Good things come to those who wait. The album 'The Children of Scorpio' by Project Gemini aka Paul Osborne is a result of his steeped 30-year musical journey that’s seen him dig deep, study his record collection and re-emerge to fine-tune his craft. 

A cinematic musical journey that plays out like a long-lost soundtrack (think cult B-movies of the 60s and 70s); 'The Children of Scorpio’ was formed from Paul's love of a myriad of genres; from European library music, acid folk, psych-funk, vintage soundtracks and the contemporary breaks scene. The album draws on iconic classics such as the masterful cinematic funk of Lalo Schifrin's 'Dirty Harry', Ennio Morricone's 'Vergogna Schifosi’ and Luis Bacalov’s 'The Summertime Killer’, to name but a few. You can also hear the folk sounds of Mark Fry's iconic 'Dreaming With Alice', the Britsh folk-jazz of The Pentangle and the David Axelrod-produced 'Release Of An Oath' by The Electric Prunes, woven into the cultural tapestry of this gem. The influence of these vintage productions of the 60s and 70s is evident; however, it could be argued that there’s also echoes of the funkier psychedelic moments of bands such as The Stones Roses and The Charlatans, alongside contemporaries such as The Heliocentrics and Little Barrie, thus giving the album a broader crossover potential beyond the world of crate digging and vintage soundtracks.

A bass player and musician since the age of 16, the arrival of his first child in 2010 saw Paul move away from live performance and retreat to his home studio, recording a wealth of music that was destined to never be heard. One of the first tunes to be made was a demo entitled ‘The Children Of Scorpio’, inspired by his long-time obsession with Lalo Schifrin’s soundtrack to violent Clint Eastwood cop classic 'Dirty Harry'. Recorded for fun, the track was fated to sit in the archives untouched. However, like a phoenix rising from the ashes, connections to a wealth of inspirational musicians and labels would re-ignite Paul's musical fire and give him the impetus to develop his slept-on ideas into something more concrete. Firstly resulting in releasing two limited 7'' records on Delights Records and now the long-player for Mr Bongo. 

Assisting in the recording of the record were several close friends that have helped spark Paul's musical creativity along the way, including well-renowned guitarist and Little Barrie frontman Barrie Cadogan (who contributes killer six-string guitar to four tracks), Delights Records head-honcho Markey Funk (who adds spooked out keyboards to ‘Path Through The Forest’), Kid Victrola, the chief songwriter and guitarist with French psych girl group Gloria who added wild 12-string to ‘Scorpio’s Garden’, Haifa-based multi-instrumentalist and producer Shuzin who brings the heat behind the drum kit, and Paul Isherwood, co-founder of Nottingham’s The Soundcarriers, who mixed the album on his wealth of vintage gear.
We are delighted to be releasing this slowly-brewed timeless classic that manages to achieve that rare feat of keeping one foot firmly in the past whilst still sounding totally contemporary.

Project Gemini - The Children Of Scorpio

MR BONGO_part2

YE EXCEPTIONALLY GOOD TUNES - 2

💥💥💥💥💥💥 - 6

Banda União Black

Melô Do Lula

Jugo   Los Espiritus

How to Leave Your Body

'The Children of Scorpio’ is the first single and title track from Project Gemini’s forthcoming album. Project Gemini, aka Paul Osborne, has created a cinematic musical journey that plays out like a long-lost soundtrack (think cult B-movies of the 60s and 70s); 'The Children of Scorpio’ was formed from Paul's love of a myriad of genres; from European library music, acid folk, psych-funk, vintage soundtracks and the contemporary breaks scene. 

The single ’The Children of Scorpio' started life as a demo 12 years ago, when Paul's time playing in various bands had come to an end and he started recording music at his home studio. Paul took inspiration from many sources including his obsession with Lalo Schifrin’s soundtrack to the Clint Eastwood film, 'Dirty Harry’, and artists like David Axelrod and his work on The Electric Prunes 'Release of an Oath’ LP. Paul channelled these influences into his creation, titled it in a nod to the villain in 'Dirty Harry', shelved it and moved on. 

