Wow, Pete. You guys are playing a tune across the ages.

Great collab! The guitar work on this track is really well done — both technically solid and musically engaging. The shifts in rhythm and dynamics keep things interesting throughout, and the layering adds depth without feeling overwhelming. A strong example of what makes prog rock so unique.

Really nice eastern feel with the guitar harmonies

Hey man, love the flat 5ths which add to the exotic melodies. This is a wonderful song, man. Love it!

Your guitar playing is really good 😎 respect 😎😎

great track with an excellent middle eastern vibe......nice percussion and keyboard elements......wonderful guitar work!!

We all need moments to disconnect from everything and just breath.
Todos necesitamos momentos en los que desconectar de todo y simplemente respirar.

Day Break

This instrumental track, performed by GOLTZ (Gunther Benedict-drums, Christoph Musil-bass, Mario Palaschke-keyboards), is the result of a nightly improvisation over a poem by German writer Christian Morgenstern (1871-1914).

Gruselette

Special thanks to Ashesndreams for her acappella

Lyrics :
Baby no me pidas que me aparte
Yo ya te he buscado en todas partes
Solamente vengo a recordarte que estoy
Imaginandote
Una y otra vez
Que tu estas aqui conmigo
Acariciandome
No seas timido
Dejate querer
Que si dudas te prometo
Que vas a volver

No tengo miedo
Soy un kamikaze
Mi imaginacion se prende con lo que me haces
Diario yo te pienso
Te tengo en mis suenos
Eres el motor para escribir todos mis versos
No te voy a mentir te quiero todo pa mi

IMAGINANDOTE. 🎧.  feat  Ashesndreams

Take Flight (mix #1)
Step into the sonic slipstream with Three Photons as they unveil "Take Flight"—a soul-drenched journey through warm tape hiss, vintage textures, and melodic uplift. This isn’t just a track—it’s a moment suspended in analog air.


Written and Recorded by TJG May 2025
Written in B-flat Major 😉
Trying for a vintage sound jazz composition. Thanks for listening. 
-------------------------------------------------------------------
Technical Details:
Rhythm Guitar: Gibson ES 175
Lead Guitar: Gibson ES 335
Guitar Amplifier: Fender George Benson Hot Rod Deluxe
Fender pedal board: Line 6 delay
Bass Guitar: Fender Squire recorded with API 505 DI
Mics: a pair of Royer r10 ribbons on guitars
Mic: AEA R44 vocals
Mic preamps: API 312
Spatial effects: analog reverb
Mixer: API 32 channel summing mixer (8200/7800)
Stereo Bus processing (API EQ and API compressor)
Final mix down to a MARA MCI JH110 1/4inch 2-track at 15 ips using ATR Master Tape.

--------------------------------------------------------------------------------------------
Take Flight

Take flight, you’re on your way tonight
Take time, you’re always on my mind
You’re always on my mind

Dark night, we can’t see stars or light
We can’t see stars or light
We can’t see stars or light

Star light, I’m on my way tonight
I’ll be there, at first light
At first light

Star light, I’m on my way tonight
I’ll be there, at first light
At first light

Take flight

Written, performed and recorded by Neli CoKo, 2025, all rights reserved. 
Thank you for listening :)

Original Photography by https://www.pexels.com/de-de/@anna-nekrashevich/

Lost In Dreams

Taken from the 'Beyond the Veiled Horizon' series of tracks

soundcloud.com/mrbouzouki/sets/beyond-the-veiled-horizon-series

Dee Zee and Mr B YouTube Channel 

https://www.youtube.com/@DeeZeeandMrB
---------------------------------------------------------------------------
This track is part of an ongoing SoundCloud collaboration with accomplished keyboard player and Prog Rock enthusiast Dave Zeitlin.

Be sure to check out more of his music here :- @dee-zee
---------------------------------------------------------------------------
Expedition Journal

10th June
The hieroglyphs are faded and unclear, but the riddle might be solved.

15th June 
A secret entrance, long buried in the sands of time, finally a way inside the Sphinx.

16th June
We hear the sound of an ancient mechanism and an opening appears. Stepping inside, we discover chambers of wondrous size and form, but all are empty. Our flickering torches show air still moves inside this wonder of the ancient world.
 
Suddenly we find ourselves in danger and running for a possible exit. A mechanical sound of rock sliding over ancient rock. We barely escape with our lives.

17th June
Our entrance and hurried exit are both now fully sealed from intruders. There will be no second chance.

Flying away in the helicopter, the enigmatic Sphinx looks on.

As it always has.

As it always will.

---------------------------------------------------------------------------
Dave had worked hard to create a great template of ideas in a fully realised track. Whilst thinking of the title the idea was formed of making it an almost 'Indiana Jones type adventure' with explorers finding a secret way into the Sphinx. This resulted in the journal entry above to set the scene. 

