Splendid song and singing, well done Kevin !

Lovely stuff!! Just been listening to Abbey Road and this track has a similar vibe :))))))

God bless your wife!!! These lyrics are too funny though

So good Cagey. Love everything about this. And bit sad but uplifting at the same time..

got everything here, keeps the interest from start to finish , another great track man

Delightful -  love that banjo-- lovely vocals and harmonies !!

Shooobeedoobie... yess! Makes me smile, thank you! 🌸

Bunch Of Flowers

How am I supposed to know
What you want, or how you feel.
How am I, a stranger in the eyes
Where I could find me.

I used to look into the mirror
And in my skies, I could see you.
But that image in my mind,
Went away, so far away, yeah.

Oh, Don't ask for a whole life
Enjoy the seconds, babe.
Don't ask for a whole life
Enjoy the seconds, babe.

Cause you never know,
When you are born
And when you are gone.

How am I supposed to hope
To be part of your lost soul.
How am I supposed to grow
All the trust with all the dust.

I used to look into the door hole
And in the soul there was no key.
But I found a message on the wall
Saying those seconds are blown away.

Don't ask for a whole life
Enjoy the seconds, babe.
Don't ask for a whole life
Enjoy the seconds, babe.

Cause you never know,
When you are blown away, 
And gone.

How am I a number in a scale
A picture with no frame.
How am I supposed to dream again
With all these moments in despair.

I used to trust the words, and felt,
There was nothing really unsaid.
But now we have no seasons
To keep the same old reasons.

Don't ask for a whole life
Enjoy the seconds, babe.
Don't ask for a whole life
Enjoy the seconds, babe.

Don't ask for a whole life
I will enjoy the seconds, babe.

To be in your memories
To be part of your dance
To sing this last glance
I'm not good enough.

It hurts with no sensory
The seconds of treasury
It cuts with the same pride
The landscapes of time.

It counts like a sand clock
The toy of my own mind
The clock of my old soul
The illusion of time.

Of broken confessions
Enjoying obsessions
Don't ask for a whole life
Just moments in rhyme.


---
 
Lyrics, Vocals & Drums by @melakki
Bass Guitar, Synthesizers & Artwork by @boolapp-goro
Mix & Master by Björn (BLRStudios)
Recorded & published by 2:45

Enjoy The Seconds

Enjoy the Seconds

A big thank you to Jeff Roberts and Andrew Borderick for playing on....."Just a Boy".

This sad and devastating local story has been on my mind for a long time.... I'm reminded about this tragedy nearly everyday as I run along the Mississippi Blvd and see the memorial. 

------------------------------------------------------------------------------------------

Just A Boy
Written by TJG August-September, 2021


Thank you to Jeff Roberts (@jeff_roberts)for his catchy bass guitar work!
Thank you to Andrew Borderick (@andrew-borderick)for the fantastic B3! 
Thanks to Rene (@para-lia) for feedback on an early draft - always appreciate that. 

----------------------------------------------------------------------------------------------------
Mix 1: September 23, 2021
Mix 2: November 9, 2021
Thanks to Eddie Cilettie for departing some of his wisdom about mixing ;-)

Verse 1
You move like a summer breeze
There's whistling in the trees
You're always on my mind
You were just a boy
Don't leave me alone

Refrain 1 - instrumental and hum

Verse 2
You know I hate Christmas Eve
It brings me to my knees 
You're always on my mind
You were just a boy
You were just a boy

Refrain
How they took your life
What a senseless crime

Verse 3
You said you were going for a ride
But I didn't say goodbye
You're always on my mind
Don't leave me alone!

Refrain
Well they took your life 
by surprise
Such a senseless crime
Such a senseless crime

Verse4
And After all this time
I can't heal
and baby sometimes I can't feel....

Refrain
Yeah they took your life
Yeah they took your life
Such a senseless crime
Such a senseless crime
How they took your life
How they took your life
Such a senseless crime
Such a senseless crime
How they took your life

outro
You move like the summer breeze
and I hear you whistling in the trees....

