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is LCEEM

Laboratory for Contemporary Electronic Experimental Music [LCEEM]

rec.name: " Moiré Patterns Music  "

credit :plugdata ,ipad 9

Support us :
aleatoric music compositions at:
trampelfad.bandcamp.com

date: 22.08.2025
Video Link :
https://www.youtube.com/watch?v=WrgfeTpd978

great Milton Babbitt
https://www.youtube.com/watch?v=FfA470WVHws

LCEEM Sound Moiré Patterns  Synthesizer

Please listen with headphones
Musique concrète August 2025

Kleiner Ausflug in die Natur

2025-08-26

Dream your beautiful dream.

Hård

Made for the haiku challenge 607 of Naviar records.

young grasses -
not yet bent
in any direction

by: Kaga no Chiyo

Kaga no Chiyo-jo (1703–1775) was a haiku poet discovered by Kagami Shiko at a very young age. She became a Buddhist nun at 52 and wrote around 1,900 haiku in her lifetime. A highlight of her poetry career was presenting haiku to a Korean delegation in 1763, one of the first cultural exchanges of this kind.

More informations about haiku challenge:
https://www.naviarrecords.com/haiku-music-challenge/

Not yet bent (naviarhaiku608)

Part of the Naviar Records Haiku-Challenge: https://www.naviarrecords.com/naviarhaiku608-young-grasses/

not yet bent-naviarhaiku608

Protoneural degradation

Made for the haiku challenge 609 of Naviar records.

revealing in the dark the sadness of things a fisherman's torch

by: Tagami Kikusha

Tagami Kikusha (1753-1826) was a Japanese multi-disciplinary artist and Buddhist nun, mostly known as a poet, painter, calligrapher, and tea practitioner.

More informations about haiku challenge:
https://www.naviarrecords.com/haiku-music-challenge/

Thank you Marco!

A fisherman's torch (naviarhaiku609)

TRAMPELFÂD
Laboratory for Contemporary Electronic Experimental Music


Rec.name :  " Three Minute Pattern "
credit : 
Morton Feldman

date : re-upload 2025

PLEASE VISIT OUR MAIN PAGE :

trampelfad.bandcamp.com
and
maxelzholz.bandcamp.com

https://en.wikipedia.org/wiki/Morton_Feldman

Transform Feldman Why Patterns

Pies Inquietos

As will as the haiku:

revealing in the dark
the sadness of things
a fisherman's torch

this also takes cues from the accompanying image, which together make up Naviar Haiku challenge 609, details here: https://www.naviarrecords.com/haiku-music-challenge

A bit of a change for this one, I didn't use anything modular and didn't do everything in a single take.   However with the waves field recording, chord sequence, (technically dyads), played using a custom patch for Dreamsynth from Cherry Audio:  https://cherryaudio.com/products/dreamsynth and the footsteps at the beginning in place. 

I then recoded volume automation for those elements allowing me to live mix them with my performance using the Creature From The ID stand alone synth by Giorgio Sancristoforo: https://www.giorgiosancristoforo.net/softwares which was passed through delay and reverb effects, in place as I recorded so I could judge their effect. 

With those main elements done I added the extra footsteps and buoy bell. After listening to the Creature sounds and deciding that in places they more resembled short wave radio interference than whale song I added the Morse Code.

Sounds used.

Waves - My own recording but available from freesound: Waves_on_a_Shingle_Beach by Mr_Lamppost -- https://freesound.org/s/800900/ -- License: Creative Commons 0

Footsteps: walking slow on stones by launemax -- https://freesound.org/s/249921/ -- License: Creative Commons 0

Buoy bell:  S29-19 Bell buoy.wav by craigsmith -- https://freesound.org/s/675693/ -- License: Creative Commons 0

Morse Code - generated nn line using Morse Code Translator: https://morsecode.world/international/translator.html

The Sadness Of Things - (naviarhaiku - 609)

I'm primarily a visual artist both 2D and 3D, for the last decade I've operated almost exclusively in the digital 3D realm.   since the late 80s I've made periodic forays into the sonic world, MIDI sequencing, minimalism, musique concrète, found sounds  and improvisation. I am seldom happy with anything and seldom consider a piece finished.