Name: Microtime by MRCS
Duration: 11 min 47 s
Description: Experiments with slomo LFOs, moving spaces and layering. DRM1 and Juno106 as main sound sources plus various types of outboard effects, no compression added. The track is not "mastered" in any way. Listening to it on headphones is recommended.

such great sounds. loving it! sounds so wired;-)

gonna follow back based on just this intro and your aesthetic. Into it.

tracklist:
im rausch der tiefe
the day after tomorrow
about leaving
elevate this
floodgate
the luring of the beyond
closedgates iii
take your time
psi
trippyaf
upstairs
climber
light flooded
life (beautiful (no matter what))
broken home
outro

life

The mastermind behind Basic Channel, Hard Wax and Rhythm & Sound doesn't do mixes. For RA.1000, he made an exception.

Trace Mark Ernestus's path, and you trace the evolution of electronic sound itself. The timeline of contemporary Berlin is unimaginable without him. At first, that meant Hard Wax, the crucial hub that shaped the early era of the city's techno revolution. Carl Craig once said it plainly: "Mark was ground zero."

From there, Ernestus never stopped. There's the birth of dub techno and the near-flawless catalogue that followed through Basic Channel and Rhythm & Sound. There's his immersion in Senegalese mbalax with Ndagga Rhythm Force. Lately, that means Open Ground the Wuppertal bunker that's letting people hear music as never before.

As part three of RA.1000, Ernestus has kindly supplied his first studio DJ mix. As you might expect, it's technically immaculate, but more than that, it feels like a substantial and generous conduit to one of the world's most vital genres.

Amapiano remains underexplored in music media. Publications like our own are still learning to keep pace with the South African sound's global pull, animating millions across the globe. 

You'll hear the range and richness of the genre across the near two-hour mix, from the gothic, percussive stomp of Caltetonic's "Bambela"  to the devotional glow of GemValleyMusiq's "Something Spiritual."

Through all of this, Ernestus has remained understated. He lets the music speak for him, with a quiet honesty that lies in decades of opening doors—creating the conditions for new sounds and scenes to flourish and carry the culture forward.

@opengroundclub @hardwax 

Find the tracklist and interview at ra.co/podcast/1011. Listen to all RA.1000 mixes, as well as the complete history of the RA Podcast, at https://1000.ra.co

RA.1000 Mark Ernestus

Experiments with slomo LFOs, moving spaces and layering. DRM1 and Juno106 as main sound sources plus various types of outboard effects, no compression added. The track is not "mastered" in any way. Listening to it on headphones is recommended. 

Microtime

from weightless. released Feb 2019 on Home Normal - homenormal.com

coat of arms

This is the full recording of my set at the Sonica festival in Ljubljana on 27 September 2019.

The piece "The Purpose Of Peace" included in this set is available on Bandcamp as free download or "name your price" here:
https://abulmogard.bandcamp.com/track/the-purpose-of-peace-live

Live at Sonica 2019

@adlasone track "Currents" will be released through Answer Code Request on November 22th. More Info: bit.ly/adlas_trackpremiere

ACR505

Currents

Adlas - Currents

thelotradio.com
instagram.com/thelotradio
facebook.com/thelotradio
twitter.com/thelotradio
@thelotradio

Club Night Club with Stenny (Ilian Tape) @ The Lot Radio 11 - 25 - 2019

Rare are appearances of Dj Pete as a producer. More known with his pseudonym Substance, officially Dj Pete has released in 30 years of career only one EP on Surgeon's label in 2001: Counterbalance. 18 years later he's back with a remix for a mysterious producer. 
Release limited to 100 copies and available only at Hardwax and our Bandcamp on monday 16th.

FRACTXXX

FRACTURE XXX _ Unknown - Untitled (Dj Pete remix)

live recording of Orson b2b DJ Hops @ VERSION, OHM Berlin, 23-11-2019

big up Barry for the recording !!

@version111a
@hops
www.version111a.com

Orson b2b DJ Hops @ VERSION, OHM Berlin 23-11-2019

dj healer - krieg der welten
-
der wald
fuer immer
allerseelen
ins herz der dinge lauschen
explosions in the sky
einen ort gefunden
das meer

ins herz der dinge lauschen

Hailing from Wales but a resident of Japan for the past 25 years, Steve Good has, in various forms, been involved with music for his entire life. From classical violin through just about every genre imaginable, he finally found himself sucked into the vortex of London’s rave scene in the 90s. After moving to Tokyo in ’95, he started work at a recording studio, producing, mixing, mastering, remixing and programming music for artists, bands, games, and TV commercials, while simultaneously DJing for clubs and parties and producing via his own downtempo project, Puff Dragon. Involved in Labyrinth since its beginnings, Steve takes responsibility for that festival’s legendary sound quality.

After moving to the wild northern-Japanese island of Hokkaido in 2012 with his family, he found natural inspiration for what is now recognised as the Labyrinth sound. The epic beauty and remoteness of this icy, rock-covered isle on the north-west corner of the Pacific Ocean became the inspiration for Steve’s musical explorations of the interplay between the human and the natural, creating a huge and lasting effect on both his own musical output and the indelible artistic mark of Labyrinth Festival.

This present live set grew out of a phase of sadness and listlessness Steve experienced as the upheavals of 2020 ricocheted across the globe. In the absence of those usually unnoticed markers of the passage of time, anchor points drift and the moorings that ground opportunities for perspective and insight flit and vanish. Yet in this sea of disorientation, the plants continue to grow, rivers flow, waves crash, and the seasons keep on turning. In place of what appeared to be missing arises the possibility of experiencing each moment in its sublime evanescence. Steve Good’s Patterns of Perception 67 is forest music, mountain music, lake music. It holds chaos and beauty within it, transporting the listener to places both on the edge, and at the core, of the fleeting beauty of existence.

After witnessing his ethereal, truly moving opening set on day two of last year’s Labyrinth festival, this mix is a uniquely personal one for our collective. We’re delighted to welcome Steve onto our platform to share his inimitable musical vision.

Links:
https://www.facebook.com/stevegoodambient/
https://stevegood.bandcamp.com

https://soundcloud.com/mindgameslaby

Microtime

MRCS

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