Spektre's Upcoming Gigs
Sat 28 Mar, 20 
Rotterdam Rave, Maassilo Rotterdam, Rotterdam, Netherlands
Fri 22 May, 20 
Dip Music, TBC, Mexico City, Mexico
Sat 13 Jun, 20 
Verknipt Festival, Recreatieplas Strijkviertel, De Meern, Netherlands
Sat 04 Jul, 20 
Beats for Love Festival, Dolní Vítkovice, Ostrava, Czech Republic
See the full listing here 
 http://gigs.gigatools.com/u/Spektre

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After beginning life as an experimental side-project for members Paul Maddox and Rich Wakley, Spektre find themselves over a decade later as established and respected features of the Techno landscape.  As a production outfit, they have recently released on such imprints as Elevate, Phobiq and Unrilis, as well as their own Respekt Recordings (now approaching it’s 150th release) to the acclaim of their peers, with the likes of Adam Beyer, Carl Cox and Alan Fitzpatrick among their plaudits. As their near-permanent presence in the Techno download charts confirms, the quality and consistency of Spektre’s studio output is a given.  As performers, Spektre’s unique sound has taken them to some of the biggest and most highly regarded venues worldwide, with frequent bookings by the likes of Space Ibiza, Exit Festival, Pacha Buenos Aires and Burning Man. On stage, their long-standing chemistry and constant desire to experiment always results in an exciting spectacle. Their live exploits are also documented alongside guest slots from esteemed cohorts in a fortnightly Mutual Respekt Podcast, which is syndicated across the globe.

www.spektre.co.uk  
https://www.facebook.com/SpektreLive 
https://twitter.com/SpektreLive 
https://soundcloud.com/spektrelive 
http://www.beatport.com/artist/spektre/27956 

Worldwide bookings & management contact:
lee@locusmanagement.co

IT, DJ/PRODUCER and UNCAGE label founder.
Released on Rekids, Drumcode, Filth on Acid, Ovum and more.

Across decades of devotion, hard work and a natural talent for connecting with the dance floor, Nicole Moudaber has cultivated an unparalleled reputation. A staunch advocate for personal freedom, she is highly regarded worldwide for her deep knowledge, unforgettable DJ sets, definitive productions and iconic aesthetic - a pillar of the global electronic music community. With regular appearances at a long list of influential and innovative club spaces and festivals, Nicole Moudaber’s versatility, passion and intuitive approach place her in the top tier of touring artists. 

She has travelled the world playing a variety of locations, from intimate basement venues to large stages at festivals such as Coachella, Ultra Music festival, Time Warp, Electric Daisy Carnival, Awakenings and many more of the world’s most renowned electronic music spaces. Besides her solo releases and a consistently packed touring schedule, she has collaborated with a wide range of artists. In line with her diverse outlook, they include Carl Cox, Jamie Jones, Armin Van Buuren, Chris Liebing, Jasper Street Co. and The London Community Gospel Choir, among many others.

Elsewhere, her radio show InTheMood continues to fly the flag for Nicole’s musical expression. For 11 years now she has hosted the show, with a music policy that has become all encompassing. The show is syndicated globally, airing on 60 FM stations worldwide, spreading her sound to millions of listeners around the globe. 

Her highly-regarded techno label Mood is now complemented by MoodCollective - focusing on techno and providing a new platform for self expression. Nicole is also writing a book about her life. In a boldly vulnerable move, she will tell her story in detail, giving fans a chance to gain a deeper understanding of her personal and professional background. 

Always striving for greatness, Nicole has her sights set firmly on the future with a strong vision of her next phase and the unwavering determination to make that vision real…

Demo Policy: Please send high quality mp3's or Soundcloud links to the following email address: demos@respektrecordings.com

► Label & Press Enquiries:
Rich Wakley & Paul Maddox:  info@respektrecordings.com

RESPEKT is the label manifestation of the internationally recognised artist duo Spektre. It has been developed as a base for the research and exploration of their sound and to experiment within the new and innovative world of electronic music that we live in today.  Derived from an anagram of Spektre, the Respekt label stands for the artist’s interminable belief in the underground soundtrack that spans the globe, and for the inspiration they gleam from producing, performing, and moving in the circles it revolves in.

As two of the most widely respected techno artists to come out of the UK in recent times, founders Paul Maddox & Richard Wakley have travelled the world in the past three years performing the Spektre LIVE show, to rapturous acclaim. While stealing the show at clubs around the globe, they have been inspired by cultures from every dance floor, and as producers they have released on the crème de la crème of techno's elite labels. 

Massive support has come from the likes of techno kings Carl Cox, Sven Vath, Dubfire and Laurent Garnier, while James Zabiela has championed them as his “ones to watch” and quotes “Spektre's productions consist of solid techno that really remembers the rave. Music that is cool but also fun and highly danceable. These guys are just going to get bigger"…

The natural progression is their label RESPEKT, with the first release due at the end of November and another three before Spring serving as a build up to their eagerly anticipated debut studio album, due for release in early 2010. 

Get ready to be inspired, exhilarated and enthralled. Get prepared for the next instalment and always, Expekt the unexspekted!!!


For Rune Reilly Kölsch, Kompakt has become a great label to call home. In 2013 the German imprint celebrated 20 years of record releases at the cutting edge of electronic music, championed in June by one of the most genre re-defining albums and personal music projects for an era: Kölsch’s landmark long player, ‘1977’.

A melodic autobiography on black wax, the Kölsch project has seen 36/37-year-old Rune take stock of a diverse and successful production career and draw upon his own personal beginnings: a nostalgia for childhood, family, friends and the confusion of applying his split-cultural heritage to what it means to think of ‘home’. As Rune freely admits, “being half Irish, half German and living in Denmark – it was all one big messy period of my life.” 

