Tough subject and the music wraps itself around that

3) Your vocal perfect, it is captivating with subtle use of verb, and the performance is emotionally available not pretentiously or ostentatiously so, 4) Mix at 1:06 true stereo is perfect(!!!!) opens up the chorus, 5) Perfect lazy feel in the groove where time stays true. 6) I can hear ALL of your infuences for a perfect assimilation into your true artistry in songwriting to capture a deep emotional moment. 7) Arrangement, textures, use of harmonies, I could go on but then you might think me disingenuous. No "abuse of computers" but reverence for talent, skill, and the time it takes to create something lasting. Bravo. 2

1) Shivers at that chorus!!! Visceral!!! 2) Impressive that you did this without a computer. I know about this...talking first real recording studios, SOS Sony reel-to-reel bouncing tracks to do multi-tracking, mic-ing things, then 4-tracks, 8-tracks etc. The way thing used to be done. Get it right or do it again. No comping. Makes you stronger, better, doing things with minimal tools. Gets you good at playing to a click track. My humble and maybe futile opinion. You know this. 1/2

Previous comments from me nothing more than jibberish. More importantly, sorry for your loss Kevin.

Beautiful- amazing production. Fabulous song 🤩

So Sorry for the Loss of your Mom Kevin ~ but What a Gorgeous Song in Every Way ~

what an extraordinary build up, the trickling of that piano, the cascading acoustics dancing around my earbuds. and your nice mellow and subtle vocals at the peak to top the icing on the cake. this is euphoric

it's got a touch of Floyd in there, i can just hear inspiration from Dark Side on this

Such gorgeous songwriting and delivery... A brilliant production in every way, Kevin!

Watchglass

MIRAGE

El taller de Cuca:
Toni Solé (piano and keyboard)
Mery Navarro (choirs)
Cuca Aguirre (choirs)
Pepe Gámez (Spanish guitar)
Antonio Sánchez (Spanish guitar and bongó)
Adrián González (electric guitar)
Sergio Párraga (keyboard, bass, melodic bass, cajón, palms, choirs, drumms programming and production)

Donde siempre

Produccion,bateria y teclados San Kajati(desde Valencia)todo lo demas yo.
Los peores sueños
                 Am-Em-Dm-Am

No voy a ir 
Dónde no puedo 
Por ahí pueden venir 
Los peores sueños 
Pensaba en vos 
Mirando de nuevo 
El juego, el color 
El otro veneno 
Las luces veo al fin 
Alumbran el piso 
Cuando vienen a mí 
Se vuelven pasillos 
Perdido en un laberinto 
Cerca del río 
Me pongo a caminar 
La salida persigo...

LOS PEORES SUEÑOS-Christian

https://soundcloud.com/humanfobia
The original track belongs to   latest album: "Vampire Mortuorie" the title of the song is: Separacion De La Realidad
/// Lyrics:
Cuerpos Fragmentados, Cuerpos en la oscuridad
Sentimientos descontrolados
Separación de La Realidad
Conexión con otras dimensiones
con sacrificios de adoración

Con los entes oscuros me sumerjo en la pasión
Cuerpos Fragmentados
Consciencias y energías del bajo astral
Las entidades dimensionales son mi elección

Cuerpos Fragmentados, Cuerpos en la oscuridad
Sentimientos descontrolados
Separación de La Realidad

noxpox - separacion de la realidad (vocals by Mist Spectra of Humanfobia)

There may well be another track in the "Gazebo" suite to find here in around a week.

GAZEBO DAYDREAMS (ABOUT WIDE HORIZONS)

You will find the clip on my YouTube channel.

QUANTUM CANTICLE

words and music K Gennery
image courtesy of Joel Durkee Unsplash
Thank you so much @monnodb for the voice at the end.

My sister and I cared for mum in her own home for the last ten years, going every day. Mum had been diagnosed with vascular dementia. This song is more about what I could see coming, the bad days, as at this time mum was still more lucid than not. Daphne Gennery passed away peacefully on the 30th of August 2025 at the age of 95, in her own home, in her own bed.....something that she always wanted....no hospital or care home.

