This is the Discography from Mr. Tophat.
It's everything from his first released work on his own imprint Junk Yard Connections to his latest works on Smalltown Supersound and Music For Freaks.

The mostly of the music were created together with his former colleague Art Alfie which they released on their mutual record label Karlovak Recordings.
They quit their collective collaboration in January 2015 and work nowadays on their own solo stuff but are still good friends.

The mostly of the music in this playlist were only released on vinyl-media in very limited editions, the list goes in chronological order (starts with the newest to the oldest).

Released music created and reworked by Mr. Tophat from 2010 (his debut) until today.

Mendez deep shit

https://www.beatport.com/release/caddo/1989419
https://soundcloud.com/kora-musique
https://soundcloud.com/nicfalardeau
https://soundcloud.com/powel

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Kora - Caddo EP

Kora & Nic Falardeau - Wahiba (Powel Remix)

The remix was nominated to one of the years best tracks in the National Swedish Radio P3, Musikguiden i P3 2016.

The Swedish monolog in the track is Mr. Tophat himself talking. The track was created during the late summer/ fall  in September at Gotland 2015.

Adam Strömstedt & Flord - Shakshuka (Mr. Tophat's BLU Remix) (2016)

Was originally created by Mr. Tophat & Art Alfie 2014.
Released on Howl January 2017.

Official release notes:

"Howl in full effect, timeless Various tracks from their artists, An homage to the raw original house music slamming, old school vibes"

Mr. Tophat & Art Alfie - Disco Got You (2017)

Official release note:

"He’s back in the kitchen… After a summer of endless touring, Madrid-based Garcia has returned to his flavour
lab to cook up a whole new wealth of grooves and the future is looking tasty.
Last spotted on Pets in 2013 - and since serving up styles on some of the most respected labels in techno –
Pokerflat, Freerange, Darkroom, Perspectiv and Supplement Facts - Garcia provides two quintessential winter
warmers. ‘I Never Knew’ chugs with a full bodied dynamic that’s nicely reminiscent of Yoshitoshi 15-20 years
ago as molten machines create a funk that wraps itself around the short-but-perfectly formed humanised
sample.
“Trimmer” lives up to its name with his signature Hypnotic Vibes less-is-more flow. A precision-chiselled groove
that spirals deeper and deeper into itself, it comprises nothing but a bubblesome bass lick, sturdy kicks, subtle
FX and an undulating synth line that ripples almost majestically. A serious DJ tool for those who like their
understated blends to suddenly catch you by surprise, this is the epitome of restrained.
Speaking of surprise, just on Mr Tophat’s remix of ‘I Never Knew’. Closing the show with a true switch-flipper,
the second you think you have the remix and its slinky Brett Johnson/Classis Music style groove locked down
Simon Garcia - Trimmer EP (Mr Tophat Remix)
BOOM… In come those organs and a whole heap more. Nine minutes of heaven – you won’t be trimming this
one down in a hurry. You won’t be trimming any of them. Enjoy…"

Simon Garcia - I Never Knew (Mr. Tophat Remix) (2017)

Official release note:

"It’s a match made in dancefloor heaven: Swedish house maestro Mr. Tophat and pop phenom Robyn have come together for Trust Me, a three-tracker of dark disco and luscious grooves that only an inspired pairing such as this could conceive of. With each track going well beyond the nine-minute marker, Trust Me is the artistic culmination of two artists joining together in the studio and putting pure inspiration to tape, resulting in some of the loosest and most intriguing music either has made in their careers. 

Although Robyn and Mr. Tophat have known each other personally for nearly a decade, the first time they professionally crossed paths was last year, when the latter contributed a few remixes of material from Robyn’s EP with La Bagatelle Magique, Love Is Free. “I wasn’t making my own music at the time, so he forced his way into my studio and said, ‘We’re going to make music now,’” Robyn recalls the beginnings of the pair’s creative process. “It was really nice for me to be submerged into his world and lose myself in something that wasn’t my own.”

Trust Me is certainly situated in Mr. Tophat’s world. The Stockholm-based Junk Yard Connections owner and Karlovak co-founder has spent most of this decade releasing a brilliant stretch of side-long singles with production pal Art Alfie. Those singles’ dense, lovingly handcrafted club vibes are perfectly realized on this EP, with some subtle tweaks to the winning formula—a rich intricacy embedded within a deeper-than-deep sound perfect for peak-hour dancing and 3 AM comedown communions alike. 

The EP also represents a logical progression for Robyn, calling back both to Love Is Free’s dancefloor abandon and the darkly shaded electro-pop of her 2014 collab with Röyksopp, Do It Again. The title track and “Right Time” shuffle and slither with a jet-black slickness as Robyn toasts and intones over the rhythms, while closing cut “Disco Davato” provides an effervescent finale, with zipping samples and crisp hi-hats providing plenty of upwards propulsion. 

Joining Robyn and Mr. Tophat in the studio was Abba’s original drummer, Per Lindvall, who the latter met through a friend at National Swedish Radio. Lindvall lends Trust Me’s tracks a crisp, live feel amidst its sample-based confines—as does bassist (and Per’s brother) David Lindvall, who previously contributed on sessions for Love Is Free. “He can do anything,” Robyn gushes on Lindvall’s contributions.

