Naviar Haiku Challenge: www.naviarrecords.com/about/naviar-haiku

To participate in the Haiku Music challenge::

- Make a song in response to the weekly assigned poem (a new poem is published every Wednesday)
- When choosing a title for your piece also include the assignment number, for example “Title of your track (naviarhaiku382)”

To submit your track:

- If you’re a Soundcloud user, upload it on Soundcloud and send me the URL via private message, or tag me in the track.
- If you upload your music on Youtube, Bandcamp or anywhere else, upload your submission and then send me the link by email at marco@naviarrecords.com or contact me on X, Facebook or Instagram
- If you don’t use any music platform, upload it to this Dropbox folder and I’ll include it in the weekly playlist. If you choose this option, make sure you include your name in the track’s title. www.dropbox.com/request/JvKyUfuCSzJ3gRNRocZz

Your track may be included in Naviar's weekly podcasts and free (pay-what-you-want) compilations. If you can, please set the track as downloadable on Soundcloud and allow others to remix/reuse it by using a Creative Commons License.

Naviar Records store: www.naviarrecords.bandcamp.com

Naviar Records Membership (access to full discography, creative meetups, workshops, and more): https://www.naviarrecords.com/membership-and-services/#membership

all submissions

haiku #586: fog dissolves to rain - / cool breezes clear the vista, / showing cloud-topped hills

June 29th, 2024, performed by ensemble mosaik in the UpTo3 Festival

thermo_doxa (2024) [clarinet, viola, drumset, electronics] - ensemble mosaik

technelligence offers a take on the dub techno genre, if you enjoyed this, check out the video clip at
https://youtu.be/na2rlfcBFVA

distant moons

THE REPEATING MISTAKE

This track was created for the Naviar Haiku group.
581
https://www.naviarrecords.com/naviarhaiku581-plunging-my-hand/

plunging my hand  into the lake..(Naviarhaiku 581)

An electronic composition, sounds created in Pure Data with a little additional reverb, etc.

Lake and Billowing Cloud (naviarhaiku581)

Inspired by Naviar Haiku 581:
https://www.naviarrecords.com/naviarhaiku581-plunging-my-hand/

Thanks to Marco Alessi from Naviar Records for the weekly challenge!

Photo by zenbytes (Morvan, France, USA, 2024)

Waves sample by https://freetousesounds.bandcamp.com

into the lake - Naviarhaiku581

la nua

la nua No. 07

This week's Disquiet Junto prompt instructed us to find a piece of wood with interesting grain, and interpret it as a graphical music score.

My music desk is a pretty solid piece of furniture, and the dark stain makes the wood grain stand out prominently. I noticed that the grain on one side of the desk contained two interlocking swirls, and the radiating pattern reminded me of a magnetic field. So I decided that this week's composition would be played with wood and magnets.

I used a contact mic to record the percussion part, playing the top of the desk like a hand drum. Then I recorded three layers of guitar played with an ebow: an electromagnetic "guitar pick" characterized by infinite sustain. Ebow has the drawback of making dynamics difficult but I was able to make it growl and howl enough to get some texture and noise out of the performance. 

The bass layer was played on a Schecter Damien 7-string guitar with an altered tuning. I managed to play the bottom string freehand with the ebow, floating rather than resting on surrounding strings, which required multiple takes unfortunately. I just really, really needed that low B♭. The other two guitar layers were played on the St Vincent guitar. 

Offboard, the guitars went through my standard bank of stomp boxes, including an Eventide Harmonizer, Keeley Halo, ARP-87 and Julia pedals from Walrus, and a trusty RAT distortion pedal. DAW effects were mainly reverb and Chromaglow, plus a stereo delay and EQ on the percussion part.