Lyrics:
on the other side of nowhere in between the nothing she cries
a flicker of a memory drifts into longing and dispair why?

gone is the laughter from feeling to just being
existing in complete isolation
eyes open wide all but dead deep inside
just a shell of the woman

she sits in the darkness alongside delusions and agitation
time shift is a constant through the window to the garden
she stares avidly

gone is the laughter from feeling to just being
existing in complete isolation
eyes open wide all but dead deep inside
just a shell of the woman


gone is the laughter from feeling to just being
existing in complete isolation
eyes open wide all but dead deep inside
just a shell of the woman

shell

alternative Rock, Blues Rock,Dubstep,World

Blue Bridge

My anti-AI rant song ... I wrote this shortly after a friend of mine proudly told me how she'd created a song using AI which she had fed a sample of her voice. This gal doesn't sing. She sent me the YouTube link to the song and obviously wanted my feedback.

That artificiale
You call a song
Bit and bytes pretending
That thing made by machine so perfectly
Much more than your bidding
I won't buy it
Just because you can.

Just because we can
Don't mean that we should
Just let's dig all the way down
Those things can't eat
Need no sleep
Have no cares at all

Don't tell me you're proud
And make a gake fool of ypurself
Things to do your bidding
I hope you made that clear
Take all from the past
For a future rearrange
Let the things make everything
Fake the only name
That's fair

Just because we can
Don't mean that we should
Just let's dig all the way down
Those things can't eat
Need no sleep
Have no cares at all

Digging a grave
For the human made
the work of our hearts
The work of our minds
Digging a grave
For the emanescent
Voices of ourselves

Digging a Grave

I just redid the mix and fixed the drums, and some of the more glaring vocal problems, and got that cool guitar lead to shine a little. It sounds a lot better now.
Please pardon my vocals, this is actually for a female artist. Not autobiographical, just a story. My apologies to Irma Thomas.

You were my angel, and i was under your spell
And you promised life would be a fairytale
But i was no more than your possession
And you put me through hell
Though you called it heaven

And everytime i tried to leave, you’d just wave your hand
And I’d come crawling back on my knees
I would pray you’d treat me better
When you’d smile at me so sad and so sweet

But something’s changed inside, I can see now who you are
and that sweet smile aint gonna get you very far!

Now who’s the one? Who’s down on their knees?
No need to beg, there’s nothing left that you can take from me
You don’t have any power here no more
Well you’ve lost your wings, and I know just what you’re here for
You are no angel, you are a devil, to the core
And you ain’t welcome here no more

Don’t come back inside, don’t put your bags down on the floor
You ain’t welcome here no more

You ain't welcome here no more

Cast of characters:
The Beautiful Dark -- @thebeautifuldark -- Carl — Ovation acoustic guitar, lead vocals, lyrics, and compostion

Scratch Kelly -- @scratchkelly — Sarah —  vocals

one man verity show – @one-man-verity-show – Scotty – Epiphone Casino melodic  electric guitar and vocals

Joe Stroffolino-- @joseph-stroffolino --  vocals, art polishing

Mistermark-- @user-432503709 -- Mark – triangle and vocals

K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken -- drums

Llanpsych -- @llanpsych -- Tez – Tom Anderson Custom T electric guitrar, mix, and production

TexMex Shaman– @texmex-shaman –Stephen — Fender Stratocaster electric guitar, production, mix, and mastering

Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – Warwick fretless four-string bass


Mr Bringer-er Together-er is Josh. You may also know him as artist Entheogenic Psychnought, or the spine of Eclectic Collective. We all came across Josh in our own lucky ways, but he really sets a high bar for spreading constructive musical love and encouragement on SoundCloud. This song started out as a comment. I (Carl/TBD) went to call Josh Mr Bringer-er Together-er and my phone auto corrected it. the next morning K2 swooped in and said what I wanted so I used that as a trigger for the song.

