Deadline: 8th May 2024

All submissions to Haiku 539:

https://www.naviarrecords.com/naviarhaiku539-the-cormorant-in-the-forest/

To participate:
- Make a song in response to the weekly assigned poem (a new poem is published every Wednesday)
- When choosing a title for your piece also include the assignment number, for example “Title of your track (naviarhaiku382)”
To submit your track:
- If you’re a Soundcloud user, upload it on Soundcloud and send me the URL via private message, or tag me in the track.
- If you upload your music on Youtube, Bandcamp or anywhere else, upload your submission and then send me the link by email at marco@naviarrecords.com or contact me on Twitter, Facebook or Instagram
- If you don’t use any music platform, upload it to this Dropbox folder and I’ll include it in the weekly playlist. If you choose this option, make sure you include your name in the track’s title. www.dropbox.com/request/JvKyUfuCSzJ3gRNRocZz
Your track may be included in Naviar's weekly podcasts and free (pay-what-you-want)compilations. If you can, please set the track as downloadable on Soundcloud and allow others to remix/reuse it by using a Creative Commons License.

Naviar Haiku Challenge: www.naviarrecords.com/about/naviar-haiku
Naviar Records store: www.naviarrecords.bandcamp.com

haiku #539:The cormorant in the forest; / The cherry blossoms / Along the evening path.

The cormorant in the forest;
The cherry blossoms
Along the evening path.

Tan Taigi was a haiku poet of the Edo period. He was a wanderer for most of his life and admired by Yosa Buson for his ability to transcend his eclectic and unconventional lifestyle with sublime poetry.

haiku by Tan Taigi: https://wkdhaikutopics.blogspot.com/2009/08/tan-taigi.html

For more information visit http://www.naviarrecords.com/about/naviar-haiku

more halF unusuaL

halF cormoranT [naviarhaiku539]

This track was created for the Naviar Haiku group.
539
https://www.naviarrecords.com/naviarhaiku539-the-cormorant-in-the-forest/

2024-05-02

The Cormorant In The Forest; ( Naviarhaiku 539 )

Made for Naviar Records' 539th Haiku Challenge.

Cormorants and blossoms of the evening [naviarhaiku 539]

Forest (naviarhaiku539)

HAIKU MUSIC CHALLENGE

naviarhaiku539

The cormorant in the forest;
The cherry blossoms
Along the evening path.

Tan Taigi was a haiku poet of the Edo period. He was a wanderer for most of his life and admired by Yosa Buson for his ability to transcend his eclectic and unconventional lifestyle with sublime poetry.

haiku by Tan Taigi

picture by Redd F

Submission deadline: 8th May 2024
 
TO PARTICIPATE
 
- Make a song in response to the weekly assigned poem (a new poem is published every Wednesday)
- When choosing a title for your piece also include the assignment number, for example “Title of your track (naviarhaiku539)”
To submit your track:
- If you’re a Soundcloud user, upload it on Soundcloud and send me the URL via private message, or tag me in the track.
- If you upload your music on Youtube, Bandcamp or anywhere else, upload your submission and then send me the link by email at marco@naviarrecords.com or contact me on Twitter, Facebook or Instagram.
- If you don’t use any music platform, upload it to this Dropbox folder and I’ll include it in the weekly playlist. If you choose this option, make sure you include your name in the track’s title.

Your track may be included in Naviar's weekly podcasts and free (pay-what-you-want) compilations. If you can, please set the track as downloadable on Soundcloud and allow others to remix/reuse it by using a Creative Commons License.
 
For more information visit http://www.naviarrecords.com/about/naviar-haiku

The Cherry Blossoms

The Cherry Blossoms (naviarhaiku539)

Contribution to Naviar Haiku challenge 539:

The cormorant in the forest;
The cherry blossoms
Along the evening path.

Details of the challenge here: https://www.naviarrecords.com/haiku-music-challenge

Everything created in virtual modular using VCV Rack then manipulated vis mapped physical controls and recorded in a single take.

Evening Path - (Naviarhaiku - 539)

MoneyMoneyMoney

Not like this

Ｔ　Ｒ　Ａ　Ｍ　Ｐ　Ｅ　Ｌ　Ｆ　Â　Ｄ

is LCEEM

Laboratory for Contemporary Electronic Experimental Music [LCEEM]

rec.name: " Homage E.R ."
credit : ipad9,plug data

Support us at :

trampelfad.bandcamp.com

date: 2.07.2025
more science music test :
https://www.youtube.com/watch?v=QyvZDELhwkc

Live 2025
https://www.youtube.com/watch?v=u4dRn8-kbCU

Rutherford  Gold 2

what it sounds like now and for next hours and on and off all week - FIELD RECORDING swamp

Recovery and modern restorations

prick up your ears and listen.

Wonderful Backing Track provided by Reinhold Tracks ==> https://www.youtube.com/@reinholdtracks

WORRY ABOUT TOMORROW
Come what may, come what might
I’ll never give up the fight
For today, I’m shining my light
A smile you can’t borrow

CHORUS
I’ll worry about tomorrow
When it gets here, yeah-yeah
I’ll worry about tomorrow
When it…gets here

Ooooh-ooooh, Ooooh-ooooh

Just when you think you’re on top
Your blue sky begins to drop
Tears have gone but they never stop
A heart ain’t easy to follow, ‘cuz

Life is full of don’ts and ifs
More gimmicks than there are gifts
More downers than there are lifts
Less joy than there is sorrow, so

CHORUS
I’ll worry about tomorrow
When it gets here, yeah-yeah
I’ll worry about tomorrow
When it…gets here

Ooooh-ooooh, Ooooh-ooooh

Mighty men will always be at war
Power is the drug they want more
Pray like hell God’s keepin’ score
Seems there’s little time to borrow, but

Come what may, come what might
I’ll never give up the fight
For today, I’m shining my light
A smile you can’t borrow

CHORUS
I’ll worry about tomorrow
When it gets here, yeah-yeah
I’ll worry about tomorrow
When it, when it gets here

I’ll worry about tomorrow
When it gets here, yeah-yeah
I’ll worry about tomorrow
When it, when it gets here.

© 2025 Renee La Chapelle – All Rights Reserved

WORRY ABOUT TOMORROW

I'm primarily a visual artist both 2D and 3D, for the last decade I've operated almost exclusively in the digital 3D realm.   since the late 80s I've made periodic forays into the sonic world, MIDI sequencing, minimalism, musique concrète, found sounds  and improvisation. I am seldom happy with anything and seldom consider a piece finished.

Naviar is a music community and label. Through regular publications, open projects and events, we explore the connection between experimental music and traditional Japanese poetry.

To join the Haiku challenge, visit https://www.naviarrecords.com/about/naviar-haiku

Evening Path - (Naviarhaiku - 539)

Mr_Lamppost

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