Ancestral language

All Things Are Impermanent

Cover
You started Laughing - Supertramp - Rick Davies -1975

When you're in heaven what you gonna do?
You're gonna sit around a cloud and say
"Hey what a lovely view"

Is there a reason why you're like you are?
Is there a reason you'll be leaving?
Is my love out of season?
I wouldn't mind but to me that is treason

You started laughing
When I held you in my arms
You started leaving
When I told you of my charms

I was in love with you
And then you said we're through
And then I said boo hoo

Was my tie not on straight?
Was it something I ate?

You Started Laughing

I love the KSB sound. This instrumental inspired me to make the lyrics and songline, and i "gave it a bit of a new wave techno"-vibe.

https://soundcloud.com/killasoundboy/outlaws-instrumental-krt-production-open-for-collab?si=d2168fab89d94bacbe7c1a28be696eec&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing


I'm an outlaw- Lyrics

Maybe it’s true I’m wild and hard to control
And maybe it’s because
I have an untamable soul
I’m always on the run
I stay out of the sun, out of the sun, out out
Out of the light, out out
I’m an outlaw

I have to hide
An Outlaw
Yes Sir, Yes Mam,
That’s what I am
I am an outlaw

I’m under a ban
I’m under restriction
The law no longer offers me protection

Banned, barred, prohibitted, forbidden, Fugitive, Veto, embargo, outcast

Outlaw (KillaSoundBoy-Saskia)

Cast of Characters:
Didier Burli-- @didierburli — acoustic guitar, main vocals, composition
Llanpsych–@llanpsych –Tez– Fender Stratocaster electric guitar, mix, and production
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – Roland Phantom organ, Roland piano, Paul Reed Smith cutom SE electric guiar, Warwick four string fretless bass, vocal harmonies
TexMex Shaman– @texmex-shaman –Stephen– Tom Anderson custom T model electric guitar

This song began with Didier coming up with it on his acoustic guitar. However, when he first sent it to Josh, he had played electric guitar, bass, keys, and drums on it, because he is a very talented multi-intrumentalist. This song passes the stool test, though, which is the question of whether it sounds good with someone just sitting on a stool with a guitar, playing and singing it. So, when we asked him to give us a version that we could add to, it was already a great song that he sent us with just him singing over his acoustic guitar. 
  Tez was the first one up on this one, adding the fiery fills throughout, as well as the co-solo at the end. Ken entered the fray next, adding his rock solid, dynamic drums. Once the drums were down giving him something to play against, Josh added his fretless bass to the song. Being very excited about this one, he also added piano, organ, and eventually the lead guitar solo at the end. He also went in and added all the vocal harmonies throughout. Stephen then brought up the rear with some really cool textural guitar throughout. 
  Once we had it in the bag, we asked Tez to produce and mix it for us, which he did in his usual expert fashion. 
  This is our first song with Didier, but we hope it's just the beginning of his new inclusion into the Eclectic Collective family. He has a lot of great music on his page, which is worth checking out, too. We hope you enjoy listening to this song as much as we enjoyed creating it.
Original lyrics by Didier Burli:
I wish I could stay awake but I need to sleep
Thunder is on it's way but I don't hear it
I don't fear the ghouls, and I don't fear the creeps
And with this dancing zombie, I don't know what to do with it
And I just get too much information....
in the middle of the night, when everything is silent....

(chorus) And the noise rises up
From all those things, that mankind does, that makes you want throw up

(chorus) And the noise rises up
From all those things, that mankind does that makes you want dream of

(chorus) And the noise rises up
From all those things that makes you scared of

(chorus) And the noise rises up
From all those things that mankind lost

And I just get too much information....
in the middle of the night, when everything is silent....

The Noise Rises Up (Eclectic Collective with Didier Burli)

Sunny Day

Although I'm clear that I'm not good at this style of music, just to have a little fun. Using Nexus. The loop with the vocals is : K-Pop / Sequence / Dance Alpha Vox

RPR08_78

Taken from the 'Beyond the Veiled Horizon' series of tracks

soundcloud.com/mrbouzouki/sets/beyond-the-veiled-horizon-series

Dee Zee and Mr B YouTube Channel 

https://www.youtube.com/@DeeZeeandMrB
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This track is part of an ongoing SoundCloud collaboration with accomplished keyboard player and Prog Rock enthusiast Dave Zeitlin.

Be sure to check out more of his music here :- @dee-zee
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Expedition Journal

10th June
The hieroglyphs are faded and unclear, but the riddle might be solved.

