“Why should it be that just when technology is
most encouraging of creativity, the law should be most restrictive?”
― Lawrence Lessig, Remix: Making Art and Commerce Thrive in the Hybrid Economy

The Badger: A short-legged omnivore in the family Mustelidae.

Also: The name under which I publish occasional musical sketches - cuttings from the studio floor.

Most are just experiments, musical noodles, unfinished tunes or ramblings of mediocrity. 

They serve no purpose other than to exist.  


In 1774, almost 180 years after Romeo and Juliet was written, the “copy-right” for the work was still thought by many to be the exclusive right of a single London publisher, Jacob Tonson. [1] Tonson was the most prominent of a small group of publishers called the Conger [2] who controlled bookselling in England during the eighteenth century. The Conger claimed a perpetual right to control the “copy” of books that they had acquired from authors. That perpetual right meant that no one else could publish copies of a book to which they held the copyright. Prices of the classics were thus kept high; competition to produce better or cheaper editions was eliminated.
- Lawrence Lessig; Free Culture http://free-culture.cc/index.html

mrdylan // Currently working on new music...

ALL STYLE OF ELECTRONIC MUSIC


Living Room Composer, Musician.
Taking Photos During Cycling Tours
24-inch Display Graphic Artist.
Music, Caffeine and Nicotine Addicted.

All Medias: Created / Composes / Remixed by LeWelsch.

Copyright:
LeWels©h MultiMediaLab, Bern: Switzerland.

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