Marco Lucchi : organ
James Hill : trumpet

for "organ verses", an album by Marco Lucchi
https://soundcloud.com/marcolucchi/sets/organ-patterns

Marco Lucchi & James Hill - Ouroboros

M.Nomized is a recording artist, mail artist, author, collagist and painter who was born Madrange Michel in Paris in 1956. He started his work in 1975 with contemporary music and sound research. In the subsequent 39 years he has appeared on more than 200 solo, collaboration and compilation CD and tape releases on his own Fraction Studio label, and on numerous European, Japanses, and American labels. M.Nomized has recorded and created music in many different styles, including experimental, electronic, minimalist and repetitive musics, industrial, Indian music, Algerian music, noise, cyclic and loop-based music, children's theater, ambient, piano, and spoken word. He was an important figure in the homemade music scene of the 1980s and 1990s, and was well-known for his recordings as a member of No Unauthorized. M.Nomized has collaborated with De Fabriek, Don Campau, Mr.Moto, Carsten Olbrich, The Legendary Poptones, Daniele Brusaschetto, Kora, Messy, Silentport, William Spivey, Mlehst and many others.
Contact: www.facebook.com/mnomized 

Violin
 
https://www.youtube.com/channel/UC75yod6RSSe4JLRdhnW8StA

collaborations, shared projects, ideas ..

http://marcolucchi.bandcamp.com/

https://musichevirtuali.blogspot.com/

www.musichevirtuali.org

https://twitter.com/musichevirtuali

https://www.facebook.com/pages/orchestra-eclettica-e-sincretista/111790807863?fref=ts

Henrik Meierkord is a musician who experiments with different genres. His main instrument is the cello, but he also plays other instruments. Through his ambient music he tries to let the listener find his/her own emotion and contemplate.
For Henrik Meierkord, music is therapy and balsam for the soul and he will keep making music in his unique way.

And please! Mail me at :
henkemeierkord@gmail.com
 Not via sc.

Since I bought a second-hand synth in 1991 didn't stop connecting my thoughts and emotions with audio frequencies:
[Original] EXISTENCE is my solo project.

In the mid '90s I collaborated with italians "Cupio Dissolvi", particularly in the albums "Benomyl" and "La Cruna dell'Ego"(keyboards, guitar, sound recording; though with limited equipment).
2021-collaborated with GYPSY on this mini-lp: https://originalexistence.bandcamp.com/album/sublime-blunders-subliminal-aches
Formed an experimental rock duo with italian artist STONEMOON, "WEIRD PAKT"(also available into his socials).
We recorded 4 tracks, one being #41 into "The Black Lodge Music Compilation":
https://thechurchofnoisygoat.bandcamp.com/track/weird-pakt-l-a-m
[original] Existence has tracks #5 and #60 in the "Cut-Up" compilation, 
https://thechurchofnoisygoat.bandcamp.com/album/cut-up-a-music-compilation-in-honor-of-william-s-burroughs
...and track #74 into the "23 Enigma Compilation", https://thechurchofnoisygoat.bandcamp.com/track/original-existence-aged-23 (also by Brazilian netlabel The Church Of Noisy Goat).
My spoken word track "Endless Curse" appears into the compilation "À l'État Brut" by UK netlabel IFAR (#5):
https://ifarmusiqueconcretecompilation.bandcamp.com/track/endless-curse
As the (ceased) "side persona" project, ITRIANO ROSPS: https://itrianorosps.bandcamp.com
https://on.soundcloud.com/ZaRnb
Appears into "Combinaciones y Permutaciones" also by label IFAR, track #12:
https://ifarmusiqueconcretecompilation.bandcamp.com/track/de-pire-en-pire
...track#13 into "Concrète Poetry Two":
https://ifarmusiqueconcretecompilation.bandcamp.com/track/claqu-nos-verres
...and again track #13 in the compilation "Ever Present"(cd available)
https://ifarmusiqueconcretecompilation.bandcamp.com/track/chance-errante
...and track #10 into "Collage Music(3)": https://ifarmusiqueconcretecompilation.bandcamp.com/track/pieve-pagnotta?fbclid=IwAR3XGGQnlCmhZG9q_ru7fX1qH3MDuDH0ITcm25qOyltyvP7gYsDOvw7n3ZM
...track #4 into "Solaris":
https://ifarmusiqueconcretecompilation.bandcamp.com/track/florentia-turistae-megadromm
New side project: DODECAEDRO (again with Mark Stone). Our track "Sheol" stands into the IFAR compilation "Collage Music (20)", track#5
https://ifarmusiqueconcretecompilation.bandcamp.com/album/collage-music-20
...and here (#85) https://thechurchofnoisygoat.bandcamp.com/track/dodecaedro-sheol?fbclid=IwZXh0bgNhZW0CMTEAAR3Tty1HrrNERCGBgho3jNr5zbgsg7-Zjul7Zby2qAwaJ0c1NWmMtCw-TGY_aem_7MN7YUDoLSQSqDDdSgCJ_A

