p*dis sampler 2018.04

flat

Dream

music&tea

tywerk

Sorry for the 'not-HD' quality, it seems that the Soundcloud's transcoding system reduced the quality of the song.
 -K.T.Y.L. team

K.T.Y.L. Acoustic COMING SOON
K.T.Y.L. = a Single from #Changes
Follow our Twitter: @nadhiftanso @kylaputri @rickyfadhli_

LYRICS:
The day was running down, the sunlight went out
We just got back for some nights, and then we fought
Today I found that we're getting further
All I can say that things are not better

REFF:
Knowing that you're lonely is a big mistake
I couldn't even recognize your smile is fake
Knowing that you're lonely is a big regret
I'm feeling that I was stabbed by a fire blade

Knowing that you're lonely is a big mistake
That I couldn't even tell you how its risk to take
Knowing that you're lonely is a big regret
That I never realize I just lost my faith

RAP RICKY:
Yo, this is Ricky, this guy texted me through HP
While I was playin' Flappy and I didn't beat my highscore, buddy

He told that his girl lonely, well that was pretty crazy
But 'cause you're kinda friendly, so the answer's pretty easy

Her loneliness, tastes like bitterness, it'll make you kinda careless
and drives you into madness, makin' this problem to be endless

So, "Knowin' that You're Lonely" is not a big problem for me
This is Ricky Fadhli, I'm out, peace baby!

Oooh, what a big mistake I did to you
Oooh, such a big regret I'm like a fool 
*PYRAMITE*

Produced by: Nadhif Adristia
Written by: Nadhif Adristia & Ricky Fadhli

Special Thanks to our K.T.Y.L. Team & Promoters: 
Kyla Putri and Ricky Fadhli as the Vocalist
Alexis Tyrell and Hilal Pradana as the Official K.T.Y.L. Promoters
Also everyone who participated at Promoting and Voting :-)

All rights Reserved

#Changes

K.T.Y.L. featuring Kyla Putri & Ricky Fadhli #CHANGES

OUT NOW

Arcadia

taken from the album 'Tokyo'
cello by Danny Norbury @danny-norbury

http://www.flau.jp/releases/43.html
http://flau.bandcamp.com/album/tokyo

Machinone - Juha

Stream @ Spotify: spoti.fi/1LLJa0w
Buy @ iTunes: apple.co/1BA54dY
___

Yumi Zouma now returns with their anticipated second EP, bookending their era of intimate and restrained short-form releases. The new tracks are just as effortless and engaging as expected, but they also tell the story of a band evolving. Lush, electronic productions buoy key tracks and the vocal deliveries are increasingly sophisticated.
___

Cascine on FB: on.fb.me/1jAp5ZG
Yumi Zouma on FB: on.fb.me/1RWozre

Yumi Zouma - Alena

Debut album "Little Mourning" now available
http://smarturl.it/LittleMourning (digital/cd/vinyl)

http://milkandbone.mu

Pressure

Visit our site! 
http://www.noosasounds.com

Donate to help provide children with education: 
https://www.cadenceandcause.com/artist/noosa

Written and Produced by: @NoosaMusic, @LyonHartMusic, @MickeyValenMusic

Lyrics:
Do I see you louder than the rest of them?
You get the best of them
In my indecision it's still both of us
I might as well be in love

I could tread familiar waters
or search the stranger seas
Either way,
I might as well be in love

Daylight breaks through and the tide goes too
I can see the road this time to be beside you
If I wait too long will you hear my song
Would you mind for me to build my home beside you?
 
Found you in the blue light, waist high
Colors beyond our eyes
Something in the way you glow
Halo
Blue light, waist high
Stay with me twilight
We can make it through the night

I'm a night hawk watcher
Would you be so brave
Come out of my periphery, everything you show to me
I love it all

Daylight breaks through and the tide goes too
I can see the road this time to be beside you
If I wait too long will you hear my song
Would you mind for me to build my home beside you?

Found you in the blue light, waist high
Colors beyond our eyes
Something in the way you glow
Halo
Blue light, waist high
Stay with me twilight
We can make it through the night.

She loves to love, he loves to watch her
She loves to love he loves to watch her fly

Found you in the blue light, waist high
Colors beyond our eyes
Something in the way you glow
Halo
Blue light, waist high
Stay with me twilight
We can make it through the night.