Just a boy (ft. Jeff Roberts and Andrew Borderick)

words and music K Gennery

For my darling wife who, at the best of times, does a difficult job within our National Health Service. Throw in a pandemic and that very same job becomes almost impossible.

Lyrics:
I don't know how you do the job you do,
the responsibility of seeing it through.
Pressure from all sides,
looking out for the welfare of buildings and lives.

If I were to spend one day in your shoes,
(shoebie doobies, ooh shoebie doobies)
by mid afternoon Im sure I would have blown my fuse.
(Bang, Bang, Pop, Pop, BOOM!)
There'll be blood and guts everywhere,
as I explode and take them all out.

Ooh, ooh, ooh, ooh,Take them all out.

There'll be blood and guts everywhere,
as I explode and take them all out.

This songs to say Im so very proud of you,
and to confirm the fact I never want to borrow your shoes.
Cause I don't wanna do any time,
reflecting on my crime, of taking them out.

Ooh, ooh, ooh, ooh,
Take them all out
(gotta get away, gotta get away)

Take them all out

take em all out

DOWN THE LINE
Written, Performed, Produced & Mastered
by Andrew Borderick Coptright AB Music 2021
https://www.youtube.com/watch?v=Zo_Tm55fLsY

ONE DAY IT WAS ALL FOR YOU
LEARN TO GIVE AND TAKE BUT CRY
A BIRTHDAY WISH IS ALL THATS TRUE
A WISHING WELL WITH NO DESIRE

TEN YEARS ON AND TO SMART TO LEARN
ON YOUR BIKE AND LOST IN STUFF
I THINK ABOUT THE SCHOOL DAYS GONE
WHAT WE SEE WE LEARN TO TRY

YOU CAN GIVE THEM LOVE, GIVE THEM ALL THE TIME
SOMETIMES IN THEIR LIFE, THEY WILL FIND

WHAT YOU SEE IS WHAT YOU GET
AND WE'RE PASSING IT DOWN THE LINE
WHAT YOU SEE IS WHAT YOU GET
DOWN THE LINE.........
WHAT YOU SEE IS WHAT YOU GET
DOWN THE LINE.........
WHAT YOU SEE IS WHAT YOU GET
(break)
THE WISE GREY MAN CAN BEARLY HEAR
GRANDCHILD SENDS A TEXT OF LOVE
LOOKING OUT ACROSS THE SEA
HE REMEMBERS HOW HE USED TO BE

YOU CAN GIVE THEM LOVE, GIVE THEM ALL THE TIME
SOMETIMES IN THEIR LIFE, THEY WILL FIND

WHAT YOU SEE IS WHAT YOU GET
AND WE'RE PASSING IT DOWN THE LINE
WHAT YOU SEE IS WHAT YOU GET
DOWN THE LINE.........
WHAT YOU SEE IS WHAT YOU GET
DOWN THELINE.........
WHAT YOU SEE IS WHAT YOU GET

LIFE

DOWN THE LINE

DOWN THE LINE (see info for video link)

It started with a groove from Paul Claxton, then Roger Cloutier gave him a concept.
Lisa Saunders had the idea for the first verse from her real life touring experience; "the man in blue says I think you better move along"..
It's a harsh world out there but the Trisektorians believe you have to reach out and choose not to be lonely.

All parts written and recorded by Paul Claxton, Shael Wrinch, James Zickmantel, with vocalist Lisa Saunders.


Track Artwork at RedBubble
https://www.redbubble.com/people/trisektor/works/89594322-another-lonely-night-propeller-trisektor-projekt?asc=u

Propeller

Another Lonely Night

This is a fun song dedicated to.........Well we  all know at least one...enjoy 

Just for fun not based on anybody that I know ...if you see yourself here it is just a coincidence ...ha ha 

Johnny

Look at me ( The Narcissist's anthem )

https://soundcloud.com/paco-ray: chord set, guitars, drums.
https://soundcloud.com/ruizzoidman21centurions: bass, lyrics, vocals, pocket sax, production.

