synthesizer disco, acid-dripping house & psychedelic techno - RSS Disco's straws slurp across the cosmic melange that is music.

have a dance with us at hello@undundbooking.com
or say hello at hello@rssdisco.com 

we run Mireia Records (@mireiarec) 

here's some upcoming dates:

01.01.25 - Sisyphos / Berlin 
26.01.25 - Island Universe / Berlin
08.02.25 - Ursprung Fi / Köln
22.02.25 - Turtur / Hamburg
15.03.25 - private / CH
29.03.25 - Discoteket / Stockholm / SE
26.04.25 - Nachtasyl / Hamburg
30.05.25 - private / Mainz
31.05.25 - Bosburcht Festival / NL
15.06.25 - Daylight Discotheque / Hamburg
21.06.25 - Tauron Nowa Muzyka Festiwal / PL
29.06.25 - Fusion Festival  / Lärz
05.07.25 - Thalia Theater / Hamburg
12.07.25 - HMV Sonnendeck / Hamburg
19.07.25 - Georgies Wundergarten / NL
27.07.25 - Salt & Silver / St. Peter Ording
09.08.25 - Daylight Discotheque / Berlin
15.08.25 - Dockville Festival / Hamburg
16.08.25 - Bucht der Träumer / Festival
14.09.25 - Sisyphos / Berlin
27.09.25 - Pratersauna / Wien / AT
02.10.25 - Allnighty / Nachtasyl / Hamburg
04.10.25 - 10 Jahre Z-Bau / Nürnberg
11.10.25 - Alter Ego / Amsterdam / NL
18.10.25 - ://about blank / Berlin
24.10.24 - RBL Torino Radio
24.10.25 - Devozioni Baleari / Turin / IT
14.11.25 - Le Confetti Club / Berlin
15.11.25 - Alle Lampen An / Südpol / Hamburg
06.12.25 - tba / Berlin
27.12.25 - 39C3 
31.12.25 - La Dolce Vita / Thalia Theater / Hamburg
01.01.25 - Golden Pudel / Hamburg
03.01.26 - Kater / Berlin
04.01.26 - Sisyphos / Berlin

hope to see you soon again!

// Neues Video zur neuen Single "Je Te Tiens Et Tu Me Tiens": 
https://bit.ly/je-te-tiens-et-tu-me-tiens

// Das ehrlichste Live-Trio des Freizeitparks. 
Sie waren schon uncool bevor es cool war uncool zu sein. Mit ihrer Synthpop-Achterbahn bringen sie die keller-gebräunten Gesichter zum strahlen. Los, steig ein, in den Götterscheiße-Waggon, und lass dich zu einer ganz persönlichen Fahrt durch den Liebestunnel einladen. Looping für Looping keine Nieten - only fans!

// Radiospaß:
05/2019: Detektor.fm Band des Monats
04/2019 MDR Sputnik Soundcheck Act der Woche

// wo wir waren:
2022/09/30: Halle a.d.Saale: Palette
2022/09/10: Taucha: Almente! Fest
2022/07/01: Leipzig: Ton in Ton
2021/09/12: Altenburg: Paul-Gustavus-Haus
2021/06/19: Leipzig: Ton in Ton
2020/09/12: Dresden: Kurzfilmfestival
2020/01/17: Leipzig: KulturLounge 
2019/12/27: Kassel: Sandershaus e.V.
2019/11/23: Leipzig: Fsociety
2019/10/30: Braunschweig: Schrill
2019/10/26: Dresden: GrooveStation
2019/10/24: Halle a.d.Saale: Charles Bronson
2019/09/08: Altenburg: Paul-Gustavus-Haus
2019/08/10: Lichterfeld-Schacksdorf: ARTLAKE FESTIVAL 2019
2019/07/06: Halle: MACH Festival
2019/07/05: Priefel: Freiflug Festival
2019/06/22: Thoßfell: Thossival Festival
2019/06/21: Leipzig: A&O Kunsthalle Vernissage 
2019/06/08: Berlin: Karneval der Kulturen
2019/06/02: Neukieritzsch: Zeitraum Festival
2019/05/10: Genshagen: MetaDada Festival
2019/05/04: Leipzig: Die Gute Quelle
2019/05/01: Berlin: GlogauAir
2019/04/13: Leipzig: Ilses Erika
2018/08/25: Hamburg: Schaluppe 
2018/08/24: Oyten: MOYN MOYN 2018
2018/08/17: Lichterfeld-Schacksdorf: ARTLAKE FESTIVAL 2018
2018/08/04: Hamburg: KeineKneteTrotzdemFete 
2018/05/20: Berlin: Karneval der Kulturen
2018/05/16: Halle (Saale): Sofakaravanne
2018/05/04: Berlin: Club Humboldthain
2018/04/30: Berlin: Private Vernissage
2018/04/20: Leipzig: Ilses Erika
2018/04/14: Berlin: Teufelsberg
2017/08/17: Lichterfeld-Schacksdorf: ARTLAKE FESTIVAL 2017

// Artworks
“Das Original” EP: Robert Niemz
Götterscheiße Remixes: Julian Roedel
Götterscheiße Instrumental: Julian Roedel
Götterscheiße Album: Johannes Amm

Electronic music producer from Germany.
Constantly discovering and developing the clash of electronic and pop music.
Spotify: https://open.spotify.com/artist/60DNHAmRelhyniqhRHAaXw?si=pGL2lYqpTIqf_wbPD1UGnQ

Instagram: https://www.instagram.com/wantai_music/
Facebook: fb.me/wantai.music
Twitter: https://twitter.com/wantai_music

At midnight, on March 13th 1991, a basement door opened at Leipziger Strasse 126, Berlin. Through this door, many passed, on their way to defining new terrains in electronic music. There they found a dance floor in the vaults of a closed-down department store, with a unique sound bound to dense fog, building night after night a history that was also a vision of the future. 

