Bellissima canzone, I love the bass and the pads. Great voice and melody

evo puštaju stvar na yammatu 102.5MHz, pozdrav iz zg

"Somewhere between the melancholy of trip-hop and a solitary journey on the dancefloor." Les Inrockuptibles

Her debut EP "Dark Horse" was co-produced by David Kosten (Bat For Lashes) with percussion by Jason Cooper (The Cure)and saxophone by Otis Sandsjö (Lucia Cadotsch).

Get it!

Dark Horse (debut EP)

Recorded live at Top Floor in Bydgoszcz, Poland on 11 October 2022.

Blue Monday (Live At Top Floor October 2022)

Final Track on  debut album 'Varmints' - released 4th March on Moshi Moshi/PIAS. 
Many thanks to Oliver Coates for celloing so beautifully 

Varmints

Blackfriars (ft. Oliver Coates)

Opening track of the album 'Elemental Being' by PeterSea with Jens Kuross and RyX, recorded and produced with Steve Nalepa, LA, USA 

Elemental Being

Buy at Amazon

Elemental Being - PeterSea

Taken from "Glass Bird Movement" -  CD/Digital/LP+7" 
Out Oct. 14th on morr music

On their first album in six years, ISAN once more weave together electronic soundscapes, delicate rhythms and the occasional odd sound into a pulsating, ever-morphing whole. Glass Bird Movement is Antony Ryan and Robin Saville’s eighth studio album since they have started the project two decades ago. Exchanging ideas between England and Denmark, where Ryan currently resides, ISAN have crafted an album which is reminiscent of heyday Boards Of Canada productions, the friendlier ventures of Aphex Twin or the most focused moments of Ulrich Schnauss, if you will. However, this album (as well their impressive back catalogue, as subtle it may seem) displays a strong signature. ISAN constantly move forwards without leaving their respective studios. And why should they - it’s warm and dry in there and the kettle is always boiling. 


Glass Bird Movement

Buy The Album

ISAN: Parley Glove

Buy Album ● https://barnabycarter.lnk.to/wisb

While It Still Blooms

Barnaby Carter - Ought've (While It Still Blooms - Project: Mooncircle, 2016)

First introduction to this sensual and intimate dimension of her work, “Fool” was co-produced by David Kosten (Bat for Lashes, Marina and the Diamonds…) with percussions by Jason Cooper (The Cure) and the sax of Otis Sandsjö (Y-Otis, Lucia Cadotsch).

Dark Horse

Fool

“Give A Little Love” is about a time of healing, getting through a low period in life. When all one needs is compassion and connection with someone that could help them get through it. It's really about helping each other out when things get tough...

The most prominent musical features of this song are the percussion and marimba, both of which I like to use quite a lot in my music. I wanted to make this song quite groovy and bass driven.

When I took it to David Kosten's studio in London, we decided to invite Jason Cooper to record some live percussion - he is the drummer for The Cure. Jason Ahwai, who plays bass for Marina And The Diamonds, also came to the studio to lay down some super groovy bass lines. As a final touch, we added Otis Sandsjö’s “screams” on the saxophone as a form of madness and "a cry for help".

Give A Little Love

"Dark Horse" OUT October 24th 2017

Co-produced by David Kosten (Bat For Lashes, Marina And The Diamonds) with percussions by Jason Cooper (The Cure) and saxophone by Otis Sandsjö (Lucia Cadotsch, The Group).


"Dark Horse is about the search for that special place or a dream, the journey you need to take, the mystery that draws you in, the miracles we are a witness to in life."

Suzanne Kraft 
https://soundcloud.com/suzannekraft

Fool - Suzanne Kraft Remix

alone
concentrated
successives
images
undefined
tones of greens
I put distance
in between you and me

trees bend
under a deadly sun
fixed on the road
my eyes wide open
attempt to sow you
the past behind me
I put distance
in between you and me

all these houses
I wouldn't visit 
all these people
I wouldn't meet
my life is on the line
the furrow of my tires
I put distance
in between you and me

it's a one-way trip
to oblivion
I try the fate
don't care about my chances	
Every minute is a term
leading me to the truth
I put distance
in between you and me

Motortrack

https://soundcloud.com/giovanni-corgiat-mecio
https://www.facebook.com/corgiatofficial
https://www.instagram.com/corgiat_/

Corgiat - Terraferma

Birds

Worriedaboutsatan - Dawn

Listen / Purchase: https://lnk.to/oldcapital

The Old Capital (out on Lost Tribe Sound) is the debut album from Melbourne composers Claire Deak and Tony Dupé. The album is their first recorded collaboration, though Dupé has released two solo albums under the name Saddleback. 

The duo describes themselves as a home orchestra well-suited for late night rambling. Much like traveling in the dark of night, the sound explorations found throughout The Old Capital come into view seemingly out of nowhere. Headstrong rhythms of shuffling organic debris and lumbering stomps help light the path with some brief success, only to be swallowed up by a slow moving fog of droning organs and dampened strings. However with the proper guides, finding ones footing in this shadowy landscape doesn't have to be difficult. Claire and Tony echo this sentiment throughout with a fine balance of both playful and haunting passages. Their confidence reassures us that once our eyes adjust to the dark, it need not be a frightening place. 

A wide variety of acoustic instrumentation weave their way into the music, including: pianos, accordion, harp, harpsichord, pump organs, pipe organ, recorder, flute, trumpet, euphonium, clarinets, stroh violin, viola, wulf fidel, cello, double bass, guitar, charango, mandolin, baritone ukulele, banjo, xylophone, glockenspiel, gamelan, drums and voices. 

Lost Tribe Sound feels incredibly lucky to have stumbled upon the duo's music because of a kind tip from the good folks at the Preserved Sound label. It makes perfect sense that Claire and Tony hail from Australia. This location has turned out many our favorite electroacoustic acts, known for cobbling genres together in ways that leave just enough of the roughhewn framework showing. Comparatively speaking, Brambles, Part Timer, and Thomas William Hill (aka Origamibiro) come to mind.

The Old Capital

From a Rooftop

Claire Deak & Tony Dupé - From a Rooftop (from The Old Capital)

Mirna Stanic aka M. Rider is a singer, songwriter, producer and multi-instrumentalist. A Zagreb native, she received her first international critical acclaim as a singer-songwriter upon moving to Brighton, UK. In 2012 , she signed a publishing deal with Fat Cat Records, which was followed by BBC Radio 6 and BBC Sussex airplay. Two years later she relocated to Berlin, Germany, where she is based since. 
In 2017 Mirna released “Dark Horse”, her debut EP as M.Rider co-produced by David Kosten (Bat For Lashes) with percussion by Jason Cooper (The Cure). For her first LP as M.Rider, which is currently in the making, she has collaborated with Vincent Taurelle (Air), Earl Harvin (Air, Tindersticks), Neil Fraser (Tindersticks), Lucy Wilkins (Bryan Ferry, Tindersticks), Leo Abrahams and Franz Kirmann.
Taking cues from 1980s pop-rock and 1990s downtempo and house, M.Rider’s music is emotional, kaleidoscopic and distinct. Her latest detour into dance music is expected to yield a dancefloor-ready album, due for release in Spring 2024.

Dark Horse

M. Rider

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