Download

Halo

Official remix for Gallant's 'Weight In Gold'. Out soon via Mind of a Genius.

@Gallant
facebook.com/sogallant
twitter.com/sogallant
instagram.com/sogallant

facebook.com/takugotbeats
twitter.com/takubeats
instagram.com/takubeats



Gallant - Weight In Gold (Ta-ku Remix)

from 2nd album "farcus" (2007)

produced by Yuri Miyauchi
guitar : Ken Tanaka

lemo_

from 3rd album "toparch" (2010)

word : Julia Guther
music : Julia Guther & Yuri Miyauchi

produced by Yuri Miyauchi
vocal : Julia Guther

To Be In On This (Feat. Julia Guther)

from 3rd album "toparch" (2010)

produced by Yuri Miyauchi


ael_

from 4th album "ワーキングホリデー" (2011)

produced by Yuri Miyauchi

unoi_

from 5th album "トーンアフタートーン" (2012)

produced by Yuri Miyauchi
electric guitar : Keigo Oyamada (CORNELIUS)

toaf_

I hope to be a great experience for you.

thanks listen.

rerail

Limited 12": smarturl.it/MariaUsbeckVinyl
Spotify: smarturl.it/MariaUsbeckSpotify
Apple: smarturl.it/AmparoApple
___

Maria Usbeck's solo debut, Amparo, is a collection of songs written and recorded across the span of three years in Ecuador, Buenos Aires, Santiago, Barcelona, Lisbon, Easter Island, Costa Rica, Florida, L.A. and her home in Brooklyn. Though the songs were composed electronically, Amparo called for an acoustic treatment, so Usbeck spent a winter in the studio recording the arrangements live with producer Caroline Polachek and mixer & engineer Miles Benjamin Anthony Robinson. Fleshed out in full sonic color on the marimba, xylophone, quena flute, piano, and harp, the album stretched into something hi-fi and expressive, meditative but not meandering.

Amparo stems from Usbeck's desire to compose in Spanish, her native language. Growing up in Quito, Usbeck was immersed in salsa, merengue, bachata, and Andean music, but was more attracted to German and American culture than to her own, and moved to America by herself at 17. After five years of fronting new wave outfit Selebrities and writing songs in English, Usbeck experienced a delayed-onset homesickness and knew it was time to "let the mother tongue speak." The impulse manifested itself directly: Amparo takes its title from Usbeck's middle name and her mother's name, and translates roughly as "to guide, protect, and embrace." Usbeck wields her Spanish lyrics cleverly while folding in snippets of several other far-flung tongues: Rapa Nui from Easter Island, Quichua from Ecuador, Bribri from Costa Rica, and Catalan. Because these lyrics were composed while visiting the countries from which they originate, their usage is more impressionistic than literal, like a mockingbird imitating fragments of other bird calls. Similarly, Usbeck reinterprets the Ecuadorian music that she grew up with as a newcomer, returning home with fresh ears, and as such the sounds are very much her own.

The backbone of Amparo is percussion, vibrating throughout with timbales, tumbas, a talking drum, bongos, shakers, and an Indian flat drum, with the gaps filled in by her field recordings of birds, beaches, and jungles. The songs were written and recorded chronologically, with the exception of the closing track, a cover of Colourbox’s “Tarantula” reimagined in Usbeck’s Spanish translation. Amparo is a reflection of the textures of Usbeck's childhood. It is also a distinctly grown-up pop record – a travel diary, music made by a visiting outsider to tap into a shared core of human expression. Emotively, Usbeck is her most powerful on piano ballads "Uno De Tus Ojos" and "Jungla Inquieta," but is a magnetic narrator throughout, moving between whispers, chants, and lullabies. Amparo pulses with many stories in many voices, but they flow together seamlessly like water, leaving behind a wordless hum.