Letra  /  Lyrics (Adaptation from a poem I wrote around my 15thBD)

SIEMPRE QUE TE VEO  /  WHENEVER I SEE YOU

Pasma al mirar tu serena  /  Astounds looking at your serene
faz y tu largo cabello,  /  face and your long hair,
y observar rostro tan bello,  /  and observe such a beautiful complexion,
más que asombrar, me enajena.  /  more than astonishing, it alienates me.
Cuando en mi oído resuena  /  When in my ear resonates
tu cálida voz, espero  /  your warm voice, I hope
girarme y verte, pues quiero  /  to turn around and see you, because I want
hacerte saber, mi amor  /  to let you know, my love
que te amo, y mi calor  /  that I love you, and my warmth
ofrecerte por entero.  /  offer to you completely.

Siempre que te veo, intento,  /  Whenever I see you, I try,
con mi mirada, expresarte  /  with my gaze, to express to you
que te quiero. Mi sustento  /  that I love you. My livelihood
es tu sonrisa, son tus ojos  /  is your smile, are your eyes
y tu cara de indecisa.  /  and your indecisive grin.
Si te miro, sonriendo,  /  If I look at you, smiling,
si te sigo, pues queriendo  /  if I follow you, as wanting
poseerte, tengo prisa.  /  to possess you, I’m in a hurry.

Quisiera mirarte, grácil,  /  I’d like to look at you, graceful,
bella y extraña cual hada.  /  beautiful and strange like a fairy.
Cual si no pasara nada,  /  As if nothing was happening,
mirarte, pero no es fácil.  /  to look at you, but it’s not easy.
Quisiera hacerlo con casi,  /  I’d like to do it with almost,
casi inhumano ardor,  /  almost inhuman ardour,
y contemplar con fervor  /  and watch with fervour
tus excitantes y sabios  /  your exciting and wise
pasos, y encender tus labios  /  steps, and turn on your lips
con tiernos besos de amor.  /  with tender kisses of love.

Siempre que te veo…  /  Whenever I see you...

Siempre Que Te Veo (with Paco Ray)

Blues For Billie - Solo Guitar by Earnest Woodall

Mellow Heart

Aftrethoughts

Afterthoughts

Thanks to Andre for his open collab project [noxpox(page10)] the brilliant 'German Beats'.

https://soundcloud.com/noxpox-page10/sets/noxpox-german-beats-open?si=dbefcfa91d1f4627bab63e1fae97650f&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

I've gone for sax trio / flute duo accompaniments:
0-2 mins flutes
2-4 mins saxes
4-6 mins flutes
6-8 mins saxes
8-13 mins sax/flute quintet

Photo - Stein am Rhein (good for busking?) c/o Pinterest.

German Street Beats [Busker Mix] - noxpox | WBE

Vocals and Lyrics: @kaerian-1

Music:  Laar @https://soundcloud.com/user-325797522 (Recorded with Squire Jaguar, Squire CV 70s Jazz Bass and Fruity Loops. Drum patterns are taken from FL FPC plugin

Photograph: by Eric Pitteloud (all rights reserved)

Lyrics
------

Ne t'approche pas trop près de moi
(les dramas c'est pas pour moi)
Je n'aime pas
Je n'aime pas être entourée
par tous ces gens bien intentionnés
qui cherchent à me corriger
me conformer à leurs normes
modifier ma vraie forme
(j'essaie de m'échapper, mais je me fais toujours rattrapper)
les vieux réflexes me laissent perplexe