Born to hippie parents in the freetown of Christiania (a commune-like autonomous borough of the Danish capital Copenhagen) his childhood was spent surrounded by creativity. His mother was an artist whose family had roots in German politics and his father a singer songwriter who travelled through Asia playing music in the early 70's. Kölsch, however, did miss out on building friendships and found solace in making up “this imaginary world that I would spend days in,” before the family moved to Germany – a period of memories, relations and characters from which ‘1977’ derives its titles.

For Rune, the tracks he began building from 2010 took in this personal reflection, his being “completely locked in to reminiscing about what shaped me as a kid and into the individual that I am now” – contemplating his unique past to form the brickwork of ‘1977’, one of the most future-facing techno albums of recent years.

Influenced by hip hop, pop and the incredible legacy of Jeff Mills and Derrick May, Rune started producing in 1995, embarking on a string of success stories. In 2003 he released the multi-million selling, saxophone-infused ‘Calabria’, that saw collaboration requests pouring in from artists as diverse as Nicki Minaj, Shakira and Flo Rida. He then set up Tattoorecs – releasing pioneering underground tracks with no titles, just tattoos for artwork, that garnered critical acclaim and support from minimal and techno trailblazers such as Sven Väth, Richie Hawtin, Magda, Tiefschwarz and Ricardo Villalobos.

This appreciation of the complete musical spectrum has gifted Rune with a devotion to groove and melodics and with it the dexterity to input real creative change to the genres he reveres, not least his beloved techno. “2010 was the year of the ketamine house wave, where the music was 118 bpm and everything was extremely boring”, reflects Rune. “I wanted some melodic techno, some energy back in this scene. People needed the energy to express themselves and go crazy for a bit.”

This notion faced opposition, even from within Rune’s close circles. But it was Kompakt founder Michael Mayer who had the insight to see what Kölsch was trying to achieve. Rune’s conviction that vibrations and melodics are the key to human response had tipped the balance, underlined by his experience as a hip hop DJ where he “needed something to catch me and drag me in. And that’s what techno should do!” Here too he drew on his love of Jeff Mills and Derrick May, recalling how “they used to make mistakes all the time. It would be a big mash of all kinds of stuff, but at least something was happening. That’s what I was missing and that’s what I’m trying to change with the Kölsch project.”

The result is ‘1977’, a personal collection of dancefloor destroyers that are continuing to send clubs and festivals across the globe into melodic supernova. Take this video of Kölsch’s set at Belgium’s I Love Techno festival, one of Rune’s 2013 highlights, where “people were doing sit downs, singing along to all the tracks”. Watch it. It puts the hairs up on the back of your neck. “The response was overwhelming,” said Rune in a recent interview with Mixmag (who named Kölsch as one of their ‘Stars Of 2013’), as “when you think about it, it was just a bunch of childhood memories with a kickdrum underneath.” 

Elsewhere he’s ripped up the airways with an acclaimed Essential Mix for Pete Tong on BBC Radio 1, delivered his incendiary soundscape to Singapore’s world-renowned ZoukOut Festival, boomed his live show through the heaving basement of London’s XOYO and played the hallowed Space Terrace – in his words “a boyhood dream since I started going to Ibiza in 1999. That was what I wanted from life!” So opening Amnesia in 2014 with Joris Voorn will be a bonus then...

While these are reasons enough to keep the beaming smile beneath Kölsch’s trademark black fedora, his humility remains just as striking. While tracks like ‘Goldfisch’ have taken pivotal positions in the set lists of world class DJs from across the dance music spectrum – traversing the underground with Seth Troxler, while simultaneously providing credible new euphoric highs for the likes of Axwell – Rune remains joyously down to earth. All despite producing, with ‘1977’, an album that has crossed as many cultural and musical boundaries as his own childhood past.

From the face-twisting melodic drive of ‘Opa’ and ‘Bappedekkel’, to the chord-surfing piano groove of ‘Der Alte’ and the euphoric crescendos of ‘Lorely’, ‘Oma’ and ‘All That Matters’ (all hits in different countries), the fact remains that whether in your living room, on the dancefloors of the world’s greatest parties, or simply in your headphones on your way home, Kölsch’s ‘1977’ has re-defined techno and become an achievement that speaks for itself. 

Words: Phil Dudman – Clubs & Live Music Editor, Mixmag


Now an established force in contemporary Techno, Mike Bierbach, better known under his stage name Rødhåd is someone who has seriously put in the work. Having cut his teeth DJing as a relatively unnoted (but well loved by those in the know) local in Berlin for 10 years, one could argue that by the time success knocked on his door, he was more than ready for playing the international stage. It was during these 10 years of obscurity when he refined his craft to become the singular DJ he is now. 

Launching his party-series-turned-label Dystopian in 2009 was what truly tipped the ball over for Rødhåd. In a time where the Berlin scene was heavily oversaturated by fluffy, miscellaneous dance music, he & his peers set out to form a platform for real techno. The reception to this was raucous. 

Although he has lauded productions and remixes to his name, DJing is his true forte. Before abandoning his day job as a draftsman in construction “The Red” (as some call him due to his gingered, bearded appearance) was known for playing very long sets in Berlin’s most notorious hideaways. 

With an album, several EPs & remixes for a multitude of different artists under his belt, Rødhåd the producer has received equal praise as Rødhåd the DJ. Dystopian has hosted most of his releases, but in 2018 he founded a new label WSNWG that serves as a home for collaborative productions, excavated in sessions at his East-Berlin studio with his peers such as Lucy, Alex.Do, & Antigone.

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