Collabs3000 '2025 EP': https://mute.ffm.to/collabs3000-2025ep
Collabs3000 'Metalism': https://mute.ffm.to/collabs3000-m20

World: javier@analog-a.com
North America: john@analog-a.com
Latin America: larissa@liminal.ag
Italy: alex.ravizza@vivoconcerti.com
MGMT: roland@rlcgmbh.com

Chris Liebing is synonymous with techno. His legacy is long assured, but his craft never stops evolving. Whether as label head, podcast curator, DJ or producer, he continues to challenge himself and his audience to explore new realms in the electronic world. And often ahead of the curve, too, from the early, hard-edged and loopy 90s sound which is back en vogue today, through his more stripped-back turn of the millennium minimalism and onto the cinematic atmospheres and broader alternative electronica of his latest albums on Mute. It's no stretch to say, then, that Chris Liebing's story is closely connected to the story of techno itself. 

Liebing is considered a global techno ambassador, but his ambitious album projects and direct club tracks excite and innovate as much as any new school star. A proudly forward-thinking attitude ensures that is the case as his DJ tools and studio setup constantly evolve. He continues to be an early adopter of emerging technology, too, just as he was with vinyl controllers, Traktor and when leading the way with full hybrid/live DJing. 

These days, Liebing incorporates an ever wider sphere of sound into his own work. After an eight-year break from full lengths, 2018's Burn Slow on Mute was a creative rebirth that received critical acclaim and confounded all expectations. It was a melancholic mediation on gothic moods, looming apocalyptic landscapes and optimistic broken-beat techno that drew from his childhood love of Depeche Mode, Gary Numan and the New Romantic movement. 

Remixes for Depeche Mode and Goldfrapp followed alongside a collaborative single with Charlotte De Witte, and 2021 brought a second album on Mute, Another Day. It found Liebing exploring all new ways of expressing both his euphoric and melodic side, all with high-grade technical skill and meticulous sonic craft with a range of collaborators from Miles Cooper Seaton to Polly Scattergood. This exceptional form continued into 2023 as he returned to the club with his Love Those Who Fight With Passion And Faith EP on CLR, a passionate and politically charged call to the dance floor that joined Liebing and Luke Slater’s remix of Depeche Mode’s iconic ‘Ghosts Again’ in the first half of the year. 

Born in Giessen and active ever since the 1990s, Liebing has always platformed the talent around him as much as himself: a long time before they were commonplace, he famously helmed his own CLR podcast. For many years, it was the scene's most influential series, with a who's who of international pioneers at the helm. After that came the equally important AM/FM radio show, but now following a hiatus, the CLR podcast is back and pushing a fresh techno agenda, as is his iconic label of the same name.

In its first chapter, CLR stood for Chris Liebing Records, then Create Learn Realize, and now Create Learn Repeat - a subtle evolution that is at the heart of everything Liebing does. The label will always be synonymous with exciting techno and is now back hosting parties and festival stages. 

Though his music is underpinned by pulsating menace and a stomping sense of drama, Liebing himself is friendly with a famous smile. It is the music that motivates him and the freedom that comes with increased experience. These days there are no limits, no expectations, but a continued love for the art and craft of techno that is taking him down all new creative pathways.

Buenos Aires, Argentina based DJ & Producer. Founder of @deepbaserecords

+15 years in the manufacture of the House Music bricks. Less words and get to work!

Bookings WW / at
bookings@shaboomartists.com

Linktree /
https://linktr.ee/toomydisco

Retro Synthwave- Indie Dance- Melodic Techno. Viví los 80s cuando los arpegiadores nos enseñaron a soñar despiertos //Retro Synthe Wave- Indie Dance- Melodic Techno. I lived through the 80s when arpeggiators taught us to dream of deserts with music

Eclectic & lysergic since 2012

Pushed to the unimaginable by https://soundcloud.com/martin-noise and https://soundcloud.com/kuunde


CONTACT >> info@playgroundrecords.com.ar

𝙰𝚜 𝚃𝚑𝚎 𝙿𝚎𝚗𝚍𝚞𝚕𝚞𝚖 𝚂𝚠𝚒𝚗𝚐𝚜 𝟿/𝟷𝟸
Hypnosis
Horror
Optical Illusions

MGMT:  
adam@2plus2.net
tonirose@2plus2.net

HypnoVizion Records:
@hypnovizion
demos@hypnovizion.com

BOOKINGS: 
CChapman@teamwass.com

EU BOOKINGS: 
paul@primarytalent.com

Get in touch with us! 

E-Mail: business@technogermany.com

Turbo Recordings was founded by Tiga in Montreal back in 1998. In addition to launching his own career, the label has been integral in the success of acts like Chromeo, Gesaffelstein, Duke Dumont and most recently, ANNA & Charlotte de Witte. Core talent includes ZZT (Tiga's collaboration with Zombie Nation), Jori Hulkkonen, BETON, Clouds, Harvard Bass, Pilo, Shaded, Dimitri Veimar and a host of new young producers in genres ranging from pure techno, electro, and house to pop. The list of artists who have released music on the label is a veritable 'who's who' of top-level talent spanning a broad musical range, and this, along with a commitment to beautiful design, has earned the label respect in the industry and a cult following among fans. 

“We started out singing into plastic bags and shipping them to stores as quickly as possible. Later, we discovered that vinyl sounds way better when delivered by kayak. I learned so much the first few years…Now, as I look towards the future, I can envision music for poor people, sonic odors for the hearing impaired, even MP3s for women....Vroom, sucka!” says Tiga, the lyrical lampsman lighting the way down Dance Avenue.

For licensing inquiries: licensing@turborecordings.com

Into music and sound since ever. Got a guitar at the age of 13 and played and learned till my fingers started bleeding. At the age of 17 I visited the Omen in Frankfurt/Germany. I was so impressed that I quit guitar and started sound research and raving through the clubs.
Got a record deal around the year 2000 and things evolved. Released various singles and LPs, got some acclaimed underground hits, travels the world and met a lot of my heroes of the youth in person. 
Wild times that took me across the planet and a lot of respected club. Played in the US, China, Georgia and all over Europe in countless cities and venues like, Tresor (Berlin), Cocoon (Frankfurt), U60311 (Frankfurt), White Rabbit (Hong Kong), Macumba and Low (Madrid), Loft, Moog, Zen Club (Barcelona), Batofar (Paris)... and festivals like BBK, Sonne, Mond und Sterne, Nature One, Street Parade, Loveparade, Grooveparade and so on and so on.

I was fed up with the industry and stopped producing (nearly completely) years ago. 
But still I am in love with music and sound. 

So here we go. Still searching for the perfect bass drum, the most flashing sound and connecting with nice people who love music as I do.

Sincerly, 

Codec aka. CV Addict

Living in BARCELONA
Info/Booking_ richermail95@gmail.com

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