https://machinone.bandcamp.com/album/parasol-boat

主に2006~2007年あたりに作った曲をまとめた作品でmachinoneを始める前に活動していたLow Parasolというポストロックバンドの影響もあり、エレキギターやベース、トイドラム、ピアニカも使用していて、これまでの発表した作品とは少し雰囲気の異なる感じもある。

Mainly a work that summarizes the songs made around 2006-2007, and was active before starting machinone
Due to the influence of a post-rock band called Low Parasol, electric guitars, basses, toy drums, etc.
I also use Pianica, and it feels a little different from the works I have released so far.
credits
released June 24, 2021

music by machinone

instrument by Guild Star fireⅢ sb, maxon franger, martin acoustic guitar, Toydrum, Pianica, Harmonica, Bass, Reed organ, banjo, maxon flanger,

Artwork by Daizo Kato

Fuori-B002

Parasol Boat3

Piano Diary (Klaviertagebuch) is the new piano solo album by Henning Schmiedt. Henning Schmiedt is a composer & pianist from Berlin. 
He grew up in former East Germany where working with art and music represented social freedom.
He played, arranged and produced for Mikis Theodorakis, a great Greek composer who passed away recently for many years.

During the pandemic, Henning started to do a ritual – every day, he recorded an instant composition on his upright piano, an acoustic piano diary / klaviertagebuch.
There were no 2nd takes, just a moment’s notice. Usually no longer than 3-4 minutes.
Since the piano is in his living room, the sounds from the street, passing cars, wind, and birds merge with the piano strings’ soft sound.

Henning developed some Instant Composing technics during the pandemic, musical algorithms, like slowly growing echoes. Sometimes his playing was like walking through an imaginary house, where the opening of a new door creates an unknown motive.

He could see his state of mind through the sound, and he felt connected to himself, like an inner dialogue. Since the lockdown was a time of limited communication, that internal dialogue became more critical.
But like in a real journal, when the thoughts and memories of the day become clearer through writing down, it felt that playing and recording the piano created order to issues and ideas.

Finally, he imagined playing for an audience, trying to connect to every single listener even from a distance, and to his surprise, it worked! He felt a genuinely remarkable and happy physical sensation, to experience connection through resonance.

Piano Diary is both: an inner dialogue and the result of a distant concert with his audience. When listening actively and conscious, every listener is sending back imagination, creating endless resonance and reflections. Becoming one through musical resonance is a state of mind that makes bliss for both the artist and the audience. And that is true even in times of physical isolation.

Henning Schmiedt - Midnight

◆A1. Seras verdad?: 0’00” //◆A2. Laura va: 0’32” //◆A3. Fui al rio : 1’04” //◆A4. Danza sin fin : 1’33” //◆A5. Hiroshi  : 2’09” //◆B1. Valsa [Bebel] : 2’41” //◆B2. Children's Playsong : 3’12” //◆B3. Children's Dance : 3’37” //◆B4. Preludio para una mariposa : 3’56” //◆B5. Andando. : 4’31” 
HP: www.resonancemusic.jp/
online store: www.rmusic.base.ec/

bar buenos aires

bar buenos aires essentials Vol.1 demo mixed by h.yoshimoto(bar buenos aires / resonance music)

Yearning

9 coffees

Midnight Sun

PEAK TO PEAK

happen

Tracklist:
01. EVENFALL
02. OBSCURE DUSK
03. SINUSOIDAL PIRR
04. SOLEMN SOLACE
05. NIGHTFALL
06. INTERMISSION I : HÆTU
07. ETHEREAL COSMOS (ft. Okamotonoriaki, Kent Lee)
08. ANDROMEDIDS
09. COSMIC INFLATION (ft. Flica)
10. INTERMISSION II : ARÊTE
11. DAWNFALL

