MAGZ FM 486

Nick Marks - Alpha Bete 
KNOWER - Overtime (live band sesh) 
Emma-Jean Thackray - Wanna Die 
Omar - Can We Go Out 
Dundundun - What Harm ft Marie Lister 
RAH The Ruffcats - Rodeo (Kid Fonque Refix) 
Afronaut - I Will Not ft. Chunky (rmx 
Alex Attias - Magnetic ft Kami 
Byron The Aquarius - RoberTa FlAck ft Flying Lotus, Ahu, Byron The Aquarius (Original Demo)
Semeria - Boomerang 
Tamae - Ferris (Jay Locke edit)
Manast LL & 528ron - In My Own League ft Brother Tom Sos 
The Worst - Figure Eight ft L-Jay The Composer 
Portals Of Creation - Ship Of Fools ft Hopis Dey the Malc Xmen 
J Period - How Ya Dooin It (J PERIOD x Dilla Soul rmx) 
J Dilla - Sycamore
Beat Vox - Hintertreffen
Jatoba - I Follow Album 
JPEGMAFIA - what the hip hop hell is this
Kids Love Inc - Kids Love Inc
Moses Yoofee Trio - PUSH
Albreon - House Is Built ft Chris vs The World, WyzeMan 
JaLiah B - Able ft Hailey B 
Oriol Cardoso - Talk To Me
Goya Gumbani - FireFly ft Fatima
Wannds - I See Thru 
Wannds - Peace of Mind

MAGZ FM

486: a Radio JAWN | Future Soul DISPATCH ctr | From PHILLY to wherever you at

Radio broadcast
Saturdays 2P / est WPPM 106.5fm
Philadelphia / USA
www.maggysrooftopaerial.com

Contact /Live/DJ Bookings - jaamsyouself@gmail.com

Based in Saint-Petersburg.

From Heart With Love *from BELARUS*
INSTA: @andbereskin

Producer/music alchemist/Sonic Smith/DJ



https://danny-js-place.com/
https://dannyj1.bandcamp.com/
https://www.instagram.com/danny_js_place/
Discord - https://discord.gg/MgPuGnyD3t

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International Vermin Conspiracy
.
.
The vermin will outlive your grand children's grand children.
Like Mickey Mouse the vermin is eternal.
: )
Antifa is my cousin.  I heard some people were looking for her.  Since I like to be helpful when I can, she was in Alexandria last time I talked to her, three weeks ago.  I think she mentioned going to Zurich in the near future.
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As I understand it a conspiracy is supposed to be secret so please don't tell anyone.

Is it 1984 already?!?!
...

I have not been able to recover access to my other account [https://soundcloud.com/ha-kekong] for a couple of years.  I have tried a few times to get back into it but SoundCloud doesn't trust me.  Same phone number, same email addresses, and they still claim that they can't verify my identity.  I created that account about three years ago as a substitute to my regular account which SoundCloud temporarily closed.  They closed it as part of some upgrade procedure in their system, the result of a bug that affected many accounts, about two years ago.  Since SC did not inform its users I didn't know if that was permanent or not, so I created that other account which I can't access.  Don't be mad if I have not replied to your message in the past two years, that's because I never got them ; ) ... You can always reach me here though.
...

This one here (957729823) is for regular folks.

I love you, both.

...

You can't see it because of the angle with which I took the shot, aiming down, but beyond those blocks is the sea.  To the left is the Mediterranean, to the right is the Atlantic Ocean.  No it's not Gibraltar, but a little bit further West. ... Actually I checked recently and it is further North more than West, I thought I was facing South when in fact I probably was facing the Atlantic ocean, which is why I suppose the waves were of a decent size where we were.
...

My face and the bike are a courtesy of Joël Vaudreuil
[https://vimeo.com/user8897093]  ... Merci Joe!
I then went ahead and butchered his work with a borrowed helmet.
... Sorry Joe. =(
...

I'm trying to promote what I think is good music, so if you want to help out a bit I'd rather you [like] or [repost] my *playlists* rather than my field recordings, if you don't mind, unless you are a die hard fan of those things. Thank you ; )

I speak French, so if you send me a private message, and that you are a francophone, please write in French, thank you.  ... I mean, you don't absolutely have to, but I would prefer it. 

All my field recordings (except for when I record a person) are public, freely downloadable by anyone who is able to click on the button.  I encourage anyone interested to use them in any way whatsoever, on purpose or accidentally. No need for permissions or credits or any other kind  of administrative maneuvers.
...

Anarchists give me hope.

I'm a big fan of EFF.  Love ya EFF.  (no connection with the above line)
... and of course Richard Stallman and Linux and all the others.  Bless yous.

Now don't be lazy, go find out what it is this "EFF" that I'm talking about.  I'll give you a hint: it has to do with computers.

You have a nice day now.  Hugs & Kisses.

° Love for the fusion of technology and creativity.

° Tribute to the artists using the machinery to its full potential.

Akai MPCs (originally MIDI Production Center, now Music Production Controller) are a popular series of electronic musical instruments originally designed by Roger Linn and produced by the Japanese company Akai from 1988 onward. Intended to function as a powerful kind of drum machine, the MPCs drew on design ideas from machines such as the Sequential Circuits Inc. Studio 440 and the Linn's own Linn 9000, combining a powerful MIDI sequencer with the ability to sample one's own sounds. A major influence to Roger Linn's design was his love of rubber pads and how they could be pushed, prodded, and banged; this can be seen clearly in his designs especially from the MPC-60 onwards. Linn also had a passion for squares: thus, no round pads on the MPC Series. Later models feature increasingly powerful sampling, storage, interfacing and sound manipulation facilities, which broaden the use of instrument beyond just drum and rhythm tracks.


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