Amparo is released May 27 via Cascine in North America, Labrador in Euope and Rallye in Japan.
___

Cascine on FB: bit.ly/1QTpyHQ

Maria Usbeck - Jungla Inquieta

Esto 

1. Pray
2. Divisive
3. Thirst
4. Fanatical
5. Esto
6. Doom
7. Sun
8. Derivation
9. Waste
10. Down The Drain
11. They Know

http://honestjons.com/shop/artist/Ryo_Murakami/release/Esto

Ryo Murakami | Esto(excerpts)

Picture of you

'roses' is a funeral piece dedicated to my friend’s mother who died from cancer. The ostinato, the repeating single note in the intro, represents her beating heart, and the tumour's presence, sometimes forgotten but still spreading. How do ill people find peace, if they do at all? "roses" is a journey of someone's musical memories, wandering from pop to classical remembrances, concluding on nostalgic harmony. - Jean-Michel Blais (01/25/18)

c‘est une pièce funéraire dédiée à la mère d’une amie qui est décédée d'un cancer.  L’ostinato, la note répétée de l’intro symbolise le battement de son cœur ainsi que la tumeur inquiétante, parfois oubliée, mais toujours présente. Comment les gens malades trouvent-ils la paix, si jamais ils le peuvent? roses est ma tentative de refléter les souvenirs musicaux de quelqu'un, passant de la pop aux souvenirs classiques et se concluant sur l'harmonie nostalgique. - Jean-Michel Blais (01/25/18)

http://jeanmichelblais.com

roses - Single

Jean-Michel Blais "roses"

From the debut album 'Welcome To This World' by MABUTA 
Out now on all digital platforms.
Featuring: 
Shane Cooper - basses, synths, guitars
Bokani Dyer - Rhodes
Marlon Witbooi - drums
Sisonke Xonti - tenor sax
Robin Fassie-Kock - trumpet
Artwork by Rajni Perera

Welcome To This World

New Album
Tia Rungray - MindgEsso
Release Date: 2018-04-29
Price: ¥2,800 + TAX (CD)
Buy CD: https://www.amazon.co.jp/MindgEsso-Tia-Rungray/dp/B07C9PQQR2
Digital: https://itunes.apple.com/jp/album/mindgesso/1367306296

1. Awake
2. No One Accepts Me
3. “Alpha” for Finale
4. Outlines of Distant Memories
5. Rain after Smells Like You
6. Colors in Your Mind
7. p4r1y4
8. What Color?
9. Silent
10. Dancing Fly in My Head
11. Night Carnival
12. Dusk of Forest (In the Mists Mix)
13. Nameless Blooming on the Road
14. Your Temperature
15. My Lost Left Lung

Recording, Mixing, Mastering
Takayuki Noami (Non-REM Records)

Cover Painting
Katsumi Noami

Title Logo & Typography
Tomoaki Ito (nostos)

MindgEsso

MindgEsso (Digest)

‘blind’ is a reflection about human limitations. Interviewed about agnosticism, David Attenborough brilliantly stresses the point whether we’re missing senses to perceive and understand the world around us - what a pretension it would be! Built as a subtle transition from acoustic to electronic, the piece blends genres, deconstructs categories, pushes back boundaries alongside a spectrum reflecting human’s potential to self-transcendence. Might we be blind at night, at least we aren’t deaf.

'blind' est une réflexion sur les limitations humaines. Un jour interviewé à propos de l'agnosticisme, David Attenborough s'interrogeait à savoir si nous possédions tous les sens nécessaires pour percevoir et comprendre le monde qui nous entoure - quelle prétention ce serait d’y croire! Construite en subtile transition de l'acoustique vers l'électronique, la pièce métisse les genres, déconstruit les catégories, repousse les limites en proposant un spectre reflétant le potentiel humain à l'autotranscendance. Bien qu'aveugles la nuit, au moins ne sommes-nous point sourds.

jeanmichelblais.com

Dans ma main

Jean-Michel Blais "blind"

Tracklist:
01. EVENFALL
02. OBSCURE DUSK
03. SINUSOIDAL PIRR
04. SOLEMN SOLACE
05. NIGHTFALL
06. INTERMISSION I : HÆTU
07. ETHEREAL COSMOS (ft. Okamotonoriaki, Kent Lee)
08. ANDROMEDIDS
09. COSMIC INFLATION (ft. Flica)
10. INTERMISSION II : ARÊTE
11. DAWNFALL