La vérité c'est que j'aime être entourée
par des gens apaisés
sans combats de guerriers
non je peux plus digérer (gérer)
cette atmosphère de guerre
constante
idiote compétition
envahissante
incessante et persistante
Ne t'approche pas de moi
pour initier un combat
non je ne veux pas
que mon temps serve à ça
fatiguée de lutter
il y'en a si peu
il est si précieux
dépitée de gaspiller

rien ne sert de faire un drame
inutile est ce vacarme
l'expérience est faite
même si c'est une défaite
rien ne sert d'abimer le passé
inutile de vouloir l'effacer
juste avancer

------------------------

Don't get too close to me
(dramas are not for me)
I don't like
I don't like being surrounded
by all these well-meaning people
who try to correct me
to conform to their standards
change my true form
(I try to escape, but I always get caught)
the old reflexes leave me confused

The truth is that I like to be surrounded
by peaceful people
without warrior fights
no I can't digest (manage)
this atmosphere of war
constant
silly competition
invasive
incessant and persistent
Do not approach me
to initiate a fight
no I don't want
my time to be used for that
tired of fighting
there's so little of it
it is so precious
sorry to be wasteful

there's no point in making a mess
it's useless to make a fuss
the experiment is done
even if it is a defeat
there is no point in damaging the past
no point in trying to erase it
just move on

Ne t'approche pas

Ne T'approche Pas (Kaerian & Laar)

Remix of 
https://soundcloud.com/kaerian-1/is-it

Original track by
@kaerian-1
and
@muterial

(Is It) Now Or Never  [Laar Remix]

Method: It‘s complex. 
Narration: Just think of Paris, millenia later.
Image: Another (altered) section of the original Tiny Inclusions illustration. Yes, I guess 'blue' might have been seen in ancient Greece as well.

poem / copyright jo richter:
(as published in: Tiny Inclusions, in: Auslegpapier)

Out of the blue
he is back, has returned.
It is the Klein kind of blue,
to be precise. He must have
stared at the picture for hours.
.
The walls reek of bliss.
His own smell carries that stink.
Long before he had realized it,
his senses had learned
to abhor beauty.
.
.
It is now that
he remembers his name.
He was the one who courted,
beguiled Helen, took her to Troy.
His name, the gods took him here to remember his name.
.
.
.
All his life, he had fought his way along
the Hausmann lines of perfection
that used to encircle his palace. Armies of strangers.
This is where they end, in a blue
square on a gallery wall
reeking of bliss,

blue

Blue

Heart Come Alive | HCA (First Take)

Para Lia
Fire (My Chemical Imbalance)- with Fady on synth
from the album ‘Gone With The Flow’
paralia.bandcamp.com/album/gone-with-the-flow
Vinyl / CD / Digital

What's the story behind this  song and the album as a unit? Find it out: Visit the 3D virtual art exhibition, realized by SophisticatedApe, with the great work of Louis Renzoni and the music of Para Lia with a lot of background information here:
https://www.sophisticatedape.com/gone-with-the-flow-exhibition/
It is like an interactive visit in a gallery: Use your mouse and the left button to walk around, use the arrow keys on your keyboard or the W-A-S-D keys (forward, left, back, right, respectively). On mobile devices, touch and drag in the direction you would like to move. 


words and music by René Methner
mix and production: René Methner
mastering: Thomas Heimann-Trosien, TurnstyleMastering, Berlin
cover artwork based on Louis Renzonis '6th floor walk up'

Follow Para Lia on:
www.facebook.com/paraliamusic/
www.instagram.com/paralia.music/
twitter.com/para_lia_band

Head over to the awesome @fadysporz to listen to some wonderful indie gems! 

i don't know
where to go
where to flow
where myself has been

if i was
here with me
'now!' i'd say,
'now i'm free'
but i am somewhere else and out of reach

sometimes my mind games
keep me under control
there's nothing i could do
my chemical imbalance turns into
fire

i know the fire
it keeps me under control
it's never far away
it never takes too long, you know
one, two, here it comes
fire

everything is an up and down
everything is an up and down
all my me's are running up and down
everything is an up and down
everything is an up and down
i'm trapped by this
fire