So, I had a rough arrangement. We then invited a few artists, except Josh, to paint it for him. Scratch Kelly, aka Sarah, beamed through some amazing vocals. Not long behind Joe Stroffolino painted in some brilliant backing vox, and polished the art. Then Scotty (One Man Verity Show) chimed in with some amazing guitar, trippy backing vocals, and the super artwork you get to enjoy. Mark brushed in a triangle and some vox, and then Ken added those trusty drums. Tez then strutted in and added some super lead guitar, and not far behind him was Stephen with some epic rhythm guitar that showed the way for the song from that point of view showing a much better space to all the other instruments than the original demo guitar. That was a lovely lesson on less is more...


The song was now ready to give to the main man for him to paint, and he chose his trusty bass to put some strawberries on his own musical cake.


I now stared at 37 tracks and went... Hmmm Stephen, Help! Stephen mixed and mastered it to its crisp current form, and it was a very difficult mix. He basically had to merge 3 projects to one and really aced the challenging mix and master like the true shaman he is. We hope you enjoy the song that brought us together again. May it give us more togetherness like Josh so wonderfully demonstrates everyday


You da brother man Josh 🤘🏽


Lyrics


Magnet of human

Moulded by melody mind

Just jester Josh delivers this kind

Collective of creed worth all our belief

Friendship

Togetherness through skill and relief


Sharing, Caring

Composer of purr

Human vibrations of the highest occur

Let's celebrate this human some more

It's Mr Bringer-er together-er


Mr Bringer-er together-er

Mr Bringer-er together-er


Loving, Not shoving

Honing, Not moaning

Positive to give

In music he live

Loving his kids

Like he loves us

The luckiest kids who take this EC bus

Josh is the driver

Mr Music Jeez

More Mr Bringer-ers together-ers please


Mr Bringer-er together-er

Mr Bringer-er together-er


The Joshua Tree collecting collective

Physical dreams

Metaphysical pleasures

Skills. New.

Unconditional prime time

The only thing we tow is how we making new time line


Mr Bringer-er together-er


You are the rod

You cast your spinners

You reel us back in from lake bitter winter

It's Spring all the time in your World and Page

Our Mr Bringer-er together-er sage


We all love ya mate


Mr Bringer-er together-er

Mr Bringer-er together-er Oh oo

Mr Bringer-er together-er

Mr Bringer-er together-er Oh oo



mr. bringer-er together-er (with...read the credits)

lyrics

Miami is calling my name
My summer mind, my summer brain
Drinks are on me
Step into the sea

Neon Daze 
Neon Daze
Neon Daze
Neon Daze

Bartender make me a drink
One that makes me forget how to think
white sands all around
I love this neon town

Neon daze
Neon Daze
Neon Daze
Neon Daze

neon daze

Cast of characters:
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – Warwick fretless four string bass, Collings mandolin, Rogue banjo, Roland electric piano, and composition
K2 and the Three [and the Four]-- @k2andthe3, @k2-kara –Ken — drums and percussion
Llanpsych -- @llanpsych -- Tez – Fender Stratocaster electric guitar
TexMex Shaman– @texmex-shaman –Stephen– Tom Anderson custom T model electric guitar, Taylor T5z acoustic guitar, production, mix, and mastering
This song began with Josh coming up with it on his electric piano and fretless bass, to which he added some banjo, then mandolin. Once he had a solid basis for the song, he shared it with the rest of Eclectic Collective for them to add their parts. 
  Ken was first up, adding his drums in an such a creative way that matched Josh's bassline perfectly. It was originally recorded to a looper disco beat, but that was blown out of the water by Ken's creative drumming. Tez jumped in next, adding his thrilling guitar to the second half of the song. Not to be outdone, Stephen batted clean up, adding his textural and melodic guitar to the first half. He also added some subtle, but brilliant acoustic guitar to the first half, too. 
  This is a great example of Eclectic Collective coming up with an original band sound out of one of Josh's seeds. We're always pushing boundaries and trying to find fun and exciting ways to build a song. Lots of teamwork in here, too, of course. We hope you enjoy listening to this as much as we enjoyed making it.