EVERY SINGLE DAY, OUR LIVES REVOLVES AROUND A SPIRAL OF SYSTEMATICAL LOOPS OF ACTIVITIES THAT SEEMS TO STATE OUR EXISTENCE IN THIS EARTH. THE MUNDANE DAYS AND ROUTINES THAT WE ENDURE AWAITS THE ARRIVAL OF THE WEEKENDS, WHERE WE SEEK COMFORT AND REST. THE CYCLE REPEATS TO FULFIL ONE GOAL AFTER ANOTHER, WHICH WILL LAST THROUGHOUT THE YEAR. WE CONSTANTLY SEEK FOR LOVE, FILLING THE EMPTINESS INSIDE WHENEVER IT COLLIDES WITH SOLITUDE. IN THIS DAY AND AGE, IT IS INEVITABLE THAT SOCIAL MEDIA AND MATERIALISM HAS OFTEN PLAYED A PART IN THIS FACADE TO SHELTER OURSELVES FROM THE ABYSS OF THE INSECURITIES SCREAMING FROM WITHIN. AMONG ALL OF THESE CATASTROPHIC SELF-SEARCHING EVENTS, YET IRONICALLY AT TIMES A BLESSING IN DISGUISE, WE FIND OURSELVES SEEKING FOR SOLACE

And like anyone of us, a Korean born musician, Dae Kim fnds his comfort in his frst LP, entitled Solace. In the midst of his soul-searching voyage, it has occurred to Dae that there is no other way to fnd comfort in life than fulflling one’s mandate, which in this case for him is by making music. Just like the mechanism of nature in this earth, every element took place to serve its core purpose. Hence, throughout this album, Dae was able to portray his perspective of this expedition through a soundscape of the living world. The three main themes entitled “Evenfall”, “Nightfall” and “Dawnfall” acts as a mould to the album with it’s looping melody lines and thematic structure.

Working for more than two years for his album, Dae Kim has took the approach of combining acoustic instruments from rhodes, piano, guitars, accordion to analogue synthesisers and turntables to create sounds of many colours. After spending countless nights in his bedroom drafting from one melody line to an ensemble track, he was fearless in trying new sounds and arrangements. With a mixture of electronica, ambient and acoustic, he was able to create songs that carries strong messages with a heartfelt innocence. As you could find the profound usage of these instruments throughout the album, it is hard to deny that Dae’s core inspirations such as Vangelis, Ennio Moricone and A winged victory of the Sullen (just to name a few), has played a part in shaping the overall soundscape of this production.

Playing a signifcant part in bringing this album to its fruition, is a strong line-up of musician collaborators. Bassist Kent Lee has showed his ability as a versatile musician through songs like “Obscure Dusk”, “Solemn Solace” and “Hætu” which carries the weight of the album’s theme between its heartwarming bass lines. He also did an additional composition for the seventh track, providing the drive and thrust for the song. Besides that, renowned ambient/electonica musician, Flica added an eccentric touch to the track “Cosmic Inﬂation” with his overdrived keys and alluring melody lines. It is as though in the midst of these indentation, there is peace and calmness. Last but not least on the featured artist is the Japanese born composer, Okamotonoriaki. Through his simple and benign repetition of vocal and harmonies, Okamotonoriaki was able to bring forth a sense of resolution through his work on the track “Ethereal Cosmos”. The album was mastered by Chihei Hatakeyama from Tokyo, who brought the entire album to it’s life and fruition.

“Solace” is Dae Kim’s journey of fnding his comfort amongst his vagrancy and it has been a rewarding one thus far. In this 52 reminiscing minutes of music, it stands for something more for the listeners. A time to reﬂect or a moment of catharsis, it is Dae Kim’s biggest hope for everyone who stumble upon this album to fnd their own solace amidst the pandemonium of our generation.

Solace

mnc018

Solace / Dae Kim (album sample mix)

Taken from the new album 'Pieni'　flau.jp/releases/pieni/
Bandcamp     https://flau.bandcamp.com/album/pieni
取り扱い店　https://machinone.blogspot.com/2019/03/pieni-3-6.html

Leaf Boat

http://brian-eno.net
Small Craft On A Milk Sea album released: 2 Nov 2010 (15 Nov 2010 in the UK)

Small Craft On A Milk Sea

Emerald and Stone

Brian Eno with Jon Hopkins & Leo Abrahams - Emerald and Stone (taken from Small Craft On A Milk Sea)

mü-nest, where our daily music nests.
[ mü-nest（ミューネスト）が丁寧に作り上げたストレス解消プレイリスト。「聴く」をクリックして自宅で快適な音楽空間を作ろう。Check out our popular Spotify playlist 𝗠𝗨𝗦𝗜𝗖 𝗙𝗢𝗥 𝗛𝗢𝗠𝗘: https://urlgeni.us/spotify/musicforhome ]

Solace / Dae Kim (album sample mix)

mu-nest