovicmedery.bandcamp.com 
www.vincentmenu.com 
www.littaurale.ch

Phonokainôsis

S’introbruit

Raw sonic explorations of the tools I am designing at GRM. No external input, live capture with minor editing.

Today, a vague and uninformed tribute to Maryanne Amacher.

GRM Development Diary 1

Raw sonic explorations of the tools I am designing at GRM. No external input, no post-processing, live capture with minor editing.
Today, a study from synthetic strings to chaos, listening to John Luther Adams. All artifacts intentional ⚡️

GRM Development Diary 2

In the GRM Development Diary series this week, ∿∿∿ lullaby for sine waves ∿∿∿. Raw sonic explorations of the tools I am designing at INA grm. No external input, no post-processing, live capture with minor editing.

GRM Development Diary 3

Raw sonic explorations of the tools I am designing at INA grm. No external input, no post-processing, live capture with minor editing. 

This week, when time becomes malleable matter.

GRM Development Diary 4

Raw sonic explorations of the tools I am designing at INA grm. No external input, no post-processing, live capture with minor editing.

Today, a study on feedback, in the style of early electronics pieces.

GRM Development Diary 5

Musique réalisée pour le spectacle Poudre noire écrit par Magali Mougel et mis en scène par Simon Delattre.

Opening - musique du spectacle Poudre noire

Straps - ensemble FA - 2003 - excerpt1

more via folktek.blogspot.com = straight live, single take recording of the Sound Field by Arius Blaze.

"Sound Field" straight recording 2

Musician, programmer, researcher, teacher. GRM Member.

Out now: "Mt. Hadamard National Park", Hallow Ground (LP, Digital).
https://hallowground.bandcamp.com/album/matthias-puech-mt-hadamard-national-park

GRM Development Diary 4

Matthias Puech