Beside audio, a bunch of videoclips popped up randomly:

YOUTUBE channel
banned May 2022...26 subscribers, +1.000 views...Possibly disturbing, what an honour!!
Replaced with VIMEO https://vimeo.com/originalexistence
...and INSTAGRAM https://instagram.com/original_existence

Keepin' on harassing capitalists as long as I can_

Counter Silence is Southend based composer/producer Colin Ventura.
Check out my Bandcamp here:
https://countersilence.bandcamp.com/

Pete Swinton is a half Hungarian, half Polish man born in London, UK in 1961. Between 1988 and 2003 he lived in Portugal. Since 2015 he lives in Jawa, Indonesia. He began playing guitar in the '70s. He started playing keyboards in the 2000s. He makes Ambient and Experimental music. And a cross between the 2 which he calls Insanbient music. He was using the name Srigala but has now stopped. (To hear the music as accurately as it was recorded and mixed the use of headphones is strongly recommended)

I have played and recorded in international settings, a multitude of percussion instruments, guitar, bass, harmonica, some flutes, keyboard, and if you push me - a very fine jaw harp.

In fact, if I break it down.... I just love to offer-up music, in a living room, a bar, a concert hall or an intercontinental, interactive satellite coordinated concert. 
  
I became fascinated with percussive sounds from around the world… especially African and Latin American rhythms. I fanatically traveled the world collecting anything that you could bang, scrape or hit.
What I learned? Border customs people really don’t appreciate the true value of handmade African caxixi shakers or a Brazilian berimbau. They just want the serial number.
More importantly, a single clicking or ringing sound in a song can make or break that song.
  
I toured Canada, USA and Europe and recorded many “world music” albums (before it was called that), with my late, musical soul mate, Dario Domingues. We played in grand churches, the water reservoirs under Munich, on an island where 100,000 doves were released at the climax of our performance, the first-ever “simulcast”, live satellite, intercontinental concert and then, the humbling experience of being involved in Berlin, in front of 500,000 people, for a series of anti-apartheid concerts featuring ‘Sting’.  For our 'world music' efforts, we were awarded the Deutscher Schallplattenpreisan (1983) accolade by the Deutsche Phono-Akademie, an association of recording companies of Germany that recognizes outstanding achievement in the music industry.  
What I learned? Music is truly a universal language. Around the world people are drawn to music. Of course, different strokes for different folks! 
Whether you play in front of a half-million people in a field, or 10 people in a bar, your role as a musician never changes.  
 
“Dream of the Drum” – I was commissioned to compose and conduct a score for 40+ percussionists from all corners of the world... Jamaican fire dancers, Trinidadian steel drummers, Japanese kodo drummers, African djembe players, military drummers,... the list goes on.
What I learned? The language of music respects no geographic borders. 
Also, never start your outdoor concert, with a lone Native Elder's rain drum song. The drum's magic works!
 
I helped build three innovative recording studios plus, my current production studio. I academically taught musical acoustics and production for several years.
What I learned? All the mathematics and physics in the world can’t replace a good ear.
 
As a producer, I've had the wonderful opportunity to work in great studios in NYC and Nashville with amazing session musicians such as: Eric "Roscoe" Ambel - best known as lead guitarist of Steve Earle’s band the Dukes; Dan Baird of the chart-topping 'Georgia Satellites'; guitarist extraordinaire, Warner E. Hodges, founding member of 'Jason and the Scorchers'.
What I learned? Great musicians tend to be humble but they sure have opinions! In Nashville, I was bluntly told -"No, I won't raise the tom level - in country music, we use toms for holding our bourbon glass." I never did get the toms louder.
 
I spent many years as President of the Ottawa International Jazz Festival and met some of the greatest musical geniuses in the world.
What I learned? "Man, if you have to ask what jazz is, you'll never know."
 
Music for jingles on radio and TV. Documentaries.
My personal favourite was coming up with suitable music for the mating rituals of pigs or, how to create 60 minutes of Arctic wind sounds for the movie 'Never Cry Wolf'.  
What I learned?  You can tell an entire story in a 29.5 second radio jingle and music is the glue that holds a great video together.

Cover picture reference:
https://www.sovrapposizioni.com/blog/sul-materialismo-trascendentale-intervista-ad-adrian-johnston-parte-i.

Profile picture reference:
https://www.facebook.com/IMaestriDelSocialismo/posts/783527791849174/.

Marco Lucchi & James Hill - Ouroboros

Orchestra Eclettica Sincretista