Gone With The Flow

get the album

Fire (My Chemical Imbalance)- with Fady

Musique EmmaJack
Paroles : Vincent Rothenburger
https://youtu.be/LLzR5PntlXM
Les pluies acides 
-Les parricides  Sont à plaindre Car ils sont orphelins -L'extralucide ne peut craindre les plis de son destin -Par temps humide Les noyés Lèvent les yeux au ciel -Les pluies acides Font pousser Les fleurs artificielles  Les catastrophes  Atténuent  La surpopulation -On a l’étoffe Décousue Des héros en cal’çon -L’amour trucide Sans pitié  Les marguerites si belles -Les pluies acides  Font pousser  Les fleurs artificielles  -Les W-C sont Sans issue Dans les débits d’ boisson -En avril on A pendu Haut et court les poissons -On se suicide par gaieté Car l’amour donne des ailes -Les pluies acides  Font pousser Les fleurs artificielles  -L’air se voit quand Il fait jour Les cibles sont plus belles -L’air nonchalant Des vautours A dévoré le ciel -Masques du vide Tes baisers Font des trous dans mes ailes -Les pluies acides  Font pousser Les fleurs artificielles

Les pluies acides 🌸

Wallowing in the warmth of lower mids and melancholic melody.
Recorded, mixed and mastered on a Tascam DP 32 Portastudio. (Image of the cheeky little unit under my name)


Take a large bucket. Add a pint of Neil Young, a pinch of Glen Hansard. Wack in a tea spoon of Damien Rice, then an ickle bit of Tom Mcrae. Shove in a hand full of Mike Scott, a heaped table spoon of Neil Finn and a large dollop of Conor J. O'Brien. Mix with a big stick then strain through an old sock. Pour. What you have is a little bit of Mr C.

Hello good people of the cloud.
I play everything in real time and record and master on a Tascam DP 32 Portastudio. Although three of the older songs on here where recorded on a 8 track tape recorder through an old seck analogue desk.
No pc's are used or abused in the process of me music making. I love tactile recording. Switches, faders, pots and buttons. Mouses are for computers and eating cheese. No Mac, Daws or Windows, Midi or overused plugins. And no automated mixing, compromise being a large part of my final sound


Podcast:  interview and 3 song performance
www.secretsymphonies.com/2006650/11710158

Hope you enjoy some of the music that I make, please feel free to share and comment.

I now have another page, link below, of songs recorded from 1999 to 2012 on an 8 track tape machine.

Gear used:
Tascam DP32 (for all recording and mastering)
Custom Sound amp (owned since the 1980's/90's)
Tannoy DC 200 monitors (owned since the 1980's/90's)
Alesis Sr18 drum machine
Roland V drums HD1 Live Kit
Kord M1 keys (owned since the 1980's/90's)
Yamaha moX6 keys
Joe Meek VC3 pro channel (owned since the 1980's/90's)
Audio Technica AT4033a Cardioid Condenser Microphone
Shure SM58 Mic
Sessionmaster direct recording pre-amp (owned since the 1980's/90's)
Zoom GX1N guitar effects
Epiphone EJ 200 acoustic guitar
Martin performance acoustic guitar
JD Fender Telecaster Leccy guitar
DeArmond M75T Leccy guitar
Tanglewood bass 
Vintage banjo
Uke
Stagg mandolin
And a box of old rusty harps.

IN CLASH WITH THE ZEITGEIST:
https://paralia.lnk.to/Clash
Vinyl: https://shop.soundsofsubterrania.com/?artists=PARA%20LIA&release=para-lia-in-clash-with-the-zeitgeist-88532

Check out the online exhibition with the music of Para Lia and the art of Louis Renzoni https://www.sophisticatedape.com/gone-with-the-flow-exhibition/ 

Badkup @user-359302631  is the cosmic collision of Rene of Para Lia @para-lia and Fady @fadysporz.

take em all out

Mr Cagey

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