my grandma used to sing me this song when i was little

Out now on @satellite_era !
SERA015: Satellite Era presents “The Heaviness Of Hovering EP” - a collection of boundary-pushing tracks by Mike Castañeda, better known as Terminal 11

100% of the proceeds made from this release will be donated to La Frontera on a monthly basis. They are a growing nonprofit that offers comprehensive crisis and community behavioral health services to children, adults, and families throughout the state of Arizona.

Learn more about La Frontera: lafrontera-empact.org

With a musical career spanning over two decades, Phoenix-based artist Terminal 11 has made it a priority to continuously adapt to the latest in sound design and technology. After a handful of highly acclaimed releases, we welcome him to our family with some of his best and admittedly most personal work yet.

Emerging from the pinnacle of an early breakcore movement in North America, Terminal 11 became a household name on legendary experimental labels worldwide such as Cock Rock Disco, Hymen, Opal Tapes, and Love Love Records. Although his pioneering sound has mutated over the years, the genre-free, forward-thinking mentality he wields has stayed consistent, allowing him to transcend past any particular style or trend.

By combining niche machines such as music trackers and modular systems, Terminal 11's production is a unique blend of aged subcultures and keen futurism. Each track serves as the reflection of a live performance that incorporates real-time sampling and looping, modular jams, live effects, and general improvisation. With a desire to keep challenging himself, his audio workstation tends to reform between projects. For his latest EP, he brings out his sharpest tools in an effort to forge something timelessly special.

"The Heaviness Of Hovering EP" may sound familiar to the avid listener of leftfield electronic music - thumping basslines, off-kilter drum programming, and disorderly synths effortlessly fill the soundscape. Terminal 11 expands on these ideas by refining the foundation of his previous work, forming a more lively sound that feels freshly discovered. Caustic ooze pours out of the stereo in "Von Bridges Kit" as the track progresses into a dystopian realm. "Pressure Cooker" is a clear nod to acid techno and braindance, providing a proper rave anthem for dancefloor enthusiasts. Frantic drum work embodies "To Disappear," slowing in tempo but ensuring to fill each second with altering percussion sequences. The metallic snap in "Rabid Mist" is playfully attentive as the track shapeshifts between a fusion of breakcore and dancehall. The title track repurposes old guitars from his newly founded personal collection to create emotive drones, adding a sentimental touch that serves as a perfect ending to this project.

The completion of "The Heaviness Of Hovering EP" meant much more to Terminal 11 than simply releasing music - it marks a pivotal moment in his fabled career amidst the underground. Setting these repressed emotions free has allowed him to continue progressing not solely through music, but also as a human. A healing moment proves to be monumental for his growth and just as important for our collective.

“I created these tracks while experiencing a mental state that oscillated between a blur of healthy functionality and numb avoidance, easing slowly only with time. The experience was a result of deep grieving - my mind had me hovering outside of myself while simultaneously feeling weighed down by life. This project was made gradually over the last two years during the pandemic within rare times that I could disappear into creativity. The tracks are presented in chronological order, keeping true to the timeline of conception and the sequential themes of transformation, healing, and ultimately returning to a fully lucid connection to purpose.”

CREDITS
Mike Castañeda - production, mixdown
Amir Mashayekhi - mastering
Nic Juister - cover art, visuals

"Dedicated to my father - Jorge Guillermo Castañeda (1961-2020)"

The Heaviness of Hovering EP

The Heaviness of Hovering

The Heaviness Of Hovering

onyourmarks

different mix of rod/\n 

https://flux-tracks.bandcamp.com/album/005

rod/\n Fulbrek Mix

Tbox-5 Beats

2 hours of pure UK electro, acid & braindance with 707-addict Jerry LaFlim & cult acid producer Roy of the Ravers !

Rinse France Podcast

TRIPALIUM CORP avec JERRY LAFLIM & ROY OF THE RAVERS - 25 Janvier 2024

Kettle

MDC Interview#59 " Terminal 11 "
https://mdc-japan.amebaownd.com/posts/52069604

Terminal 11 - 2001/2024 Mix
Tracks:
Sketchy (2006)
Reausez (2006)
Vintage Respirator (2003)
Slowly Advancing Minidisc Exorcism (2018)
No One There (2014)
Fury (2012)
Start Over (2012)
Hawaiian Sniper’s Eye (2007)
Undici (2003)
Unicorn Peyote Kaleidoscope (2009)
Heather in Japan (2012)
Metacognition (2018)
Reconfiguration (2018)
Gruesome Things (2012)
Tension (2012)
Cold Storage Acid (2014)
Unpleasant Experience (2018) 
I’m In No Mood For This (2005)
My Fist in Your Carcass (2001)
Tea (2021)
Walls Closing In (2024)
Rabid Mist (2022)
The Inevitable Pains of Living (2018)

Terminal 11
https://terminal11.bandcamp.com/

INTERVIEW

Terminal 11 - 2001/2024 Mix

Effects I designed in the past several years. All are a form of spectral filtering/shaping, the edited sound is either white noise or sawtooth wave.
All made without fancy fft stuff, actually very simple, which is why it's so mesmerising to me.

Viewing with spectrogram (preferably linear scale) highly recommended.

For educational purposes.

Combs [Demo]

Cathedral Cities

Rolando Simmons - Vous

2 FACES REVERSE
168 BPM
MASTERING BY : AKOU

2 FACES REVERSE

For Caoutchou Records' Rubber Beats Vol. VI:  https://caoutchou.bandcamp.com/album/rubber-beats-vol-vi

No Interprets 2

"MURDER CHANNEL" is independent music label&party from Japan.based in Tokyo since 2004.

Terminal 11 - 2001/2024 Mix

MURDER CHANNEL

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