ateriom

The haiku target for this:

The coming of autumn
determined
by a red dragonfly

Naviar haiku challenge 614, details here: https://www.naviarrecords.com/haiku-music-challenge

The background drone and interment sighs are pure Voltage Modular while the melodic elements use two instances of Dreamsynth both controlled with MIDI data also generated by Voltage Modular. One of the Dreamsynth patches is entirely my own having been built from a blank template and thew other is a modified preset. Other than mastering there are no extra effects.

Everything was recorded in a single "Live" take.

Autumn Dragonfly - (Naviarhaiku - 614)

another  one of the series traditional melodies for the future...            about kicking a dead pig ;)

noxpox - greensleeves

Aaarcaaade

Book of Dzyan

A reworking for this track in my archive originally created in autumn 2024, after a few versions in the last year i  find it fits well with the context of Haiku Music Challenge Naviarhaiku 617



an autumn nightfall
the skeleton of a huge fish
drawn back by the sea.

by: Saitō Sanki



Saitō Sanki (1900 – 1962) was a dentist who discovered his passion for haiku poetry in his mid-thirties, when his colleagues at the hospital in Soto Kanda convinced him to write a haiku for a collection. Later, he became one of the most important exponents of wartime haiku: he was imprisoned in 1940 during the government’s World War II persecution of controversial artists, and was officially forbidden to write until the end of the war.

haiku by Saitō Sanki

Picture by John Jason

more info here: https://www.naviarrecords.com/

an autumn nightfall (Naviarhaiku#617)

Colored glass

Adam Majdecki-Janicki - synthesizer, Michał Sławski - percussion.

Buy:
https://payhip.com/b/9bQEC

"They guard nine rivers; they guard nine mountains"

before daylight

mibgriver

02 The Eternal Return Of The Same-Marco Lucchi,Siegfried Grundmann RMX

I'm primarily a visual artist both 2D and 3D, for the last decade I've operated almost exclusively in the digital 3D realm.   since the late 80s I've made periodic forays into the sonic world, MIDI sequencing, minimalism, musique concrète, found sounds  and improvisation. I am seldom happy with anything and seldom consider a piece finished.

Autumn Dragonfly - (Naviarhaiku - 614)

Mr_Lamppost