Warm and arresting pop-folk-psych dreamscape. Now I know why god made reposts... I would have missed this perfect wedding of sound and emotion.

Wonderful...your vocal delivery is always spot on

Lovely song both of you, well constructed and lovely performances : )

I agree with thorsten's comment - excellent composition, performance, and production.

A fine bit of lyric writing and superb performances. Well done Kevin and lizzie!

@myowntherapy11: Very much appreciated MOT.

Since “Particle Guitar” over a year ago, Steve and I have written and performed many new songs together.  And we’ve formed a new band called “Korima” which will soon release its debut EP: “Into Your World”.
 
Along the way, as Korima, we’ve created some short songs.  Not excerpts but, rather, complete pieces to be enjoyed briefly on their own - or as connectors exploring the relationships between songs.
We’d like to showcase some of them here.  This is the first one up: White Sail.  We hope you enjoy it!
 
Korima's songs are written, performed, arranged, engineered, and produced by SuZanne Ledwith (Ireland) and Steve Pumphrey (England).
https://soundcloud.com/candyside-arcade/white-sail-korima

White Sail

Words I never thought I would have to write.

The great eSyrup, Thom Palumbo has tragically left us.
I am heartbroken. He has been a frequent collaborator and loyal correspondent over the last ten years. When I play guitar, I think of him and whether he would like it. When I write, I imagine his reaction. And now he is gone. He achieved his lifelong ambition of returning to Maine to live over the last few weeks. I was so proud he had done it. I had hoped for more of his time, his music and his humour. An incredible man.

We never met, but we had an uncanny connection. This was done but not finished nearly six years ago, in December 2017. Life and stuff got in the way. Time was our only enemy and sadly a cruel one.

Please listen to his fantastic legacy here and appreciate his beautiful art 
https://soundcloud.com/esyrup

Released with kind permission from David - I thank you and salute you.

Hedd, perfaith hedd, cariad

Be good

Nick

All other instruments - Thom
Guitars  - Nick

Pic: https://www.terragalleria.com/index.html

In Loving Memory Of ESyrup (Thom) - ESyrup and Nicholas Ridiculous

The Twist of the Tale

When I first heard this I instantly picked up a  blusey mid eastern flavour to it and decided to pick up on that theme. I used Pauls track "Remember" in it's entirety with no edits to do some post production work around it, picking up on that eastern vibe I was getting !! I hope you will enjoy it as much as I did making it.  
A BIG thank you to Paul for this opportunity and for all your great support!!

Track,music bed and inspiration :- Paploviante https://soundcloud.com/paploviante-and-friends/remember-paploviante-open-collaboration-offer
Additional guitars,orchestration,post production mix and arrangement :- Pablo

The Long Journey

The Long Journey // PAPLOVIANTE // CAMBERELLI

"Take aim at his heart now!" he yelled. "And shoot for the head!" shouted back his armed colleague. But with tears in the formers' eyes, he knew he had already lost the fight. The longer he wore on in the battle with his foe, the greater his uncertainty. 
This song is about a mercenary remembering an encounter with a fellow mercenary. They were both after the same target and the first, unarmed mercenary was forced to kill his armed colleague with a car.
Listening to the story of the song, one may get the sense that betrayal and regret are central themes; however, they are only one of the many threads unfurled in the song. Violence and mercy are more central, especially within the mind's eye of the protagonist re-living what had occurred on one fateful day.
A violent mind may not breed mercy, but mercy will never hold a place (or a candle, if you will) in the minds of those whose idea of violence is not honourable and just -- in a moral sense, of course. Moral compasses change direction from person to person, from time to time, and from situation to situation. They can even, sometimes, point to one's own fate -- mercifully or not.

LYRICS:
Somebody once told me
In a ripped-up rage
Had eyes like a monster, and it came
Like the wind against my head.
So Drive Like You Stole It
With nothing to say
Eyes runnin' like water, to this day
I could not relate.

Hearing slowed-down sounds
Of an engine roaring,
Wheels rollin' to a cliff's end
And shot out in escape.
So it seemed
Was a blow to my youth.

Somebody once told me
In a ripped-up rage
Had eyes like a monster, and it came
Like the wind against my head.
So Drive Like You Stole It
With nothing to say
Eyes runnin' like water, to this day
I could not relate.

Seeing moving parts
As it comes upon him,
Devoted locomotion
To bring about elimination.
What I've seen
I have created.

Somebody once told me
In a ripped-up rage
Had eyes like a monster, and it came
Like the wind against my head.
So Drive Like You Stole It
With nothing to say
Eyes runnin' like water, to this day
I could not relate.

Take aim at his heart now
And shoot for the head
A backstabber grieving his existence,
So tortured.
Hold up a candle
In a darkened cave
Canot fix what cannot be seen:
I refuse to replay.

Like You Stole It

Similar to R I.P.  A bit of fun with a Dylanesque type blues.

A Little While

Featuring the maestro that is Jamie Rhind! Originally written in Jan 1999 and re-recorded to mark the turn of 2024, showcasing Jamie's sublime laid back keywork.
Jamie Rhind - Piano solo
Andy McLean - Soprano saxophone, EWI, Keyboards, Bass, Drum programming, Composition

New Beginning (feat. Jamie Rhind)

Greg Hurley: Composition / Arrangement, Lyrics, Vocals, Slide guitar, Guitar, Keys, Bass and Drum programming, mix and mastering.
If you have the time.... Please repost! .........Also Link to Video below.
Video: https://youtu.be/B_7cJXsGLWs?si=DMFdXgbov5SWRT92

A Foolish Heart / Video link in Description

This Rain piece is the next level of my piano pieces I think.....