After the release of his first single as Project Gemini in 2019 Paul decided to start work on an album project and revisited the original demo. He described the process, “I stripped it right back to its bare bones and started reconstructing it from scratch (although the vocals and middle guitar break survived from that original 2010 demo), and once I’d nailed the bass sound it all came together. Haifa-based multi-instrumentalist Shuzin brought some serious heat on the drums, and Barrie Cadogan, aka Little Barrie, put the icing on the cake by adding the solo you hear at the tail end of the track. It turned out to be the creative trigger for the whole album, and for that reason, it’s a really important track for me personally.”

Download

Can't Get There EP

Can't Get There (Jamie Paton Remix)

‘June’ is the third single to be taken from Project Gemini’s forthcoming album. Project Gemini, aka Paul Osborne, has created a cinematic musical journey that plays out like a long-lost soundtrack (think cult B-movies of the 60s and 70s); 'The Children of Scorpio’ was formed from Paul's love of a myriad of genres; from European library music, acid folk, psych-funk, vintage soundtracks and the contemporary breaks scene. 

Every good soundtrack needs a love song, right? 'The Children of Scorpio' is no exception. 'June' takes a left-turn from the tough and funky psychedelic tracks and eases us into a gentle, brief calm to cleanse the palette. It is reminiscent of a late 60s pop and folk-rock love theme that draws inspiration from The Free Design, Wendy & Bonnie etc. Calming, beautiful and warm, but with a slight sinister shimmer. 

Paul Osborne describing the lyrics and production said “The original intention of the lyrics was about the passing of Summer to Autumn, but as the narrative thread behind the album is about a missing person, they became the mysterious June of the title. Paul Isherwood (from The Soundcarriers) who mixed the album added the final touch with the spooky 2 second intro.  I try and shy away from doing vocals these days but needs must for this tune and I was actually really happy with how they turned out which never happens. The closest thing to a proper ‘song’ on the record!”

Project Gemini - June

Project Gemini - Plan Your Escape

Project Gemini - Searching For June (Interlude)

Project Gemini - The Path Through The Forest

Project Gemini - The Road To The Hills

Visit Croatia EP

The Good Wine

New York Noise – Dance Music From The New York Underground 1978-82

Bye Bye Bayou

Jungle Magic

GGB-008
The album "House in the Tall Grasses" will be released on LP/CD/DL in May 13th.

CD/LP/DL: https://gurugurubrain.bandcamp.com/album/house-in-the-tall-grass

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Kikagaku MoyoHouse in Tall Grass

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Rain Dogs

Jockey Full Of Bourbon (2023 Remaster)

Bonjour

Je T'Aime Mon Amour

Spiritual Jazz 3: Europe

Le Temps

Robson Jorge e Lincoln Olivetti

Aleluia

Squash

Raton

No Bom Sentido

Pret-À-Porter

Gypsy Meets the Klezmer

Joseph Joseph

STREAM / BUY https://hopest.re/KBsMixtapeNo2

Karate Boogaloo ​bring you ‘KB’s Mixtape No. 2’, reminding us of the beauty of colouring outside the lines; their unconventional funk guided by a steadfast commitment to bending the rules.

2018’s ​KB’s Mixtape No. 1,​ a self-produced and released collection of interpretations of hip hop samples done in Karate Boogaloo’s immediately recognisable wonky style is fast becoming a cult classic amongst Melbourne’s diggers, selling out in local record stores through word of mouth alone.
Now in late 2019, The KB’s bring you the second in their ‘KB’s Mixtape’ series with songs from the 80s that were sampled into your favourite hits​. Songs by Blondie, Kraftwerk, Patti LaBelle & Stevie Nicks sampled by artists such as Destiny’s Child, Kanye West, Jay-Z, Mariah Carey & Warren G, all flipped and twisted in Karate Boogaloo’s unique way.

KB consistently sit in their own lane – their combination of raw musicianship and sheer time on the clock playing together in the studio and on stage gives them a glowing presence rarely seen. Making records, they follow their own rules; recording and mixing on tape with no plugins and no edits, releasing exclusively in mono. It’s not about anachronism, it’s about the KB manifesto: a chosen set of limitations forcing a specific outcome, an outcome best appreciated through their “KB’s Mixtape” series of LPs.