Just a bunch of missed campfire memories..

Music - Yasmine ElBakly
Vocal- Yasmine ElBakly

Camp Fire Spirits - أرواح المخيم

raw recording of Amy Winehouse - You Know that i'm no good.. raw recording, studio underground Amsterdam. 

You Know That Im No Good - (Male Cover)

2- Bladi | My Country (Studio Version) - Joujma

3- ‘Ala Hallet ‘Aini | As I Open My Eyes (Studio Version) – Joujma

Electro Btaihi est un projet à mi-chemin entre les musiques traditionnelles de Tunisie et la musique actuelle et underground.
C’est une création du violoniste Zied Zouari, née du besoin d’explorer de nouvelles sonorités pour la musique tunisienne.
Electro Btaihi mélange des grooves très "up-date" (Drum & Bass, le dup-step, Trap..) avec des rythmes traditionnels tunisiens (Btaihi, Bounawara) le tout au service de la polyrythmie indienne et parfois du Jazz.
Un projet au goût du jour où chants ancestraux et musiques actuelles se croisent sans limites et affichent une complicité rare.

Pour ce faire, Zied Zouari s'entoure de l'époustouflant Beatboxeur Twinlo et du redoutable guitariste électrique Ghassen Fendri, deux pilliers incontournables d'un trio hors pair.

Zarzis - Electro Btaihi

Download the full album here - 
https://mostakell.com/collections/all-releases/products/la-bombe

La Bombe - Defection
Composition - Khaled Soubeih

لا بومب - انشقاق
موسيقى: خالد صبيح

The band’s first album is titled “La Bombe”, also a title for the shows performed at Metro Al Madina which have received great feedback for over two years. This album’s most noticeable trait is the political and social satire present in almost every song. The album’s tracks address many aspects such as religious extremism, cultural, artistic and political disorder, and most importantly, hysteria within an entire nation. The music arrangements were done differently in this album, including instruments such as the violin, the Cello, the accordion and the tuba. The band began recording “La Bombe” in December 2015, after they got a grant from AFAC. Recording and mixing were done at One Hertz Studios under the supervision of sound engineer Jawad Chaaban. In 2015, the band performed in Jordan and proceeded to go on tour around Europe as part of the Beirut and Beyond Music Festival in 2017. All production was handled by Metro Al Madina.

یحمل الألبوم الأول للفرقة اسم "لا بومب"، وھو اسم سلسلة العروض التي أقامتھا الفرقة في العام 2014 في مترو المدینة، ولاقت إقبالاً واسعاً دفع إلى تمدیدھا بشكل مستمر على مدى عامین.
الحاضر الأكبر في "لابومب" ھي الأغاني السیاسیة والاجتماعیة التي تنتقد الواقع العربي القائم، بین الاستبداد السیاسي والتشدّد الدیني، وحالة الھستیریا التي تعیشھا بلدان المنطقة، والھذیان السیاسي والفنّي والثقافي.
وقد نفذت ھذه القطع في الألبوم بتوزیعات جدیدة، ودخلت علیھا آلات مختلفة مثل الكمانجات والتشیللو والأكوردیون والتوبا.

بدأ تسجیل الألبوم في كانون الأول/دیسمبر 2015 ، بعد حصول الفرقة على منحة من مؤسسة "آفاق"، وتمّ التسجیل والتولیف في استودیو "وان ھرتز" باشراف مھندس الصوت جواد شعبان. لعبت الفرقة البومھا الجدید في الأردن في آب 2015 وثمّ في سنة 2017 ، قامت الفرقة بجولة حول أوروبا بالاشتراك مع مھرجان BBIMF تولى مترو المدینة عملیات انتاج الألبوم والمساھمة في تمویل نفقات إضافیة لحسن انتاج العمل.

Album Credits:
Khaled Soubeih: Piano & Backing Vocals
Naim El Asmar: Vocals
Sandy Shamoun: Vocals
Imad Hashisho: Oud & Backing Vocals
Abed Kobaissy: Buzuq & Backing Vocals
Ali El Hout: Percussion & Backing Vocals

With the collaboration of Samah BoulMona: Accordeon
Mohammed Nahas: Qanun , Antoine Khalife Michel Khairallah, Michel El Murr, Anne-Claire Khoury: Violins, Anastasia El Murr: Cello.

