All the music I did for Serious Sam: Siberian Mayhem through 2022.

Arrangement & composition by me.

Chrismoth Short Arrange. (Roulette)

All the music I did for Serious Sam: Siberian Mayhem through 2022.

I'm sorry!!!

Suspicious Ally (Roulette)

All the music I did for Serious Sam: Siberian Mayhem through 2022.

Composition by Damjan Mravunac, arrangement by me.

Knights of the Valley (Roulette)

A track I made for the worst ending for the indie game Voices of the Void.

Evil Consumes (Voices of the Void)

Tracks 6-8 comments
My Envy was the first track I had composed, and Till Death Do Us Part was the last chase theme I composed for the game. My Envy was particularly tricky as it had gone through 9 different iterations of varying intensities before we settled on the current style, which was a mix of three of the iterations. Till Death Do Us Part was done later, and it ended up being fairly tricky too, as the chase themes are meant to convey a different threat level depending on the enemy. Yui's (My Envy) is meant to be mid, while Saiko's (Till Death Do Us Part) is meant to be lowest. 
Her Prey ended up being my favourite chase theme to work on. It utilises Elissu's motif, but it's also very chaotic-- which meant I could pull some tricks I've always wanted to. It was meant to convey a very high energy chase-- as it was described to me, she can leap from tree to tree and throw axes at the player that instakill.

My Envy

Tracks 14-17 comments
Escaping the Dream was the first cutscene theme I had composed, which took me a substantial amount of time to get right. As with My Envy, this went through many iterations before the current style was chosen. It mixes Yui's motif with Saiko's.
The other cutscene themes were quite fun to compose, too. They mostly develop on existing motifs-- My Hell develops Yui's motif (with an added flanger effect in the actual cutscene), Her Mercy develops Elissu's motif and adds Saiko's. 
You will notice the tracks are a little different from the in-game cutscenes, especially with Her Mercy, which differs substantially. The reason for this is that I tend to compose the fuller tracks first, and then cut them down and modify them for the in-game cutscene.

Another Forest

My Hell

Tracks 25-26 comments
I made these for the Part 9 short in imaginationclash's channel. I was given mostly free reign. In the cut I received of Part 9, the ordinary life portion of Sayaka was shorter, so I wanted to show a sort of comedic side to her constantly being nagged by her parent, until it slowly loses its happiness towards the end, and gets "tired." Contemplation was Sayaka's dad's theme, in his prison, as he is taken to a visitor. These tracks hardly played at all in the final version of the short-- having been replaced by anime tracks-- so I wanted to fully release them with the album as an extra.

(Bonus) Contemplation

A peaceful angelic music track especially for VTubers, streamers and media. Available for free in high quality WAV and MP3 via my Ko-Fi: 

Call from the Heavens

You're walking through an ancient castle wondering whether you should continue your journey or turn back now. A Heart's Desire is an original fantasy piece I made with fantasy video games in mind. Violin: Nisa Addina

A Heart's Desire

Just an insignificant little composer who's worked on Saiko no Sutoka, Serious Sam, and MicroWorks

Knights of the Valley (Roulette)

Musearys

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