The Plot Thickens (Eclectic Collective)

'ghetto falsetto' with Harmful if Followed and sixstring mac 

Isaac and the apple:
Mac: music, lyrics and vocals
Harmful/Shane: lyrics, vocals, backups 

one man verity show:
Scotty: lyrics, vocals, backups, art 

Well the night’s effervescent and I’m on fire
Full of anti depressants to blunt my ire
Well aware of the presence of my desire
It feels very pleasant as I get higher
And I’m clad in a fashion to catch the eye
So why does everyone ignore me as I walk by
It would be a different story for a different guy
But I’ll never find the glory unless I try
So why do I lie so low 
Why don’t I let them know
Let them bask in the glow
Of my ghetto falsetto 

Most are fucked up from the drugs they take,
and don't care to interrupt all the love I make,
but I can't quite erupt so, I'll simply fake,
and make believe
that I have climaxed, because all the noise
that keeps me far from relaxed and trapped in the void, 
I've always had a clean nose but perhaps I'll toy 
with singing in falsetto. 

These streets are full of cackles and high pitched screams
A ghetto manifesto haunting my dreams
Monotone narration to a story I know
A baritone ending won’t leave me alone
I’m not crazy it’s the world around me
I’ll deal with the shit eventually 
Then get past the truth I know
That I’m too low for ghetto falsetto 

But it don’t mater how high or how low 
Unless you mean it nobody will know
All you need is the seed and the get go
Let go of the ghetto falsetto

ghetto falsetto (with Harmful if Followed and sixstring mac)

Roots Machine

Heavy Punk Rock 'n' Roll band turns into Synthwave nowadays! Brand NEW album "Ultraviolet Cosmos" available NOW!
https://shockthealgorithm.bandcamp.com/album/ultraviolet-cosmos

Wallowing in the warmth of lower mids and melancholic melody.
Recorded, mixed and mastered on a Tascam DP 32 Portastudio using vintage gear gathered over many years.


Take a large bucket. Add a pint of Neil Young, a pinch of Glen Hansard. Wack in a tea spoon of Damien Rice, then an ickle bit of Tom Mcrae. Shove in a hand full of Mike Scott, a heaped table spoon of Neil Finn and a large dollop of Conor J. O'Brien. Mix with a big stick then strain through an old sock. Pour. What you have is a little bit of Mr C.

Hello good people of the cloud.
I play everything in real time and record and master on a Tascam DP 32 Portastudio. Although three of the older songs on here where recorded on a 8 track tape recorder through an old seck analogue desk.
No pc's are used or abused in the process of me music making. I love tactile recording. Switches, faders, pots and buttons. Mouses are for computers and eating cheese. No Mac, Daws or Windows, Midi or overused plugins. And no automated mixing, compromise being a large part of my final sound.

Hope you enjoy some of the music that I make, please feel free to share and comment.

I now have another page, link below, of songs recorded from 1999 to 2012 on an 8 track tape machine.

Gear used:
Tascam DP32 (for all recording and mastering)
Custom Sound amp (owned since the 1980's/90's)
Tannoy DC 200 monitors (owned since the 1980's/90's)
Alesis Sr18 drum machine
Roland V drums HD1 Live Kit Through Roland TD20 Sound Module
Kord M1 keys (owned since the 1980's/90's)
Yamaha moX6 keys
Joe Meek VC3 pro channel (owned since the 1980's/90's)
Audio Technica AT4033a Cardioid Condenser Microphone
Shure SM58 Mic
Sessionmaster direct recording pre-amp (owned since the 1980's/90's)
Zoom GX1N guitar effects
1972 Yamaha FG180 Red Label acoustic guitar
Martin performance acoustic guitar
Yamaha FGX5 Acoustic guitar
JD Fender Telecaster Leccy guitar
DeArmond M75T Leccy guitar
Tanglewood bass 
Vintage banjo
Uke
Stagg mandolin
And a box of old rusty harps.

shell

Mr Cagey

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Anastasiya Ihnatovich

ᑎoiseᗩlter

ᑎoiseᗩlter

Donna Dior

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