EVERY SINGLE DAY, OUR LIVES REVOLVES AROUND A SPIRAL OF SYSTEMATICAL LOOPS OF ACTIVITIES THAT SEEMS TO STATE OUR EXISTENCE IN THIS EARTH. THE MUNDANE DAYS AND ROUTINES THAT WE ENDURE AWAITS THE ARRIVAL OF THE WEEKENDS, WHERE WE SEEK COMFORT AND REST. THE CYCLE REPEATS TO FULFIL ONE GOAL AFTER ANOTHER, WHICH WILL LAST THROUGHOUT THE YEAR. WE CONSTANTLY SEEK FOR LOVE, FILLING THE EMPTINESS INSIDE WHENEVER IT COLLIDES WITH SOLITUDE. IN THIS DAY AND AGE, IT IS INEVITABLE THAT SOCIAL MEDIA AND MATERIALISM HAS OFTEN PLAYED A PART IN THIS FACADE TO SHELTER OURSELVES FROM THE ABYSS OF THE INSECURITIES SCREAMING FROM WITHIN. AMONG ALL OF THESE CATASTROPHIC SELF-SEARCHING EVENTS, YET IRONICALLY AT TIMES A BLESSING IN DISGUISE, WE FIND OURSELVES SEEKING FOR SOLACE

And like anyone of us, a Korean born musician, Dae Kim fnds his comfort in his frst LP, entitled Solace. In the midst of his soul-searching voyage, it has occurred to Dae that there is no other way to fnd comfort in life than fulflling one’s mandate, which in this case for him is by making music. Just like the mechanism of nature in this earth, every element took place to serve its core purpose. Hence, throughout this album, Dae was able to portray his perspective of this expedition through a soundscape of the living world. The three main themes entitled “Evenfall”, “Nightfall” and “Dawnfall” acts as a mould to the album with it’s looping melody lines and thematic structure.

Working for more than two years for his album, Dae Kim has took the approach of combining acoustic instruments from rhodes, piano, guitars, accordion to analogue synthesisers and turntables to create sounds of many colours. After spending countless nights in his bedroom drafting from one melody line to an ensemble track, he was fearless in trying new sounds and arrangements. With a mixture of electronica, ambient and acoustic, he was able to create songs that carries strong messages with a heartfelt innocence. As you could find the profound usage of these instruments throughout the album, it is hard to deny that Dae’s core inspirations such as Vangelis, Ennio Moricone and A winged victory of the Sullen (just to name a few), has played a part in shaping the overall soundscape of this production.

Playing a signifcant part in bringing this album to its fruition, is a strong line-up of musician collaborators. Bassist Kent Lee has showed his ability as a versatile musician through songs like “Obscure Dusk”, “Solemn Solace” and “Hætu” which carries the weight of the album’s theme between its heartwarming bass lines. He also did an additional composition for the seventh track, providing the drive and thrust for the song. Besides that, renowned ambient/electonica musician, Flica added an eccentric touch to the track “Cosmic Inﬂation” with his overdrived keys and alluring melody lines. It is as though in the midst of these indentation, there is peace and calmness. Last but not least on the featured artist is the Japanese born composer, Okamotonoriaki. Through his simple and benign repetition of vocal and harmonies, Okamotonoriaki was able to bring forth a sense of resolution through his work on the track “Ethereal Cosmos”. The album was mastered by Chihei Hatakeyama from Tokyo, who brought the entire album to it’s life and fruition.

“Solace” is Dae Kim’s journey of fnding his comfort amongst his vagrancy and it has been a rewarding one thus far. In this 52 reminiscing minutes of music, it stands for something more for the listeners. A time to reﬂect or a moment of catharsis, it is Dae Kim’s biggest hope for everyone who stumble upon this album to fnd their own solace amidst the pandemonium of our generation.

Solace

mnc018

Solace / Dae Kim (album sample mix)

Concert - しぐさ ( sphontik remix )

This song is included in 4th album “monologue”. 
It has been released from Audiobulb UK on 24 APR 2019.

Vinyl format version available on QRATE.

monologue

Euphemisms

mü-nest, where our daily music nests.
[ mü-nest（ミューネスト）が丁寧に作り上げたストレス解消プレイリスト。「聴く」をクリックして自宅で快適な音楽空間を作ろう。Check out our popular Spotify playlist 𝗠𝗨𝗦𝗜𝗖 𝗙𝗢𝗥 𝗛𝗢𝗠𝗘: https://urlgeni.us/spotify/musicforhome ]

Solace / Dae Kim (album sample mix)

mu-nest