After many years listening to music in different clubs around Europe, Bustins has decided some time ago to take a step forward and stand behind the decks.

Able to combine musical styles such as house, progressive house and club music. Thus creating elegant and hypnotic sessions through a selection of music with punchy beats and percussive and playful riffs, catchy melodies and acid lines in the background.

Born in Girona, I started playing the electric guitar at the age of 12, after 5 years I began to listen to electronic music, and sold the guitar to buy a mc-303, from then on, I couldn't stop composing, I expanded my home studio buying synthesizers and learning how they worked.
Later on, I started to do some live, in clubs like Blau club, Sub, Be Cool, Liquid Sky, and in raves in the Catalonia area,
 I released some songs with Sintetics records, Kayf label, and others, so we decided with some friends create the Arkitextura label, with which we publish several references... after this, I have spent time dedicated to other activities, but now I am back in music production.
regards!

Originally from Girona, Scented is a prominent DJ
in the electronic music scene. He started performing in iconic clubs across the Girona region.
His music blends techno roots with melodic landscapes, ethnic rhythms, and luminous elements,
delivering an immersive and energetic experience
on the dance floor.
Co-founder of Kazazik on the island of Guadeloupe, a collective aimed at being a creative platform dedicated to innovation and artistic expression.
He has performed in various clubs across Europe and the Caribbean, as well as at prestigious festivals like SXM Festival, where he shared the booth with Marco Carola, Ricardo Villalobos, and DJ Tennis.

Paris, early ‘90s. The city was a schizophrenic beast—half-glamour, half-decay—where raves exploded like molotov cocktails in abandoned warehouses and smoke-filled basements. It was beautiful chaos. Somewhere in the thick of it was Julien Veniel, better known as D’Julz, spinning records with the focus of a surgeon and the cool detachment of someone who had seen it all.
Then came New York, 1993. A city that didn’t sleep but didn’t really dream either, at least not back then. Veniel—young, hungry, and too talented to ignore—found himself in the depths of sweaty dancefloors, perfecting his craft like a prizefighter working the heavy bag. The kicks were tighter, the grooves deeper, and his sound—dub-infused, stripped-down, relentless—started to carve its way into the foundations of house and techno.
But Paris called him back. By 1997, he was behind the decks at the Rex Club, launching Bass Culture, a night that would quietly and ruthlessly become one of the most enduring parties in dance music. You could feel it in the air, heavy with smoke and sweat: something was happening. And week after week, D’Julz delivered. The music wasn’t just played; it was installed into your brain, a groove so potent it hijacked your nervous system.
The production side came next. 20:20 Vision, Ovum ,Circus Company. Robsoul. ,Rekids. Big labels, underground credibility. Tracks and remixes that hit like slow-burning dynamite—deceptively simple, brutally effective. DJs hoarded his records like they were holding nuclear launch codes.
Then there was Circoloco—DC10 . Ibiza’s sacred asylum for the beautifully deranged. D’Julz became a fixture for 7 years, a reliable madman behind the decks, controlling both the main room and the red terrace like a general marching his troops to the brink of delirium. His sets were measured doses of euphoria and dread, dubby basslines colliding with pulsing techno rhythms, all delivered with a sly grin and the calm of someone who knew.
By 2009, Bass Culture Records was born. A label as lean and unforgiving as its founder—no fluff, no filler, just raw, stripped-back house and techno that knew where it came from and where it was going. Over 70 releases later, it’s clear: D’Julz doesn’t miss.
Now, decades into this strange and relentless trip, D’Julz is still at it. The tour schedule is insane—Bali, Berlin, New York, and back again. Clubs and cities blend together, but the mission never changes: find the groove, ride it hard, and don’t let up until the lights come on.
D’Julz doesn’t care about trends. He doesn’t care about fame. He’s a purist, a craftsman, a man obsessed with the sound—the deep, pulsing, unstoppable sound. Three decades in and he’s still there, calm and unflinching, dropping records that hit like a gunshot in the dark.
If you want to understand D’Julz, don’t bother asking questions. Just listen. The truth is buried somewhere in the basslines.

Munro Leaf est l'alias de Ferrán Valls, architecte et artiste multidisciplinaire né dans les années 80 en Espagne. Il a été DJ et producteur depuis 1999. Ses racines techno ont évolué dans un style particulier en mélangeant techno beats, des lumineux paysages sonores et des rythmes ethniques. Il essaie également d'inclure de nouveaux sons avec une vue futuriste de la musique électronique.

Dj habituel dans les cabines de mythiques clubs come le Blau ou le Rachinge, il a partagé de line-ups avec différents artistes internationaux comme : Chris Liberator, Jonas Kopp, Umek, Dosem, Joel Clotas, Oscar Mulero ou encore Thomas Anderson, Gaetano Parisio, parmi beaucoup d'autres. More on mixcloud

Contact and booking: deetresofficial@gmail.com

Deetres (ES) is a dj and producer of House music, with clear influences of Funk, Disco and Soul.
As a producer, he tries to translate the classical elements of House music to the most current trends of electronic music, offering a musical journey full of positive energy and classic references of House music. He has released a total of five tracks, achieving different successes throughout his musical career. His first track, "Watch It On", has been released by Cruise Music (2023) and has reached the 35th position in Traxsource's Global House Music Chart. Welcome, his second song, was released by Evidenza Music (2023) and reached position 33 on Traxsource's Global House Music Chart. His latest EP, titled "Bright Thoughts", released by House Tribe Recordings (2023) and featuring the songs "Bright Thoughts" and "Kisses", has received support from various international artists, including Rimarkable (Defected Radio Show from 08/25/2023 - https://youtu.be/Q520A7njj5w?t=588) and Black Legend (The Legendary Radio Show from 08/26/2023 - https://soundcloud.com/blacklegendproject/the-legendary-radio-show-277-26-08-2023, Café Mambo Ibiza radio on 08/26/2023). The last Deetres's track is Funky Roots, released by Bunny Clan Records which has reached the position 10th on Jacking House Traxsource Chart. It has been supported by Black Legend (The Legendary Radio Show #284 (14-10-2023) - https://soundcloud.com/blacklegendproject/the-legendary-radio-show-284-14-10-2023?in=blacklegendproject/sets/the-legendary-radio-show-2023 ), among others.
Moving between Deep House, Disco House, Funky House and Jacking House, Deetres (ES) has been able to share music in venues like Pacha Barcelona, Macarena Club, NOXE,  M7 Club, Ocaña, Bridge 48, Ocean Drive Hotel (Burguer Meets Gin), among others.
His sets always wants to bring a musical experience plenty of happiness and joy, with his own edits, that incorporate classic elements of the musical culture of House music (acapellas, synths, loops, samples, etc). Thus, Deetres sessions offer a musical experience full of positive energy and classic references of House music, which aims to bring the history of this musical genre to all audiences.

Management: 
Nick Liousias - nl@285.group 

Europe / Asia / Africa:
Ollie Seaman - ollie.seaman@teamwass.com

North & South America:
Latane Hughes - LHughes@teamwass.com
Ben Shprits - bshprits@teamwass.com

Australia & New Zealand:
Glyn Hill - glyn@watartists.com

Vanity Dust is an independent journalist focusing on electronic music, active since 2008. In-depth interviews, premières & Dust Trax since 2021.
 · www.vanitydust.ninja · 
———————————————————————
· Inquiries music[a]vanitydust.com
· Dust Trax Demos: trax[a]vanitydust.com

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