Rain

Art Expressed in Music – Picasso's Brilliance
March 2024
Duration: 3:05
Listen to the Playlist: soundcloud.com/bruce-klepper-1/sets/art-expressed-in-music-i
Painting: Les Demoiselles d’Avignon 
John-Marc Ventimiglia: jagged shards sound effects 
Visit: @john-marc-ventimiglia
Pablo Picasso (October 25, 1881 to April 8, 1973) was a Spanish expatriate painter, sculptor, printmaker, ceramicist, and stage designer, one of the greatest and most-influential artists of the 20th century.  The enormous body of Picasso’s work remains, and the legend lives on—a tribute to the vitality of the “disquieting” Spaniard with the “sombre…piercing” eyes who superstitiously believed that work would keep him alive.  Picasso's output, especially in his early career, is often periodized.  The most commonly accepted periods in his work are the Blue Period (1901–1904), the Rose Period (1904–1906), the African-influenced Period (1907–1909), Analytic Cubism (1909–1912), Synthetic Cubism (1912–1919), Neoclassicism to Surrealism (1921-1937) and Post-War Work (1937 – 1970s).  Les Demoiselles d’Avignon, from his African–influenced period, marks a radical break from traditional composition and perspective in painting. It depicts five naked women composed of flat, splintered planes whose faces were inspired by Iberian sculpture and African masks. The compressed space they inhabit appears to project forward in jagged shards.  Picasso unveiled this monumental painting, that precursors Cubism, in his Paris studio after months of revision.  Picasso said the ethnic primitivism evoked in these masks moved him to "liberate an utterly original artistic style”.  The Avignon of the work’s title is a reference to a street in Barcelona famed for its brothels.  Exceptionally prolific throughout the course of his long life, Picasso achieved universal renown and immense fortune for his revolutionary artistic accomplishments, and became one of the best-known figures in 20th-century art.  Picasso died on April 8, 1973, at the age of 91, from heart failure, reportedly while he and his wife Jacqueline were entertaining friends for dinner.  Considered radical in his work, Picasso continues to garner reverence for his technical mastery, visionary creativity; paralleling the entire development of modern art in the 20th century.
For morin khuur violin, dudek, bansuri, bamboo flute, hecklephone, bassoon, kalimba, marimba, double bass, ethnic percussion and jagged shards sound effects

Art Expressed In Music - Picasso's Brilliance

Words and music Kevin Gennery
image not my own
Gorgeous female vocals courtesy of Lizzie Andrews.

There's a strange kind of emotion,
i have going on inside,
like a smash and a grab, twist and a turn,
of my tattered torn mind.

Can i burst out of this bubble, yes little old me,
if i huff and i puff can i blow these walls right down.

And step out from this madness well i don't know,
terra firma seems the right place to go oh oh.

Cause i'm free falling, free falling, free falling,
gotta get my feet back down on the ground,
free falling i hear you call my name,
free falling, gotta get my feet back down
on the ground once again.

Such a funny situation, cause i feel the same way too,
lost in a world of desperation, where all the colours turn to blue,
can i help you pop that bubble, yes little old me,
cause everyone is a critic in this cynicle world,
i think that you agree.


This was written especially for my dear friend Lizzie Andrews to accompany me. And when  lovely Lizzie started singing I got a tingle run down me old spine....still do when I hear that second verse....gets me every single time and always will.

mixes

Little Old Me

Wallowing in the warmth of lower mids and melancholic melody.
Recorded, mixed and mastered on a Tascam DP 32 Portastudio. (Image of the cheeky little unit under my name)


Take a large bucket. Add a pint of Neil Young, a pinch of Glen Hansard. Wack in a tea spoon of Damien Rice, then an ickle bit of Tom Mcrae. Shove in a hand full of Mike Scott, a heaped table spoon of Neil Finn and a large dollop of Conor J. O'Brien. Mix with a big stick then strain through an old sock. Pour. What you have is a little bit of Mr C.

Hello good people of the cloud.
I play everything in real time and record and master on a Tascam DP 32 Portastudio. Although three of the older songs on here where recorded on a 8 track tape recorder through an old seck analogue desk.
No pc's are used or abused in the process of me music making. I love tactile recording. Switches, faders, pots and buttons. Mouses are for computers and eating cheese. No Mac, Daws or Windows, Midi or overused plugins. And no automated mixing, compromise being a large part of my final sound


Podcast:  interview and 3 song performance
www.secretsymphonies.com/2006650/11710158

Hope you enjoy some of the music that I make, please feel free to share and comment.

I now have another page, link below, of songs recorded from 1999 to 2012 on an 8 track tape machine.

Gear used:
Tascam DP32 (for all recording and mastering)
Custom Sound amp (owned since the 1980's/90's)
Tannoy DC 200 monitors (owned since the 1980's/90's)
Alesis Sr18 drum machine
Roland V drums HD1 Live Kit
Kord M1 keys (owned since the 1980's/90's)
Yamaha moX6 keys
Joe Meek VC3 pro channel (owned since the 1980's/90's)
Audio Technica AT4033a Cardioid Condenser Microphone
Shure SM58 Mic
Sessionmaster direct recording pre-amp (owned since the 1980's/90's)
Zoom GX1N guitar effects
Epiphone EJ 200 acoustic guitar
Martin performance acoustic guitar
JD Fender Telecaster Leccy guitar
DeArmond M75T Leccy guitar
Tanglewood bass 
Vintage banjo
Uke
Stagg mandolin
And a box of old rusty harps.

Little Old Me

Mr Cagey

Recent comments

Little Lone Waltz

Jonathan Beckenstein

SuZanne Ledwith

Mr Cagey

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