These contributions only serve to strengthen Trust Me’s disco bonafides, as does Robyn and Mr. Tophat’s appreciation of the genre. “House music is something I’ve been listening to since I was 14,” Mr. Tophat wistfully remembers. “The house songs I like most is house that’s clearly sample-based in disco. That’s the house music that’s really attracted me. For me, it came really natural to discover what’s behind these samples.” “You can hear disco in all club music,” Robyn continues. “It’s the base of so much music that we listen to, and it’s one of the most influential music styles ever. You can hear it everywhere. Disco’s always been in my world.”

And disco will continue to be in her world, as Trust Me far from represents the end of Robyn and Mr. Tophat’s partnership. “We both have ideas of what we can do,” Mr. Tophat says on the pair’s continued work on new material. “There’s a lot of unopened doors.” For now, we can be thankful that they’ve opened us up to their sleek, lovely world on Trust Me—a collection of pure club music, streaked equally with mystery and unbridled ecstasy."

Mr. Tophat feat. Robyn - Trust Me (Original) (2017)

Mr. Tophat - Disco Davato (Original) (2017)

AMB1801 - Albrecht La'Brooy - Tidal River 
Released 02/02/18 - http://smarturl.it/tidal_river

A1. Daybreak
A2. View from the Peak
A3. Tidal River
B1. Sealers Cove
B2. Darby Saddle
B3. Last Light

Apollo presents a sublime mini album from Melbourne duo Albrecht La’Brooy AKA Sean La'Brooy and Alex Albrecht which will appeal to fans of Suzanne Kraft, Tornado Wallace and Dawn Of Midi.

The release is inspired by a visit to the beautiful Wilson's Promontory, a remote national park on the South East coast of Australia. The tracklisting runs from morning through to nightime and tries to capture the feeling of each snapshot in time. 

Their music is a delicate fusion of ambient electronic textures, live instrumentation and field recordings - gauzy guitar melodies, dreamy synth arpeggios and throbbing rthymic pulses that feels equally at home in outdoor amphitheatres as well as dark nightclubs

Alternating between their cosmic/balearic deep house and more laid back introspections, Tidal River's gorgeously lush sounds are remarkably consistent - rich, warm and organic with an emphasis on atmosphere and the transportation of the listener. Each track was the fruit of Albrecht La’Brooy’s long improvised jamming process 

Heavily involved in their local scene, the duo co-run the Analogue Attic imprint, "Championing this gentler side of electronic music in Australia” which has proven a fertile incubator for their own development, across a series of ambitious and ear catching EPS, alongside local cohorts such as Sleep D, Rings Around Saturn and Udmo. This involvement also extends to including local players on their recording sessions as well as their cosmic live shows. The Tidal River album includes a quartet of jazz musicians including label-mate Matthew Hayes on bass guitar, guitarist Oliver Paterson, Spanish Cajon courtesy of Joseph Batrouney and night time saxophone debut by Josh Kelly. 

With the stunning Tidal River forthcoming on Apollo 2018 looks set to be a very bright year for Albrecht La’Brooy

Albrecht La'Brooy - Tidal River (clips)

Ahead of his debut EP with us, Quatri stepped up and delivered an unforgettable remix of Bird Noire - Circles. Rich in texture and organic melodies yet juxtaposed with gliding synths, this remix does an incredible job of mirroring the cinematic and epic nature of the original. Bird Noire 101 Remixed will be released 05.03.2018 and features remixes from Sam Goku, Arude, Padre, Felix Wittich and Just Her. 

Listen on Spotify - tinyurl.com/y847xwoc
Follow @quatrimusic
Artwork by Katie Holloway

101 Remixed

Bird Noire - Circles (Quatri Remix)

Krisz Deak & Ohmikron-lowdown

Hedonism M.C. Robyn

MR. TOPHAT

Born in Sweden in 1990, Rudolf Nordström—better known as Mr. Tophat—has long been a defining force in Stockholm’s electronic music underground. A producer, DJ, and sonic architect, his deep passion for dance music has driven him to create hypnotic, genre-blurring productions that transcend traditional club sounds.

With a history of curating unique musical experiences, Mr. Tophat co-founded the revered Karlovak label with Art Alfie in 2011, a platform for house music built for nights that defy endings. He also helms Junk Yard Connections, established in 2008, a label known for its strictly limited, no repress approach—making each release a sought-after collector’s item.

His solo work has garnered critical acclaim, with both of his solo albums receiving Grammy nominations, a testament to his ability to push the boundaries of electronic music while maintaining a deeply personal and innovative sound. Following the release of "This Is Pop" (PIAS x Twilight Enterprise), he continues to explore new sonic territories, with upcoming music on Karlovak and a highly anticipated new album with Axel Boman, blending dancefloor euphoria with avant-garde textures.

His collaborations span both the mainstream and the underground, having worked with Robyn, Kleerup, XOV, Lune, and Jelly Crystal, among others. He has been spotlighted by major global media outlets, including MTV, New York Times, Entertainment Weekly, Billboard, and Pitchfork, further cementing his status as a forward-thinking artist with a broad cultural impact.

On stage, Mr. Tophat continues to appear at some of the world’s most intriguing venues and festivals—sometimes in grandiose settings, other times in shadowy, elusive late-night sanctuaries. Whether behind the decks or orchestrating immersive live performances, he remains an unpredictable and compelling force in electronic music.

Booking:
hugo@bigwednesday.se