More on the 690th weekly Disquiet Junto project, Knot Bad — The Assignment: Interpret wood grain as a graphic score — at https://disquiet.com/0689/

Lost in the Ironwood (disquiet0690)

found some wood grains in my dining table. obvious jump is from grains to granular, so went with a looping sample going into beads. the graphic score is the sequence of darker grains - roughly up/down is pitch, darker areas introduce more noise, and each grain in the wood triggers a burst granular sample, starting with a larger grain becoming smaller

(that's the idea anyway)

--

More on the 690th weekly Disquiet Junto project, Knot Bad — The Assignment: Interpret wood grain as a graphic score — at https://disquiet.com/0690/

disquiet0690 - along the grain

Bowed basses and cellos (harmonics, fx and sustained notes)
Composed and performed by DD in Paris 27/March/2025.

Inspired by this haiku

Fog dissolves to rain
- cool breezes clear the vista,
showing cloud-topped hills

Poem by Raymond Cobley
Photo by Casey Horner

@naviar-records
@ray_cobley

Fog and Rain (naviarhaiku586)

Here's my musical resonance to this week's haiku from @naviar-records.

fog dissolves to rain
- cool breezes clear the vista,
showing cloud-topped hills

https://www.naviarrecords.com/naviarhaiku586-fog-dissolves-to-rain/

Thank you Marco.

Fog dissolves to rain (naviarhaiku586)

An electronic composition, sounds created using Pure Data and Audacity.

Fog Dissolves (naviarhaiku586)

HAIKU MUSIC CHALLENGE

Naviarhaiku 586

fog dissolves to rain
- cool breezes clear the vista,
showing cloud-topped hills
 

Raymond Cobley is an experimental composer and regular participant in our Haiku challenge. Now retired, Raymond aims to explore the possibilities afforded by open-source software, which he uses exclusively for creating and editing both sounds & images. All his works are published ​under a Creative Commons licence, and free for anybody to download or remix.

 

haiku by Raymond Cobley

picture by Inggrid Koe
 

Submission deadline: 2nd April 2025

To find out more and participate, visit https://www.naviarrecords.com/haiku-music-challenge/

Grey &amp; Cold

Grey & Cold (naviarhaiku586)

29Mar25
My naviarhaiku586 track
https://naviarlab.tumblr.com/post/779084554596139009/naviarhaiku586-fog-dissolves-to-rain
:D

fog dissolves to rain [naviarhaiku586]

Created for Naviar Haiku challenge 586: 

fog dissolves to rain
- cool breezes clear the vista,
showing cloud-topped hills

details here: https://www.naviarrecords.com/haiku-music-challenge

Interpreting the haiku more literally than sensible. I stated with some binaural rain from this sound pack sold in aid of WWF Denmark: www.luftrum.com/free-field-recordings Then fired up VCV Rack to patch together the other elements, split for multitrack recording and additional effects:

Opening of the rain sample (Valhalla Supermassive),
Synth raindrops (PSP Pianoverb),
Re-emergence of "Fog" drone (Audio thing's frostbite 2.

This was not my original plan, but after several failed improvised takes I did things in a different order and got it under ten minutes, drums came in later than expected so used some creative EQ to emphasise their synth origin. 


Cloud Topped Hills - (naviarhaiku - 586)

We all might find ourselves feeling a little anxious in these troubling times, so if you have a moment, please turn out the lights,.... sit down,.... take a deep breath,.... and RELAX ......happy times ahead soooooon!!!!!!  I hope you enjoy!!!
Peace. 💖
© Retro-Tone Audio

Endless Oceans

I'm primarily a visual artist both 2D and 3D, for the last decade I've operated almost exclusively in the digital 3D realm.   since the late 80s I've made periodic forays into the sonic world, MIDI sequencing, minimalism, musique concrète, found sounds  and improvisation. I am seldom happy with anything and seldom consider a piece finished.

Naviar is a music community and label. Through regular publications, open projects and events, we explore the connection between experimental music and traditional Japanese poetry.

To join the Haiku challenge, visit https://www.naviarrecords.com/about/naviar-haiku

Cloud Topped Hills - (naviarhaiku - 586)

Mr_Lamppost

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