I spent a fair bit of time getting the Phrygian Dominant scale under my fingers for the electric guitar work to contrast Dave's sinuous, winding synth lines.

The end result hopefully does lead the listener on the adventure, with a grand start, a way inside, wonder, peril then danger, before a hurried escape by a different exit as the Sphinx defeats the intruders and seals all the doorways forever. Finally a tiny reprise featuring a departing helicopter closes out the track.

Instrumentation

Low Drone - Dee Zee
Sinuous Synth Lead - Dee Zee
Low Pulse Synth - Dee Zee
Drum Ostinato Pattern - Dee Zee
Shimmer Synth - Dee Zee
Warm Rise Synth - Dee Zee
High Solo Synth Lead - Dee Zee
High Pedal Synth - Dee Zee
Ending Synth Lead - Dee Zee
Choir Synth - Dee Zee

HALion Spacious Strings - MrBouzouki
VSL Altair Strings - MrBouzouki
HALion Easy Modern Funk Bass - MrBouzouki
Electric Guitar - MrBouzouki
HALion String Swells - MrBouzouki
VSL Timpani - MrBouzouki
HALion Thunderstrom (Door FX) - MrBouzouki
Sliding Stones / Gear / Chains FX / Helicopter - MrBouzouki
HALion Odyssey Synth - MrBouzouki
Darbuka (Percussion) - MrBouzouki
Tombak (Percussion) - MrBouzouki
HALion St Peter's Choir - MrBouzouki

The Riddle of the Sphinx - in collaboration with D Zeitlin

Recording sessions from 25/10/2020 - 31/12/2024.
presets, mixing, processing and editing: Pier WILL.
ALL TITLES ARE DOWNLOADABLE
________________________________________________________________________
- Made with MOOG & Modular / Multi-tracks / Without AI
- Composed, arranged, performed, produced by Pier WILL & Studio 4H09
- Artwork - Pier WILL
- Acknowledgements - Ableton, AKG, Arturia, Audacity, Cantabile, Focusrite, 
  Korg, M-Audio, MSI, Sony, SoundCloud, Teac, Techniks, Yamaha.
________________________________________________________________________

AMBIENT_25

Ambient_25

Well hello… A new song, with a new instrument. A pawnshop Ukulele. Ha. What a fun instrument to play. Just had to. A few simple Uke chords, some acoustic guitar soloing, and a tale of sailing the ocean as a metaphor for life. And yes, lyrically I was talking with a seagull. And just so you know I have gotten really good at ‘talking’ with birds. I can click talk like a grackle, whisper whistle like a robin, whistle talk a curious melody like a chickadee, among others. Still working on my duck call. Ha… Years ago, I remember annoying some people at a party with this wooden duck call my buddy had. So maybe a future song about birds? And right outside my door there are some interesting avian dynamics between the grackles and robins nesting in the spruce trees. They argue every day, about territory and invasion of their personal space, but when danger appears, like a hawk or cat, they come together in unison to fend off the threat. In the natural biology of things, humans haven’t fallen too far from that spruce tree. Anyway, robins do not like the dark. They anxiously chatter with loud worry chirping amongst themselves at dusk, and create a chorus melody of happy song at dawn. With me being a late sleeper, their morning serenades can be quite bothersome at 4:30AM. A lesson for me though, as at times I am not so welcoming as I wakeup to another frenetic global morning. Anyway, birds and their enthusiastic singing far outpaces my own. Ha. There are many other birds here, but I will save that for another time. Hope you are well. Thanks for dropping by, Mark

Uke Chantey

On The Sea

With things so bleak and frightening at the moment, I thought a wee fun country number might bring a smile or two, for a moment anyway.
For the lovely Finse, Happy Birthday my dear! <3
Music, Lyrics, Vocals, Guitar, and Harmonica - Lizzie Taypen
Cover painting - Lizzie Pentland

Them Hitchin Angels

The debut album of the Waggish Sheep Project, in which he takes the stage and tells the story of a black sheep through music.  The numbered tracks suggest a listening order. It combines several musical trends, which sometimes surprise, sometimes touch, but definitely results in a unique style. The multi-instrumentalist musician pays tribute to his recently deceased younger brother with this material.

15_Agnus Dei

A collection of songs, instrumentals and orchestral pieces charting my adventures in home studio recording and production.  All original compositions using voice, acoustic and electric guitar (sometimes using altered tunings), bouzouki, low and high whistles and MIDI instrumentation. 

I'm also using VST instrumentation to create classical compositions and integrating orchestral sounds into my songs and instrumentals.

Links to various instrumental projects and other Social Media links are available below.

The current collaborative YouTube channel with Dee Zee is here:-

https://www.youtube.com/@DeeZeeandMrB

The Riddle of the Sphinx - in collaboration with D Zeitlin

MrBouzouki

Recent comments

Elements of Synergy

Elements of Synergy

Blackbird

clive hawkins

Related tracks