90's style hip-hop taking influences from jazz and soul.

Download 'Notorious Jazz' for FREE on Bandcamp.

“Home isn’t a place, it’s a state of being”

Independent record label based in Barcelona. Looking for new artists and talented producers around the world.

General inquiries: mgmt.hiraeth@gmail.com

Demos: demos.hiraeth@gmail.com

@TheGoldenSearch

Submit your track : 
demos@thegoldensearch.com

Reposts Promotions :
https://www.thegoldensearch.com/repost-campaign

Contact : 
contact@thegoldensearch.com

Go check our friend for more French Bass House : @GoldDiggerRecs

Launched in 2010, THE REFLEX is a project from producer / DJ Nicolas Laugier, a French national based in the UK since 1998. Following on the footsteps of remix / DJ edit pioneers Larry Levan, Shep Pettibone, François Kevorkian or John Luongo, The Reflex somewhat redefined the remix rules book by using stems and multitracks to craft fresh, innovative versions (dubbed ’revisions’) from classics tracks and artists, genre-hopping through the decades and styles with ease, combining creativity and functionality with often spectacular results.
With constant support from superstar DJs, tastemakers, A-list artists and creatives to high profile brands / events through to bedroom DJ’s, The Reflex revisions are now part of the musical landscape.

Clocking over 100M+ streams, The Reflex is a multi-faceted artist that has lent his skills to ads for Louis Vuitton, Karl Lagerfeld, to remixes for the biggest names in pop and dance music, to extensive catalogue revisits for the likes of London Records, Salsoul/Westend and Zagora/Because, to a long standing collaboration with Noel Gallagher and to legendary artists like Joe Walsh (Eagles), Cerrone, Kathy Sledge, Blondie, Michel Polnareff, Nile Rodgers, Rita Lee, Kid Creole and more.
Boasting a strong online following and a loyal fanbase, including 322,000+ fans on YouTube, The Reflex is now ready to move into original productions; his first artist track “Weekend” has been snapped up by Glitterbox for release in May, with Ibiza / Malta gigs and a Defected Basement mix lined up to support the arrival of this first single.
On his own vinyl label Discolidays, The Reflex has collaborated with Because Music in Paris re-imagining the catalogue from (Daft Punk) Thomas Bangalter’s father, Daniel Vangarde, and his label Zagora while showcasing his remix work for Cerrone, Patrice Rushen, D.C. LaRue, Nile Rodgers ft Nubiyan Twist, Bruise and others to commercial and critical acclaim.

As a DJ, The Reflex sets are energy-packed workouts firmly rooted into disco / house / balearic territory somewhere between trainspotters’ paradise and revision anthems, with an ability to adapt to audiences and venues through his 20+ years DJ experience.

Bookings / Remix / Press Enquiries: mgmt@discolidays.com
https://linktr.ee/thereflex

Socials
https://www.youtube.com/c/TheReflexRevision
https://soundcloud.com/thereflex
https://www.facebook.com/thereflexmusic
https://www.instagram.com/thereflexmusic/ 
https://open.spotify.com/artist/6E7SbenCPEit9gDFnMlDUA?si=RxLmyt67Q9W-NJgCSSQC9A

A new & upcoming House producer from Norwich.

 A rhythmic bass and break heavy backbone, fierce horns and a vocal trio, dubbed live to the nines.
The Piratones carry a grounded message delivered through underground styles and rooted sounds.
Georgia King - Vocals/ Acoustic Guitar
Dan Law - Vocals/ Electric Guitar
Mikey Shaw - Alto Sax/Dubs
Freddie Fielder - Alto Sax/Vocals
Jordan Smart - Baritone/Tenor Sax
Zebedee Jordan - Drums
Ben Allen - Bass

https://www.facebook.com/thepiratones/
http://www.thepiratones.co.uk/
http://the-piratones.bandcamp.com/
https://twitter.com/thePiratones
https://instagram.com/thepiratones/

Contact/Booking: thepiratones@hotmail.com


This is the Dimitri From Paris official Soundcloud page. The purpose of this page is to act as a showreel for my skill as an artist, producer, remixer or editor. 
Please note that due to the host's strict copyright policies NO DOWNLOADS will be possible unless I have a written authorisation from copyright holders.

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