Music Production: Khaled Soubeih.
Co-Produced by Metro Al Madina and The Great Departed.
Artistic Direction: Naim El Asmar.
Production Managment: Metro Al Madina
Recording and mixing: One Hertz Studios under the supervision of sound engineer Jawad Chaaban
Mastering Engineer: Khayam Allami 

Album Design: Ramy Al Asmar & George Tabatadze.
Logo Design: Hussien Majed.

Thanks:
AFAC, Hisham Jaber, Sarah Nohra, Ziad El Ahmadie, Rayan Majed, Haytham Chamas, Sirine El Asir

Stream or download the full album "La Bombe" through the following links: 
Anghami - https://play.anghami.com/album/4126844
Itunes - https://itunes.apple.com/us/album/la-...
Spotify - http://open.spotify.com/album/6iXy0GA...
Deezer - https://www.deezer.com/en/album/60873912
Bandcamp - https://alrahelalkabir.bandcamp.com/

La Bombe

Defection

Download Album حمّل

Defection - The Great Departed #LaBombe انشقاق - الراحل الكبير #لابومب

Interview recorded at KZSU 90.1 FM (Stanford University)on Feb 20, 2019
Info + pics + song listing at https://www.arabology.org/2019/03/zeidhamdan.html
Stanford Lecturer + Arabology Radio Host Dr. Ramzi Salti interviews Lebanese songwriter/singer Zeid Hamdan, the music producer behind some of the most successful bands on the Lebanese and regional alternative scene. 
This interview focuses on Zeid Hamdan's musical journey and includes rare song excerpts + a live session by Zeid Hamdan at KZSU 90.1 FM (Stanford University).  Interview also includes questions by Zalfa Rustom and Stanford student Jin Yun.
Throughout this interview, Zeid Hamdan reminisces about his experiences with such artists as Yasmine Hamdan + SoapKills (Arabic trip hop), The New Government (pop rock), Hiba Mansouri(Arabic trip hop), Kanjha Kora (Guineean Pop), Kazamada (Arabic electro pop), Maryam Saleh(Arabic electro pop), Dany Baladi(Arabic electro pop), Maii Waleed, Tamer Abu Ghazaleh, Marc Codsi, Mahmoud Radaideh (Jadal), Zeid and the Wings(New Arabic pop), #Melmo, and Khaled Mouzannar (Capernaum soundtrack).
He also discusses his arrest in July 2011 over a song deemed insulting to the Lebanese President where officials reportedly took exception to the lyrics: 'General go home'.
Zeid also discusses his collaboration with Khaled Mouzanar on the soundtrack of the Oscar nominated Lebanese film #Capernaum.
For more info on Zeid Hamdan see http://www.zeidhamdan.com/

Zeid Hamdan at Stanford University: Interview + Music + Live Session

Rachid Taha - Happy End

YUNIS seeks inspirations from the popular Egyptian folkloric heritage, which boasts many instruments, tools, and musical styles. He then reads and analyzes the musical legacy and presents it with the forms of his contemporary time. This is what is clearly shown in his first solo album, “The Blue Djinn dance", which released on 15 November via Kafr El-Dauwar Records.

With multiple influences of electronic music and contemporary Egyptian folk/wedding music, YUNIS tries through six original tracks to explore in the creative spaces afforded by the various shapes of the music of these popular weddings.

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Photo Credit: Fathi Hawas

Radyoon: YUNIS - The Blue Djinn Dance [Live Set] - 27th March 2020

This track was made during the Ghardaia events (Algeria) in 2015.

سلام ماعدنا نسكن فيه، سلام ما عاد يسكن فينا، سلام نراقبه وهو يحمل حقائبه ليهجر رويدا رويدا أراضينا '' © أنيس شوشان ''

Salam (Reached The Upload Limit, Listen on Spotify, Itunes, Bandcamp..)

All love and appreciation to the greats Ahmed Zaki and Mahmoud El-Meligy
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The music was made by me.
_Freedom for all prisoners of public opinion and freedoms.

Rachid Taha - Happy End

Muhammad Hamid

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