A native San Antonian, Katelyn Petersen (b. 2000) is a musician, artist and composer currently based in Dallas, TX where she completed two Bachelor of Music degrees in Composition and Cello Performance at the Meadows School of the Arts.

With multi-sensory inspirations from synesthesia and a strong influence from film scores, Katelyn’s original music evokes literal colors and textures of sound. Her focus on chamber music is expanding to larger works and interdisciplinary projects, including an upcoming premiere by the South Texas Symphonic Orchestra in Fall 2022.

Katelyn’s composition teachers include Xi Wang, Lane Harder, and Robert J. Frank. She is also a proud cello student of Andres Diaz and Kenneth Freudigman.

Composer/Arranger/Educator. Assistant Professor of Composition at The University of Texas at Austin.

Hailed by the New York Times for her "soaring melodies and beguiling harmonies," Dale Trumbore has received commissions, performances and awards from organizations including ACDA, ACME, Inscape Chamber Orchestra, Los Angeles Master Chorale, The Singers - Minnesota Choral Artists and VocalEssence. Learn more about her music at daletrumbore.com.

Dr. Kevin Day (b. 1996) is an award-winning, multi-disciplinary composer, jazz pianist and conductor based in Las Vegas, Nevada. Internationally acclaimed as one of the world’s leading musical voices, Dr. Day’s work is known as a vibrant exploration of diverse musical traditions from contemporary classical, jazz, R&B, Soul and more. A unique voice in the world of classical music, Dr. Day takes inspiration from a broad range of sources, including romanticism, late 20th century music, jazz fusion and gospel. Across all areas, his work explores the complex interplay of rhythm, texture and melody across genres.

Dr. Day burst onto the musical scene in 2018 with his Concerto for Euphonium, which has since gone on to become a Classic FM sensation and has been recently performed by the United States Marine Band. Since then, some of the world’s top instrumental soloists, wind bands, chamber ensembles and symphony orchestras have commissioned and performed his works, including the Boston Brass, Castle of Our Skins, Cincinnati Opera, Houston Symphony Orchestra, Fort Worth Symphony Orchestra, New Jersey Symphony, Las Vegas Philharmonic, Dallas Winds, the National Intercollegiate Band, Nu Deco Ensemble, United States Coast Guard Band, Capitol Quartet, Castle of Our Skins, Puerto Rican Trombone Ensemble, Syrinx Quintet, Sheffield Chamber Players and many others throughout the United States, Canada, Austria, Taiwan, South Africa, Australia and Japan. His music has also been streamed over a million times across YouTube, Spotify, Apple Music, & SoundCloud. Dr. Day is the recipient of numerous awards, including the TCU Band of Fame, ITEA Harvey Phillips Award for Excellence in Composition, a Copland House Residency Award, the MacDowell Fellowship for Music Composition, the BMI Composer Award, the TCU Alumni Outstanding Young Professional Award, a three-time ASCAP Morton Gould Finalist, a finalist for the ABA Sousa-Ostwald Award, a finalist for the NBA Revelli Award, and many more. 

Dr. Day’s original opera, Lalovavi: An Afrofuturist Opera, will premiere July 2026 at the Cincinnati Opera as the lead work in its ground-breaking new Black Opera Project. The work is the first of three commissioned by the Cincinnati Opera as part of its initiative to engage Black creators in developing new works celebrating Black stories. As part of the project, Dr. Day is collaborating with renowned director Kimille Howard and librettist Tifara Brown, who’s recognized as one of the country’s leading performance poets. Other recent works include his acclaimed Concerto for Wind Ensemble and Birds in the Cathedral, as well as Ignition, commissioned by the Boston Symphony Low Brass and Unquiet Waters, commissioned by Jordan VanHemert.

In addition to his work as a composer, Dr. Day also enjoys an active career as a jazz pianist. Passionate about collaborations that reimagine and advance the future of jazz as an art form, he brings his extensive musical background to the stage and studio as improviser and collaborator. He’s currently working on a debut solo album. His music has been featured on numerous high profile releases, including albums by Thomas Mesa and Michelle Cann, The Alias Chamber Ensemble, Jeremy Wilson, Jarrett McCourt, and Nicki Roman.

Dr. Day currently works as Artist Teacher in Residence, Composition at the Keys Conservatory at the Pinecrest Academy in Henderson, Nevada. He holds degrees from Texas Christian University (TCU), the University of Georgia, and the University of Miami. He has studied composition with Dorothy Hindman, Charles Norman Mason, Peter Van Zandt Lane, Emily Koh, Gabriela Lena Frank, and Neil Anderson-Himmelspach. Dr. Day is an alumnus of Phi Mu Alpha Sinfonia, an honorary member of the National Chapter of Tau Beta Sigma, and an honorary member of the National Chapter of Kappa Kappa Psi.

Composer, cat lady. Probably in reverse order of importance.

Cait Nishimura (she/her) is a Canadian composer, musician, and educator.

Katherine Bergman is a Minnesota-based composer who draws on literature, environmentalism, and found materials to create work that has been described as hypnotic and visceral. 

Called “alluring” and “wildly inventive” by The New York Times, the music of Viet Cuong (b. 1990) has been performed on six continents by ensembles such as Sō Percussion, Alarm Will Sound, Sandbox Percussion, the PRISM Quartet, JACK Quartet, Albany Symphony, and Jacksonville Symphony in venues such as Carnegie Hall, Lincoln Center, the Kennedy Center, Cabrillo Festival of Contemporary Music, Midwest Clinic, and International Double Reed Society Conference. Additionally, his work has been featured twice on American Public Radio’s Performance Today and his wind band works have amassed over a hundred performances by wind ensembles worldwide.

Murray Lef is following