http://marokmp3.com/

https://www.facebook.com/hbabelghiwanepage?ref=hl



Derived from the Latin “Ultimae Terrae,” meaning “the furthest places,” the name Ultimae reflects a profound theme of exploration. This concept is at the heart of Ultimae Records, an ambient music record label and publisher dedicated to transporting listeners to the outer edges of experience through sound and offering a space for introspection and discovery within the vastness of the mind and beyond.

In 1999, Vincent Villuis and Sandrine Gryson, also known as AES Dana and Mahiane, united over a shared passion for the immersive world of electronic music. This collaboration led to the birth of the label. Initially envisioned as a musical portal, Ultimae’s mission was to explore and disseminate the diverse expressions of Ambient music far and wide through the production of records and the establishment of an online shop.

Over the years, Ultimae has expanded beyond its original scope, evolving into a multifaceted company with sound design, post-production, and mastering studios based in Lyon, France, along with professional services in publishing, music licensing, and synchronization.

Mettez vos oreilles en effervescence !
Voila 35 ans que, depuis Arles, Phonurgia Nova défend la création sonore, édite les classiques de la radio d'art (Welles, Schaeffer, Thibaudeau,  Paranthoën, Farabet, Mortley), publie des ouvrages de pédagogie et forme de jeunes auteurs désireux de s’engager dans une relation créative avec le sonore. C’est dans la suite logique de cette démarche que s’est ouvert en 2007 le Département d’Art Sonore et la "Chambre d'écoute" du musée Réattu d’Arles. Leur ambition est de   faire reconnaître l'audio-graphie (et toutes les formes qui dérivent de l'enregistrement), comme un art, à l’égal de la sculpture ou la peinture. 
Avec obstination, Phonurgia Nova s'efforce d’offrir aux créateurs et professionnels du son des espaces à leur écoute et à leur (dé)mesure.
Chaque année des Prix Phonurgia Nova récompensent des créateurs qui explorent l'écoute comme moyen d'activer l'imaginaire.
Les productions finalistes sont départagées par un jury international délibérant en présence du public, selon un processus maintenant bien rodé.  Pendant des journées denses, il s'agit d'écouter,  de comparer, de discuter, puis d'élire des lauréats ! La prime va à l’éloquence sonore. On en trouve des exemples ici-même ainsi que sur www.sonosphere.org
Toujours dans une logique de transmission, nous basculons par étapes notre sonothèque sur la plateforme Soundcloud. Une démarche qui s’inscrit dans un projet plus vaste portant sur la numérisation progressive et la mise à disposition du public et des chercheurs de la totalité de nos archives audio et audio-visuelles.

| NA Bookings: corey.pfaff@subdotmission.com
| EU Bookings: james@earth-agency.com / lauren@earth-agency.com
| AU Bookings: contact@outhereagency.com
| NZ Bookings: ruben@tyan.haus
| Inquiries: ternionsound@gmail.com

The trio known as Ternion Sound was born out of the Infrasound Music Festival in 2016 when producers Andrew, Aric, and Jack joined forces for an impromptu set on the Beach Stage. Their chemistry was infectious, and immediately obvious. When the three reconvened at a shared studio in Minneapolis, MN it was clear their bond was meant for more than just one festival set. The trio began producing together with the goal of respecting the UK sound, while simultaneously implementing their own production styles.

Ternion Sound embodies sound system culture. From the music they produce, to the live sets they DJ, to the intentionality they deliver, to the community they continue to develop in Minneapolis which then spreads to the rest of the World. The group is known for being at the forefront of sound design capability, which can be heard in each and every release. They also believe music education is of the utmost importance, as it has played such an integral role in their own growth. 

Since the group’s first live appearance in 2016, they’ve been able to captivate the international dubstep community with releases on Duploc, Artikal, Chestplate, Deep Dark & Dangerous, Next Level, 1985, and Gourmet Beats. Their music has been supported by scene heavyweights such as Digital Mystikz, Mala, Truth, Caspa, Youngsta, Joker, D Double E, Distance, J:Kenzo, Bukez Finezt, Joe Nice, and many more. During 2019 the group went on its first international tour playing at Outlook Festival plus 8 shows in the UK, Netherlands, France, and Austria combined.

Since returning to the dance floor in the post pandemic era, the group quickly picked back up where they left off, resuming their heavy touring schedule across every corner of the North American territory. 2022 also included a brief return to Europe after having the privilege of bringing the underground sound to Asia, kicking off the international stretch in Tokyo.  Aiming to continue to pour gas on the 2022 fire, the crew spent the first 4 months of 2023 out on the road providing direct support to Yheti on nearly 40 ‘Knew Sound Tour’ stops.  Following the conclusion of the tour in May, the three have been enjoying some down time supplemented by Summer festival appearances at The Untz, Forbidden Kingdom, Sonic Bloom, and of course Infrasound. The Infrasound set, which was captured from an astonishing 14 camera angles including aerial drone footage, is now available to relive on the group’s YouTube channel. Aside from continuing to crush seasonal self-designed merchandise runs, the guys have been working tirelessly to level up innovative new ways of capturing their performances in order to deliver the visceral Ternion Sound live experience to fans in the comfort of their own homes.

Astonishingly, the first half of 2023 was only the appetizer for the remainder of the year.  The trio unveiled their long-awaited collaboration with Bukez Finezt, The Return – the first release of 2023 and one of four tracks off a brand-new collaborative EP out on Deadbeats in July.  As for the Fall and Winter of this year, the trio are putting the finishing touches on an exclusive concept tour featuring a beloved co-headliner that aims to emphasize three core values for attendees: sound, experience, and atmosphere.  For fans yearning for more new music, fear not; there’s plenty more on the way: it may or may not be coming all at once, in extended form and marks an anxiously awaited first for Ternion Sound.

The Unfinished is me, Matt Bowdler. I am a composer and sound designer, producing synth soundsets and sample libraries - both commercial and bespoke.

My sounds can be heard in Hollywood feature films, hit US and UK television shows and also AAA game scores. If you are interested in using my sound design services, please get in touch.

Here you can listen to demo tracks for my products, little sound design experiments and a whole bunch of other stuff. If you are interested in my composing, please check out my other account at soundcloud.com/matt-bowdler-music

ZOUHAL, un GROUPE touche à tout et polyglotte, au coeur ouvert sur le monde.
Un pont tendu entre les ancrages les plus traditionnels et les sommets de la musique électro.
Une nouvelle musique-monde, fusion de tous nos rêves contemporains, 
electro-gnawa, concrete-Maghreb,  dés-orientale, de la pure local !
une musique qui s’autodétermine librement dans la ronde-haidous de l’humanité.
Oscillos vibrants, filtres délirants, bruitages naturels, saxophone...

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