This history has seen in Jeff Mills’ first sets on three turntables, Underground Resistance's first live appearances in Europe, grandiose Tresor Park parties, to various chapters of the Loveparade with Sven Väth in the 90s and since then countless generation-spanning parties. These moments represent the highlights of infinite personal clubbing experiences. It is the manifestation of the Berlin spirit, emerging from its considerable strife. This history is not without its complications - from temporary closure by the authorities and several raids in the early years to closure and demolition of the old location in 2005. What followed was years of wandering in exile and, finally, resurrection in the new home in Kraftwerk Berlin.

These stories, conversations and shared experiences within our walls forge a resilience that drives towards a shared ideal, the Tresor sound: community, resistance, and the world to come. This was observed in the newly re-unified German youth, who danced and celebrated together from the club’s inception, and into the present day through ongoing community work in Detroit. 

Tresor Records was founded in the same year and began to serve as a platform for exporting the new sounds associated with Tresor all around the world. Emergent musicians from Michigan, such as Juan Atkins, Underground Resistance and Drexciya, were pivotal in shaping these early years. Their visits to Berlin would kick-start dialogue between the youth movement in Europe and these musicians. This story is one of friendship and community-building, inextricably linked with cities like Detroit, Birmingham or Edinburgh, where like-minded friends built something truly special, where revelatory rhythms soundtrack decaying industry in corrupted metropoles. 

Tresor Records has been the fertile soil for dozens upon dozens of creative minds, from the very luminaries of the scene who developed electronic music over the last three decades through to contemporary protagonists who are currently defining the sound of the future -  A more than 300 strong catalogue displays an unmistakable identity - the Tresor spirit.

To those that have danced before, and to those that will dance in the future: the light at the end of the long Tresor tunnel is a signal. A flicker amidst the fog. This is our future. This is our place.

FLOORPAN "THE MASTER'S PLAN" (CLASSIC MUSIC):
https://cmc.lnk.to/cmcd141d

Before I got into this music I wanted to be an originator ; I wanted to be original".
Founding member of the legendary group Underground Resistance as a 'Minister Of Information' with ‘Mad’ Mike Banks & Jeff Mills, his seminal works on Jeff Mill's Axis and his very own M-Plant imprint paved the way for a wave of stripped-down dancefloor minimalism that directed much of techno's path throughout the late Nineties.
Robert Hood makes minimal Detroit techno with an emphasis on soul and experimentation over flash and popularity. 

"Growing up in Detroit, I grew up with Motown in the house - a lot of Motown and Philadelphia soul, artists like Marvin Gaye of course and Curtis Mayfield. I remember Isaac Hayes, the soundtrack from ‘Shaft’ had come out. My father was a jazz musician; he played piano, trumpet and drums. My mother was in an R’n’B group.
We listened to a lot of Motown - in fact, my grandfather’s first cousin is Berry Gordy.
"I was influenced by my father - I wanted to play trumpet like he did."
Robert's father tragically died when he was just 6. The photo of Robert siting down holding a trumpet is his fathers.
"I had to beg my grandmother to let me borrow the trumpet to take a picture with it"

In the early 90's he began to concentrate on his own production 'Vision EP', the 'Riot EP' and X-102 were big stepping-stones for him as they were the first releases he worked 100% on his own. The X-101 to X-102, were Waveform Transmission projects with Mills for Tresor. He slowly progressed to work more and more on his own, but collaberated on some of the first Axis releases with label owner Jeff Mills as H&M (Hood & Mills) with ‘Tranquilizer EP’ and ‘Drama’.

He soon decided it was time for him to start his own label to focus on what was in his soul musically. M-Plant started in ’94. I had developed this “grey area” sound - what I mean by that is that in Detroit, even when the sun is out, there’s something in the atmosphere. I don’t know if its pollution or whatever, but the sky has that grey haze over it. It’s got to be something from the industrial factories there. I’d never really heard a sound like that before and it came from a Roland Juno - it was a chord sound that really went along with my depiction of what Detroit was at that time. A lot of buildings were abandoned and there was a lot of lifelessness in the city, especially downtown. The M-Plant, in minimalism, kind of reflected that. I remember thinking of Detroit like a museum. You know, like a work of art standing still, suspended in time. There wasn’t a whole lot of activity going on.

Releasing singles such as "Internal Empire,", “The Protein Valve” "Music Data," and "Moveable Parts", "The Pace", more recently "Range", "Alpha" and that isn't even touching his other monikers Floorplan, Monobox, The Vision, etc.
"M-Plant is what I've always wanted to hear: the basic stripped down, raw sound. Just drums, basslines and funky grooves and only what's essential. Only what is essential to make people move. I started to look at it as a science, the art of making people move their butts, speaking to their heart, mind and soul. “It's a heart-felt rhythmic techno sound. M-Plant is just M. minimal. “

Although his desire to remain underground has been replaced by an urge to reach a wider audience, mainly via his housier, disco, gospel moniker Floorplan with his daughter Lyric Hood,   Hood remains fiercely critical of artistic and economic movements destructive to inner-city communities and has combined his musical enterprises with outreach and social activist ends.

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