15th June 
A secret entrance, long buried in the sands of time, finally a way inside the Sphinx.

16th June
We hear the sound of an ancient mechanism and an opening appears. Stepping inside, we discover chambers of wondrous size and form, but all are empty. Our flickering torches show air still moves inside this wonder of the ancient world.
 
Suddenly we find ourselves in danger and running for a possible exit. A mechanical sound of rock sliding over ancient rock. We barely escape with our lives.

17th June
Our entrance and hurried exit are both now fully sealed from intruders. There will be no second chance.

Flying away in the helicopter, the enigmatic Sphinx looks on.

As it always has.

As it always will.

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Dave had worked hard to create a great template of ideas in a fully realised track. Whilst thinking of the title the idea was formed of making it an almost 'Indiana Jones type adventure' with explorers finding a secret way into the Sphinx. This resulted in the journal entry above to set the scene. 

I spent a fair bit of time getting the Phrygian Dominant scale under my fingers for the electric guitar work to contrast Dave's sinuous, winding synth lines.

The end result hopefully does lead the listener on the adventure, with a grand start, a way inside, wonder, peril then danger, before a hurried escape by a different exit as the Sphinx defeats the intruders and seals all the doorways forever. Finally a tiny reprise featuring a departing helicopter closes out the track.

Instrumentation

Low Drone - Dee Zee
Sinuous Synth Lead - Dee Zee
Low Pulse Synth - Dee Zee
Drum Ostinato Pattern - Dee Zee
Shimmer Synth - Dee Zee
Warm Rise Synth - Dee Zee
High Solo Synth Lead - Dee Zee
High Pedal Synth - Dee Zee
Ending Synth Lead - Dee Zee
Choir Synth - Dee Zee

HALion Spacious Strings - MrBouzouki
VSL Altair Strings - MrBouzouki
HALion Easy Modern Funk Bass - MrBouzouki
Electric Guitar - MrBouzouki
HALion String Swells - MrBouzouki
VSL Timpani - MrBouzouki
HALion Thunderstrom (Door FX) - MrBouzouki
Sliding Stones / Gear / Chains FX / Helicopter - MrBouzouki
HALion Odyssey Synth - MrBouzouki
Darbuka (Percussion) - MrBouzouki
Tombak (Percussion) - MrBouzouki
HALion St Peter's Choir - MrBouzouki

The Riddle of the Sphinx - in collaboration with D Zeitlin

The phrase "he walks around with a conscious through greed" is an interesting juxtaposition of terms. It suggests someone who is aware of their greedy actions but continues to pursue them, implying a deliberate choice rather than an unconscious compulsion. This could highlight a conflict between a person's moral compass and their desire for more.

The Weight of Gold

The debut album of the Waggish Sheep Project, in which he takes the stage and tells the story of a black sheep through music.  The numbered tracks suggest a listening order. It combines several musical trends, which sometimes surprise, sometimes touch, but definitely results in a unique style. The multi-instrumentalist musician pays tribute to his recently deceased younger brother with this material.

15_Agnus Dei

This is an old home recording from the late nineties. 

*** CORRER NA PRAIA ***

Neste azul poente, ao sol, ao vento brincam ondas, 
luzimentos que não faz qualquer sentido alguém biografar.
Mesmo o túnel mais perfeito nunca teve um nome,
nem retrato de família que as ondinhas queiram recordar.

Tanto mar!...
Eu também sou movimento que se vai quebrar
nas margens do esquecimento deste imenso mar.
Beija-me perdidamente, antes de eu voltar
a surfar o firmamento lindo...

Vem ler poemas dos helénios
escuta o canto dos milénios
das trirremes que passaram de regresso ao lar.
Vê, quando abraço a areia quente
eu abraço tanta gente 
que deixou suas pegadas à beira do mar...

Tanto mar!... (etc.)

E, se escutares a minha prece,
explico-te a extinção da espécie
que um dia se esqueceu de se multiplicar.
Quimicamente és tão perfeita
que a mente não aceita
seres mais um castelo de areia à beira do mar.

Tanto mar!... (etc.)

Correr Na Praia

A collection of songs, instrumentals and orchestral pieces charting my adventures in home studio recording and production.  All original compositions using voice, acoustic and electric guitar (sometimes using altered tunings), bouzouki, low and high whistles and MIDI instrumentation. 

I'm also using VST instrumentation to create classical compositions and integrating orchestral sounds into my songs and instrumentals.

Links to various instrumental projects and other Social Media links are available below.

The current collaborative YouTube channel with Dee Zee is here:-

https://www.youtube.com/@DeeZeeandMrB